No More Learning

I know her worth so certainly

That I can no way turn elsewhere;

Which simply makes my poor heart brood,

When sun sets or rises swiftly:

I dare not say who inflames me;

My heart burns me

But my eyes are fed surely,

To contemplate | will sate,

That alone can ease me:

What keeps me alive, now see!

He's a fool who in loose speech

Claims his pains with joy compare,

For slanderers, whom God makes fools,

Never such fancy language seek:

One whispers while another shrieks,

Till Love retreats

That else would be complete;

I obfuscate | debate,

While they bully,

And still love loyally.

But health and joy now fill me

With pleasure that rises there;

Yet from my throat won't issue

For fear she may prove angry,

Since the flame of it yet I feel,

Of Love, that orders me

Never my heart to reveal,

Oft a mistake | fears make,

Loves are lost, not few,

Through poor security.

How many songs light and easy

I'd have made if she would succour

She who gives me joy and takes it,

Now I'm glad, now I'm unhappy,

Because to her will she binds me;

Yet it will make never a plea,

My heart, nor will seek to flee,

But freely I'll state | meets fate:

Should she forget me,

Then fled is mercy.

Tell Miels-de-Ben, if she rate

This fair melody,

Arnaut keeps memory.

Note: Regarding Miels-de-Ben, Better-than-Good, Arnaut's vida says: Et amet una auta dompna de Gascoigna, moiller d'En Guillem de Buonvila, mas non fo crezut qez anc la dompna li fezes plazer en dreich d'amor. 'And he loved a noble woman of Gascony, wife of Lord Guillem de Buonvila, but it was not believed that she ever pleased him with regard to the rights of love. ' Possibly this poem was addressed to her.

Lo ferm voler qu'el cor m'intra

The firm desire that in my heart enters

Can't be torn away by beak or nail

Of slanderer, who'll by cursing lose his soul,

And since I don't dare strike with branch or rod,

Secretly, at least, where I'll have no uncle,

I'll take my joy, in orchard or in chamber.

When I bring to mind that chamber

Where I know to my cost no man enters -

More hostile they are to me than brother, uncle -

No part of me but shivers, to my very nail,

More than a little child that sees the rod,

Such my fear of being hers too much in soul.

Would I were hers in body, and not in soul,

And she admitted me secretly to her chamber!

For it wounds my heart more than blow from rod,

That where she is her servant never enters.

I would be close to her like flesh to nail,

And not heed the warning of friend or uncle.

Never have I loved sister of my uncle

Longer or more deeply, by my soul,

For, as close as is the finger to the nail,

If she pleased, would I be to her chamber.

More can love bend, that in my heart enters,

Me to its will, than the strong some frail rod.
Since there flowered the Dry Rod,

Or from Adam sprang nephew and uncle;

Such true love as that which my heart enters

Has never, I think, existed in body or soul:

Wherever she is, abroad or in some chamber,

My heart can't part from her more than a nail.

So clings to her, is fixed as with a nail,

My heart, as the bark cleaves to the rod,

She is of joy my tower, palace, chamber;

And I love her more than brother, or uncle:

And twice the joy in Paradise for my soul,

If any man there through true loving enters.

Arnaut sends out his song of nail and uncle,

For her joy, who arms him with rod, his soul,

His Desire, that with worth her chamber enters.

Notes: Arnaut here invents the sestina, with its fixed set of words ending the lines of each of the six-line stanzas, but in a different order each time; numbering the first stanza's lines 123456, then the words ending the following stanzas appear in the order 615243, then 364125, then 532614, then 451362, and 246531. These six rhymes then appear in the tercet as well.

The manuscript reading of the last two lines has proved contentious, a grat de lieis que de sa vergua l'arma, son Dezirat, c'ab pretz en cambra intra is assumed. The subject of the verb 'enters' is then ambiguous. For 'uncle' read guardian, or keeper, throughout.

The music for this sestina survives in manuscript.

En cest sonnet coind'e leri

To this light tune, graceful and slender,

I set words, and shape and plane them,

So they'll be both true and sure,

With a little touch, and the file's care;

For Amor gilds and smoothes the flow

Of my song she alone inspires,

Who nurtures worth and is my guide.

Each day I grow better, purer,

For I serve and adore the noblest woman

In all the world - so I claim, and more.

I'm hers from my feet to my hair,

And even if the cold winds blow

Love reigns in my heart, and it acquires

Heat that the deepest winters hide.

A thousand masses I hear and offer,

Burn oil, wax candles in my hand,

So that success God might ensure,

For striving alone won't climb her stair.

When I gaze on her hair's golden glow

And her body's fresh delicate fires,

I love her more than all else beside.

I love her deeply and long for her,

Fear desire may lose her, if one can

Prove loving too well a fatal flaw!

For her heart floods mine everywhere,

It never subsides, that tidal flow;

Usury gains her the man she hires:

Worker, workshop, and all inside.