It occurred
to me that the author might be John Davies of Hereford, who was
a dependent of the Countess and her two sons, and who made a
calligraphic copy of the _Psalms_ of Sidney and his sister, from
which they were printed by Singer in 1823.
to me that the author might be John Davies of Hereford, who was
a dependent of the Countess and her two sons, and who made a
calligraphic copy of the _Psalms_ of Sidney and his sister, from
which they were printed by Singer in 1823.
John Donne
(2) Of the manuscripts in which it appears,
_B_, _Cy_, _H40_, _RP31_, _O'F_, _P_, _S_, the best, _RP31_, assigns
it, not to Donne, but to 'Sir Edward Herbert', i. e. Lord Herbert of
Cherbury. [17] Mr. Chambers, indeed, inadvertently stated that in this
manuscript 'it is said to have been written to George Herbert'. The
name 'Sr Edw. Herbert' is written beside the poem, and that in such
cases is meant to indicate the author of the poem. It seems to me
quite possible that it was written by Lord Herbert, but until more
evidence be forthcoming I have let it stand, because (1) the letters
'I. D. ' printed after the poem show that the poem must have been
so initialled in the manuscript from which it was printed, and (2)
because, though not in the style of Donne's later religious poems, it
is somewhat in the style of the philosophical, stoical letter which
Donne addressed to Sir Edward Herbert at the siege of Juliers in 1610.
The poem was possibly composed at the same time. (3) The thought of
the last verse, our ignorance of ourselves, recurs in Donne's poems
and prose. Compare _Negative Love_ (p. 66):
If any who deciphers best,
What we know not, our selves,
and the passage quoted in the note to this poem.
The poem _Upon the translation of the Psalmes by Sir Philip Sydney,
and the Countesse of Pembroke his Sister_, if by Donne, was probably
written late in his life and never widely circulated.
It occurred
to me that the author might be John Davies of Hereford, who was
a dependent of the Countess and her two sons, and who made a
calligraphic copy of the _Psalms_ of Sidney and his sister, from
which they were printed by Singer in 1823. But Professor Saintsbury
considers, I think justly, that the 'wit' of the opening lines,
Eternall God (for whom who ever dare
Seeke new expressions, doe the Circle square,
And thrust into strait corners of poore wit
Thee who art cornerlesse and infinite),
is above Davies' level, and indeed the whole poem is. The lines _To
Mr. Tilman after he had taken orders_ (22 on the list) were also
probably privately communicated to the person to whom they were
addressed. The best argument for their genuineness is that Walton
seems to quote from them when he describes Donne's preaching.
For they doe
As Angels out of clouds, from Pulpits speake,
must have suggested 'always preaching to himself, like an angel from a
cloud, but in none'. This does not, however, carry us very far. Walton
had seen the editions of 1635 and 1639 before he wrote these lines in
1640.
The verse _On the Sacrament_ (23 on the list) is probably assigned to
Donne by a pure conjecture. It is very frequently attributed to Queen
Elizabeth.
Of the two poems added in _1649_ the lines _Upon Mr. Thomas Coryats
Crudities_ are of course Donne's. They appeared with his name in his
lifetime, and Donne is one of the friends mentioned by Coryat in his
letters from India. _The Token_ (4 on the list) may or may not be
Donne's. It is found in several, but no very good, manuscripts.
Its wit is quite in Donne's style, though not absolutely beyond the
compass of another.
_B_, _Cy_, _H40_, _RP31_, _O'F_, _P_, _S_, the best, _RP31_, assigns
it, not to Donne, but to 'Sir Edward Herbert', i. e. Lord Herbert of
Cherbury. [17] Mr. Chambers, indeed, inadvertently stated that in this
manuscript 'it is said to have been written to George Herbert'. The
name 'Sr Edw. Herbert' is written beside the poem, and that in such
cases is meant to indicate the author of the poem. It seems to me
quite possible that it was written by Lord Herbert, but until more
evidence be forthcoming I have let it stand, because (1) the letters
'I. D. ' printed after the poem show that the poem must have been
so initialled in the manuscript from which it was printed, and (2)
because, though not in the style of Donne's later religious poems, it
is somewhat in the style of the philosophical, stoical letter which
Donne addressed to Sir Edward Herbert at the siege of Juliers in 1610.
The poem was possibly composed at the same time. (3) The thought of
the last verse, our ignorance of ourselves, recurs in Donne's poems
and prose. Compare _Negative Love_ (p. 66):
If any who deciphers best,
What we know not, our selves,
and the passage quoted in the note to this poem.
The poem _Upon the translation of the Psalmes by Sir Philip Sydney,
and the Countesse of Pembroke his Sister_, if by Donne, was probably
written late in his life and never widely circulated.
It occurred
to me that the author might be John Davies of Hereford, who was
a dependent of the Countess and her two sons, and who made a
calligraphic copy of the _Psalms_ of Sidney and his sister, from
which they were printed by Singer in 1823. But Professor Saintsbury
considers, I think justly, that the 'wit' of the opening lines,
Eternall God (for whom who ever dare
Seeke new expressions, doe the Circle square,
And thrust into strait corners of poore wit
Thee who art cornerlesse and infinite),
is above Davies' level, and indeed the whole poem is. The lines _To
Mr. Tilman after he had taken orders_ (22 on the list) were also
probably privately communicated to the person to whom they were
addressed. The best argument for their genuineness is that Walton
seems to quote from them when he describes Donne's preaching.
For they doe
As Angels out of clouds, from Pulpits speake,
must have suggested 'always preaching to himself, like an angel from a
cloud, but in none'. This does not, however, carry us very far. Walton
had seen the editions of 1635 and 1639 before he wrote these lines in
1640.
The verse _On the Sacrament_ (23 on the list) is probably assigned to
Donne by a pure conjecture. It is very frequently attributed to Queen
Elizabeth.
Of the two poems added in _1649_ the lines _Upon Mr. Thomas Coryats
Crudities_ are of course Donne's. They appeared with his name in his
lifetime, and Donne is one of the friends mentioned by Coryat in his
letters from India. _The Token_ (4 on the list) may or may not be
Donne's. It is found in several, but no very good, manuscripts.
Its wit is quite in Donne's style, though not absolutely beyond the
compass of another.
