Atta Troll, who once paraded
Like a mighty lord of deserts,
Free upon the mountain summit,
Dances in the vale to rabble!
Like a mighty lord of deserts,
Free upon the mountain summit,
Dances in the vale to rabble!
World's Greatest Books - Volume 17 - Poetry and Drama
So now to supper.
To-morrow we shall gather all the poor
of this parish about us; the mistakes of the night shall be crowned
with a merry morning.
FOOTNOTES:
[D] The Life of Goldsmith, by John Forster, may be found in
Volume IX of the WORLD'S GREATEST BOOKS (see also Vol. IV, p. 275).
"The Mistakes of a Night, or She Stoops to Conquer," appeared at Covent
Garden, in March, 1773. So convinced was George Colman that the public
would endure nothing but sentiment, that he could hardly be induced to
accept the play, and was extremely nervous about its success, almost
until the fall of the curtain on the first night. Nevertheless, its
success was immediate and decisive, and it became established as a
stock piece. The play loses nothing by the suppression of sentimental
passages between Hastings and Miss Neville, without which Colman
would certainly have declined it altogether. Apart from the main
argument--the wooing of Kate Hardcastle--the plot turns on the points
that Tony Lumpkin is the son of Mrs. Hardcastle by her first marriage,
and that Constance Neville is her niece and ward, not her husband's.
HEINRICH HEINE[E]
Atta Troll
_A Summer Night's Dream_
I
In the valley lies attractive Cauterets. The shining houses
Gay with balconies, and on them
Stand fair ladies loudly laughing.
Laughing as they look beneath them
On the brightly swarming market,
Where are dancing bear and she-bear
To the droning of the bagpipes.
Atta Troll and his good lady,
Whom the people call black Mumma,
Are the dancers; the Biscayans
Shout aloud in admiration.
Atta Troll, who once paraded
Like a mighty lord of deserts,
Free upon the mountain summit,
Dances in the vale to rabble!
Both the music and the laughter
Quickly cease, and shrieking loudly,
From the market fly the people,
And the ladies they are fainting.
Yes, the slavish chain that bound him
Suddenly hath rent asunder
Atta Troll. And, wildly springing,
Up the rocks he nimbly clambers.
In the empty market standing,
All alone are left black Mumma
And the keeper. Wild with fury
On the ground his hat he dashes.
On the wretched poor black Mumma
Falls this much-enraged one's fury
Doubly down at last; he beats her,
Then he calls her Queen Christina.
II
In the vale of Ronceval
Not far off from Roland's cleft,
And by savage fir-trees hidden,
Lies the cave of Atta Troll.
In the bosom of his family,
There he rests from all his hardships.
Tender meeting! All his young ones
Found he in the well-loved cavern:
Well-licked, lady-like young bears,
Blonde their hair, like parson's daughters;
Brown the boys, the youngest only
With the single ear is black.
Gladly now relates the old one
What he's in the world experienced,
Of the overwhelming plaudits
Reaped by his great skill in dancing.
Overcome by self-laudation,
Now he calls on deeds to witness
That he is no wretched boaster,
That he's really great at dancing.
III
In the caverns with his offspring,
Sick at heart, upon his back lies
Atta Troll; in meditation
Licks his paws, and, licking, growls:
"Mumma, Mumma, pearl of blackness,
Whom I fished from out life's ocean,
Is it thus that in life's ocean
I am forced again to lose thee!
"Might I only once more sniffle
That sweet odour, the peculiar,
Of my black, my darling Mumma,
Fragrant as the scent of roses!
"But, alas!
of this parish about us; the mistakes of the night shall be crowned
with a merry morning.
FOOTNOTES:
[D] The Life of Goldsmith, by John Forster, may be found in
Volume IX of the WORLD'S GREATEST BOOKS (see also Vol. IV, p. 275).
"The Mistakes of a Night, or She Stoops to Conquer," appeared at Covent
Garden, in March, 1773. So convinced was George Colman that the public
would endure nothing but sentiment, that he could hardly be induced to
accept the play, and was extremely nervous about its success, almost
until the fall of the curtain on the first night. Nevertheless, its
success was immediate and decisive, and it became established as a
stock piece. The play loses nothing by the suppression of sentimental
passages between Hastings and Miss Neville, without which Colman
would certainly have declined it altogether. Apart from the main
argument--the wooing of Kate Hardcastle--the plot turns on the points
that Tony Lumpkin is the son of Mrs. Hardcastle by her first marriage,
and that Constance Neville is her niece and ward, not her husband's.
HEINRICH HEINE[E]
Atta Troll
_A Summer Night's Dream_
I
In the valley lies attractive Cauterets. The shining houses
Gay with balconies, and on them
Stand fair ladies loudly laughing.
Laughing as they look beneath them
On the brightly swarming market,
Where are dancing bear and she-bear
To the droning of the bagpipes.
Atta Troll and his good lady,
Whom the people call black Mumma,
Are the dancers; the Biscayans
Shout aloud in admiration.
Atta Troll, who once paraded
Like a mighty lord of deserts,
Free upon the mountain summit,
Dances in the vale to rabble!
Both the music and the laughter
Quickly cease, and shrieking loudly,
From the market fly the people,
And the ladies they are fainting.
Yes, the slavish chain that bound him
Suddenly hath rent asunder
Atta Troll. And, wildly springing,
Up the rocks he nimbly clambers.
In the empty market standing,
All alone are left black Mumma
And the keeper. Wild with fury
On the ground his hat he dashes.
On the wretched poor black Mumma
Falls this much-enraged one's fury
Doubly down at last; he beats her,
Then he calls her Queen Christina.
II
In the vale of Ronceval
Not far off from Roland's cleft,
And by savage fir-trees hidden,
Lies the cave of Atta Troll.
In the bosom of his family,
There he rests from all his hardships.
Tender meeting! All his young ones
Found he in the well-loved cavern:
Well-licked, lady-like young bears,
Blonde their hair, like parson's daughters;
Brown the boys, the youngest only
With the single ear is black.
Gladly now relates the old one
What he's in the world experienced,
Of the overwhelming plaudits
Reaped by his great skill in dancing.
Overcome by self-laudation,
Now he calls on deeds to witness
That he is no wretched boaster,
That he's really great at dancing.
III
In the caverns with his offspring,
Sick at heart, upon his back lies
Atta Troll; in meditation
Licks his paws, and, licking, growls:
"Mumma, Mumma, pearl of blackness,
Whom I fished from out life's ocean,
Is it thus that in life's ocean
I am forced again to lose thee!
"Might I only once more sniffle
That sweet odour, the peculiar,
Of my black, my darling Mumma,
Fragrant as the scent of roses!
"But, alas!
