_80
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy.
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy.
Shelley
CHORUS:
What wondrous sound is that, mournful and faint, _35
But more melodious than the murmuring wind
Which through the columns of a temple glides?
A:
It is the wandering voice of Orpheus' lyre,
Borne by the winds, who sigh that their rude king
Hurries them fast from these air-feeding notes; _40
But in their speed they bear along with them
The waning sound, scattering it like dew
Upon the startled sense.
CHORUS:
Does he still sing?
Methought he rashly cast away his harp
When he had lost Eurydice.
A:
Ah, no! _45
Awhile he paused. As a poor hunted stag
A moment shudders on the fearful brink
Of a swift stream--the cruel hounds press on
With deafening yell, the arrows glance and wound,--
He plunges in: so Orpheus, seized and torn _50
By the sharp fangs of an insatiate grief,
Maenad-like waved his lyre in the bright air,
And wildly shrieked 'Where she is, it is dark! '
And then he struck from forth the strings a sound
Of deep and fearful melody. Alas! _55
In times long past, when fair Eurydice
With her bright eyes sat listening by his side,
He gently sang of high and heavenly themes.
As in a brook, fretted with little waves
By the light airs of spring--each riplet makes _60
A many-sided mirror for the sun,
While it flows musically through green banks,
Ceaseless and pauseless, ever clear and fresh,
So flowed his song, reflecting the deep joy
And tender love that fed those sweetest notes, _65
The heavenly offspring of ambrosial food.
But that is past. Returning from drear Hell,
He chose a lonely seat of unhewn stone,
Blackened with lichens, on a herbless plain.
Then from the deep and overflowing spring _70
Of his eternal ever-moving grief
There rose to Heaven a sound of angry song.
'Tis as a mighty cataract that parts
Two sister rocks with waters swift and strong, _75
And casts itself with horrid roar and din
Adown a steep; from a perennial source
It ever flows and falls, and breaks the air
With loud and fierce, but most harmonious roar,
And as it falls casts up a vaporous spray
Which the sun clothes in hues of Iris light.
_80
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy. Unlike all human works,
It never slackens, and through every change
Wisdom and beauty and the power divine _85
Of mighty poesy together dwell,
Mingling in sweet accord. As I have seen
A fierce south blast tear through the darkened sky,
Driving along a rack of winged clouds,
Which may not pause, but ever hurry on, _90
As their wild shepherd wills them, while the stars,
Twinkling and dim, peep from between the plumes.
Anon the sky is cleared, and the high dome
Of serene Heaven, starred with fiery flowers,
Shuts in the shaken earth; or the still moon _95
Swiftly, yet gracefully, begins her walk,
Rising all bright behind the eastern hills.
I talk of moon, and wind, and stars, and not
Of song; but, would I echo his high song,
Nature must lend me words ne'er used before, _100
Or I must borrow from her perfect works,
To picture forth his perfect attributes.
He does no longer sit upon his throne
Of rock upon a desert herbless plain,
For the evergreen and knotted ilexes, _105
And cypresses that seldom wave their boughs,
And sea-green olives with their grateful fruit,
And elms dragging along the twisted vines,
Which drop their berries as they follow fast,
And blackthorn bushes with their infant race _110
Of blushing rose-blooms; beeches, to lovers dear,
And weeping willow trees; all swift or slow,
As their huge boughs or lighter dress permit,
Have circled in his throne, and Earth herself
Has sent from her maternal breast a growth _115
Of starlike flowers and herbs of odour sweet,
To pave the temple that his poesy
Has framed, while near his feet grim lions couch,
And kids, fearless from love, creep near his lair.
Even the blind worms seem to feel the sound. _120
The birds are silent, hanging down their heads,
Perched on the lowest branches of the trees;
Not even the nightingale intrudes a note
In rivalry, but all entranced she listens.
NOTES:
_16, _17, _24 1870 only.
_45-_55 Ah, no! . . . melody 1870 only.
_66 1870 only.
_112 trees 1870; too 1862.