The suppression of some of these by the poet himself is as
unaccountable, as is his omission of certain stanzas in the earlier
poems from their later versions.
unaccountable, as is his omission of certain stanzas in the earlier
poems from their later versions.
Wordsworth - 1
letters, etc.
,--casting light on their contemporaries--should,
or should not, be preserved. I am convinced, for example, that if the
Wordsworth household had not destroyed all the letters which Coleridge
sent to them, in the first decade of this century, the world would now
possess much important knowledge which is for ever lost. It may have
been wise, for reasons now unknown, to burn those letters, written by
Coleridge: but the students of the literature of the period would gladly
have them now.
Passing from the question of the preservation of Letters, it is evident
that Wordsworth was very careful in distinguishing between the Verses
which he sent to Newspapers and Magazines, and those Poems which he
included in his published volumes. His anxiety on this point may be
inferred from the way in which he more than once emphasised the fact of
republication, e. g. in 'Peter Bell' (1819) he put the following
prefatory note to four sonnets, which had previously appeared in
'Blackwood's Magazine', and which afterwards (1828) appeared in the
'Poetical Album' of Alaric Watts, "The following Sonnets having lately
appeared in Periodical Publications are here reprinted. "
Some of the poems (or fragments of poems), included in the 'addenda' to
Volume viii. of this edition, I would willingly have left out
(especially the sonnet addressed to Miss Maria Williams); but, since
they have appeared elsewhere, I feel justified in now reprinting even
that trivial youthful effusion, signed "Axiologus. " I rejoice, however,
that there is no likelihood that the "Somersetshire Tragedy" will ever
see the light. When I told Wordsworth's successor in the Laureateship
that I had burned a copy of that poem, sent to me by one to whom it had
been confided, his delight was great. It is the chronicle of a revolting
crime, with nothing in the verse to warrant its publication. The only
curious thing about it is that Wordsworth wrote it. With this exception,
there is no reason why the fragments which he did not himself republish,
and others which he published but afterwards suppressed, should not now
be printed.
The suppression of some of these by the poet himself is as
unaccountable, as is his omission of certain stanzas in the earlier
poems from their later versions. Even the Cambridge 'Installation Ode',
which is so feeble, will be reprinted. [16] 'The Glowworm', which only
appeared in the edition of 1807, will be republished in full. 'Andrew
Jones',--also suppressed after appearing in "Lyrical Ballads" of 1800,
1802, and 1805,--will be replaced, in like manner. The youthful 'School
Exercise' written at Hawkshead, the translation from the 'Georgics' of
Virgil, the poem addressed 'To the Queen' in 1846, will appear in their
chronological place in vol. viii. There are also a translation of some
French stanzas by Francis Wrangham on 'The Birth of Love'-a poem
entitled 'The Eagle and the Dove', which was privately printed in a
volume, consisting chiefly of French fragments, and called 'La petite
Chouannerie, ou Historie d'un College Breton sous l'Empire'--a sonnet on
the rebuilding of a church at Cardiff--an Election Squib written during
the Lowther and Brougham contest for the representation of the county of
Cumberland in 1818--some stanzas written in the Visitors' Book at the
Ferry, Windermere, and other fragments. Then, since Wordsworth published
some verses by his sister Dorothy in his own volumes, other unpublished
fragments by Miss Wordsworth may find a place in this edition. I do not
attach much importance, however, to the recovery of these unpublished
poems. The truth is, as Sir Henry Taylor--himself a poet and critic of
no mean order--remarked [17],
"In these days, when a great man's path to posterity is likely to be
more and more crowded, there is a tendency to create an obstruction,
in the desire to give an impulse. To gather about a man's work all the
details that can be found out about it is, in my opinion, to put a
drag upon it; and, as of the Works, so of the Life. "
The industrious labour of some editors in disinterring the trivial works
of great men is not a commendable industry. All great writers have
occasionally written trifles--this is true even of Shakespeare--and if
they wished them to perish, why should we seek to resuscitate them?
Besides, this labour--whether due to the industry of admiring friends,
or to the ambition of the literary resurrectionist--is futile; because
the verdict of Time is sure, and posterity is certain to consign the
recovered trivialities to kindly oblivion. The question which should
invariably present itself to the editor of the fragments of a great
writer is, "_Can these bones live_? " If they cannot, they had better
never see the light.
or should not, be preserved. I am convinced, for example, that if the
Wordsworth household had not destroyed all the letters which Coleridge
sent to them, in the first decade of this century, the world would now
possess much important knowledge which is for ever lost. It may have
been wise, for reasons now unknown, to burn those letters, written by
Coleridge: but the students of the literature of the period would gladly
have them now.
Passing from the question of the preservation of Letters, it is evident
that Wordsworth was very careful in distinguishing between the Verses
which he sent to Newspapers and Magazines, and those Poems which he
included in his published volumes. His anxiety on this point may be
inferred from the way in which he more than once emphasised the fact of
republication, e. g. in 'Peter Bell' (1819) he put the following
prefatory note to four sonnets, which had previously appeared in
'Blackwood's Magazine', and which afterwards (1828) appeared in the
'Poetical Album' of Alaric Watts, "The following Sonnets having lately
appeared in Periodical Publications are here reprinted. "
Some of the poems (or fragments of poems), included in the 'addenda' to
Volume viii. of this edition, I would willingly have left out
(especially the sonnet addressed to Miss Maria Williams); but, since
they have appeared elsewhere, I feel justified in now reprinting even
that trivial youthful effusion, signed "Axiologus. " I rejoice, however,
that there is no likelihood that the "Somersetshire Tragedy" will ever
see the light. When I told Wordsworth's successor in the Laureateship
that I had burned a copy of that poem, sent to me by one to whom it had
been confided, his delight was great. It is the chronicle of a revolting
crime, with nothing in the verse to warrant its publication. The only
curious thing about it is that Wordsworth wrote it. With this exception,
there is no reason why the fragments which he did not himself republish,
and others which he published but afterwards suppressed, should not now
be printed.
The suppression of some of these by the poet himself is as
unaccountable, as is his omission of certain stanzas in the earlier
poems from their later versions. Even the Cambridge 'Installation Ode',
which is so feeble, will be reprinted. [16] 'The Glowworm', which only
appeared in the edition of 1807, will be republished in full. 'Andrew
Jones',--also suppressed after appearing in "Lyrical Ballads" of 1800,
1802, and 1805,--will be replaced, in like manner. The youthful 'School
Exercise' written at Hawkshead, the translation from the 'Georgics' of
Virgil, the poem addressed 'To the Queen' in 1846, will appear in their
chronological place in vol. viii. There are also a translation of some
French stanzas by Francis Wrangham on 'The Birth of Love'-a poem
entitled 'The Eagle and the Dove', which was privately printed in a
volume, consisting chiefly of French fragments, and called 'La petite
Chouannerie, ou Historie d'un College Breton sous l'Empire'--a sonnet on
the rebuilding of a church at Cardiff--an Election Squib written during
the Lowther and Brougham contest for the representation of the county of
Cumberland in 1818--some stanzas written in the Visitors' Book at the
Ferry, Windermere, and other fragments. Then, since Wordsworth published
some verses by his sister Dorothy in his own volumes, other unpublished
fragments by Miss Wordsworth may find a place in this edition. I do not
attach much importance, however, to the recovery of these unpublished
poems. The truth is, as Sir Henry Taylor--himself a poet and critic of
no mean order--remarked [17],
"In these days, when a great man's path to posterity is likely to be
more and more crowded, there is a tendency to create an obstruction,
in the desire to give an impulse. To gather about a man's work all the
details that can be found out about it is, in my opinion, to put a
drag upon it; and, as of the Works, so of the Life. "
The industrious labour of some editors in disinterring the trivial works
of great men is not a commendable industry. All great writers have
occasionally written trifles--this is true even of Shakespeare--and if
they wished them to perish, why should we seek to resuscitate them?
Besides, this labour--whether due to the industry of admiring friends,
or to the ambition of the literary resurrectionist--is futile; because
the verdict of Time is sure, and posterity is certain to consign the
recovered trivialities to kindly oblivion. The question which should
invariably present itself to the editor of the fragments of a great
writer is, "_Can these bones live_? " If they cannot, they had better
never see the light.
