"
And, looking o'er the hedge, be-fore me I espied
A snow-white mountain lamb, with a-maiden at its side.
And, looking o'er the hedge, be-fore me I espied
A snow-white mountain lamb, with a-maiden at its side.
Edgar Allen Poe
It is the
beginning of the epic poem 'Temora. ' 'The blue waves of Ullin roll in
light; the green hills are covered with day; trees shake their dusty
heads in the breeze. ' And this this gorgeous, yet simple imagery, where
all is alive and panting with immortality-this, William Wordsworth, the
author of 'Peter Bell,' has _selected _for his contempt. We shall see
what better he, in his own person, has to offer. Imprimis:
"'And now she's at the pony's tail,
And now she's at the pony's head,
On that side now, and now on this;
And, almost stifled with her bliss,
A few sad tears does Betty shed. . . .
She pats the pony, where or when
She knows not. . . . happy Betty Foy!
Oh, Johnny, never mind the doctor! '
Secondly:
"'The dew was falling fast, the-stars began to blink;
I heard a voice: it said-"Drink, pretty creature, drink!
"
And, looking o'er the hedge, be-fore me I espied
A snow-white mountain lamb, with a-maiden at its side.
No other sheep was near,--the lamb was all alone,
And by a slender cord was-tether'd to a stone. '
"Now, we have no doubt this is all true: we will believe it, indeed we
will, Mr. W. Is it sympathy for the sheep you wish to excite? I love a
sheep from the bottom of my heart.
"But there are occasions, dear B-, there are occasions when even
Wordsworth is reasonable. Even Stamboul, it is said, shall have an end,
and the most unlucky blunders must come to a conclusion. Here is an
extract from his preface:-
"'Those who have been accustomed to the phraseology of modem writers, if
they persist in reading this book to a conclusion _(impossible! ) will,
_no doubt, have to struggle with feelings of awkwardness; (ha! ha! ha! )
they will look round for poetry (ha! ha! ha! ha!
beginning of the epic poem 'Temora. ' 'The blue waves of Ullin roll in
light; the green hills are covered with day; trees shake their dusty
heads in the breeze. ' And this this gorgeous, yet simple imagery, where
all is alive and panting with immortality-this, William Wordsworth, the
author of 'Peter Bell,' has _selected _for his contempt. We shall see
what better he, in his own person, has to offer. Imprimis:
"'And now she's at the pony's tail,
And now she's at the pony's head,
On that side now, and now on this;
And, almost stifled with her bliss,
A few sad tears does Betty shed. . . .
She pats the pony, where or when
She knows not. . . . happy Betty Foy!
Oh, Johnny, never mind the doctor! '
Secondly:
"'The dew was falling fast, the-stars began to blink;
I heard a voice: it said-"Drink, pretty creature, drink!
"
And, looking o'er the hedge, be-fore me I espied
A snow-white mountain lamb, with a-maiden at its side.
No other sheep was near,--the lamb was all alone,
And by a slender cord was-tether'd to a stone. '
"Now, we have no doubt this is all true: we will believe it, indeed we
will, Mr. W. Is it sympathy for the sheep you wish to excite? I love a
sheep from the bottom of my heart.
"But there are occasions, dear B-, there are occasions when even
Wordsworth is reasonable. Even Stamboul, it is said, shall have an end,
and the most unlucky blunders must come to a conclusion. Here is an
extract from his preface:-
"'Those who have been accustomed to the phraseology of modem writers, if
they persist in reading this book to a conclusion _(impossible! ) will,
_no doubt, have to struggle with feelings of awkwardness; (ha! ha! ha! )
they will look round for poetry (ha! ha! ha! ha!