No More Learning

And thou shalt trample down and make a scorn
Of the vile reptile swollen up with hate.
And thou shalt see my thoughts, all consecrate,
Like candles set before thy flower-strewn shrine,
O Queen of Virgins, and the taper-shine
Shall glimmer star-like in the vault of blue,
With eyes of flame for ever watching you.
While all the love and worship in my sense
Will be sweet smoke of myrrh and frankincense.
Ceaselessly up to thee, white peak of snow,
My stormy spirit will in vapours go!

And last, to make thy drama all complete,
That love and cruelty may mix and meet,
I, thy remorseful torturer, will take
All the Seven Deadly Sins, and from them make
In darkest joy, Seven Knives, cruel-edged and keen,
And like a juggler choosing, O my Queen,
That spot profound whence love and mercy start,
I'll plunge them all within thy panting heart!




THE SKY.


Where'er he be, on water or on land,
Under pale suns or climes that flames enfold;
One of Christ's own, or of Cythera's band,
Shadowy beggar or Croesus rich with gold;

Citizen, peasant, student, tramp; whate'er
His little brain may be, alive or dead;
Man knows the fear of mystery everywhere,
And peeps, with trembling glances, overhead.

The heaven above? A strangling cavern wall;
The lighted ceiling of a music-hall
Where every actor treads a bloody soil--

The hermit's hope; the terror of the sot;
The sky: the black lid of the mighty pot
Where the vast human generations boil!




SPLEEN.


I'm like some king in whose corrupted veins
Flows aged blood; who rules a land of rains;
Who, young in years, is old in all distress;
Who flees good counsel to find weariness
Among his dogs and playthings, who is stirred
Neither by hunting-hound nor hunting-bird;
Whose weary face emotion moves no more
E'en when his people die before his door.
His favourite Jester's most fantastic wile
Upon that sick, cruel face can raise no smile;
The courtly dames, to whom all kings are good,
Can lighten this young skeleton's dull mood
No more with shameless toilets. In his gloom
Even his lilied bed becomes a tomb.
The sage who takes his gold essays in vain
To purge away the old corrupted strain,
His baths of blood, that in the days of old
The Romans used when their hot blood grew cold,
Will never warm this dead man's bloodless pains,
For green Lethean water fills his veins.




THE OWLS.
Under the overhanging yews,
The dark owls sit in solemn state.
Like stranger gods; by twos and twos
Their red eyes gleam. They meditate.

Motionless thus they sit and dream
Until that melancholy hour
When, with the sun's last fading gleam,
The nightly shades assume their power.

From their still attitude the wise
Will learn with terror to despise
All tumult, movement, and unrest;

For he who follows every shade,
Carries the memory in his breast,
Of each unhappy journey made.




BIEN LOIN D'ICI.


Here is the chamber consecrate,
Wherein this maiden delicate,
And enigmatically sedate,

Fans herself while the moments creep,
Upon her cushions half-asleep,
And hears the fountains plash and weep.

Dorothy's chamber undefiled.
The winds and waters sing afar
Their song of sighing strange and wild
To lull to sleep the petted child.

From head to foot with subtle care,
Slaves have perfumed her delicate skin
With odorous oils and benzoin.
And flowers faint in a corner there.




MUSIC.


Music doth oft uplift me like a sea
Towards my planet pale,
Then through dark fogs or heaven's infinity
I lift my wandering sail.

With breast advanced, drinking the winds that flee,
And through the cordage wail,
I mount the hurrying waves night hides from me
Beneath her sombre veil.

I feel the tremblings of all passions known
To ships before the breeze;
Cradled by gentle winds, or tempest-blown

I pass the abysmal seas
That are, when calm, the mirror level and fair
Of my despair!




CONTEMPLATION.