Jonson makes
frequent reference to the subject.
frequent reference to the subject.
Ben Jonson - The Devil's Association
'
Jonson often, but not invariably, announces the title of
the play in the prologue or induction. Cf. _Every Man out_,
_Cynthia's Revels_, _Poetaster_, and all plays subsequent
to _Bart. Fair_ except _Sad Shep_.
=3 Grandee's. = Jonson uses this affected form of address
again in _Timber_, ed. Schelling. 22. 27
=4 allowing vs no place. = As Gifford points out, the prologue is a
protest against the habit prevalent at the time of crowding the stage
with stools for the accommodation of the spectators.
Dekker in Chapter 6 of _The Guls Horne-booke_ gives the gallant full
instructions as to the behavior proper to the play-house. The youth
is advised to wait until 'the quaking prologue hath (by rubbing) got
culor into his cheekes', and then 'to creepe from behind the Arras,'
and plant himself 'on the very Rushes where the Commedy is to daunce,
yea, and vnder the state of Cambises himselfe. ' Sir John Davies makes
a similar allusion _(Epigrams_, ed. Grosart, 2. 10).
Jonson makes
frequent reference to the subject. Cf. _Induction_ to _The Staple
of News_, _Every Man out_, _Wks. _ 2. 31; _Prologue_ to _Cynthia's
Revels_, _Wks. _ 2. 210, etc.
=5 a subtill thing. = I. e. , thin, airy, spiritual, and so not
occupying space.
=6 worne in a thumbe-ring. = 'Nothing was more common, as we learn
from Lilly, than to carry about familiar spirits, shut up in rings,
watches, sword-hilts, and other articles of dress. '--G.
I have been unable to verify Gifford's statement from Lilly,
but the following passage from Harsnet's _Declaration_ (p. 13)
confirms it: 'For compassing of this treasure, there was a
consociation betweene 3 or 4 priests, _deuill-coniurers_, and
4 _discouerers_, or _seers_, reputed to carry about with them,
their familiars in rings, and glasses, by whose suggestion they
came to notice of those golden hoards.
Jonson often, but not invariably, announces the title of
the play in the prologue or induction. Cf. _Every Man out_,
_Cynthia's Revels_, _Poetaster_, and all plays subsequent
to _Bart. Fair_ except _Sad Shep_.
=3 Grandee's. = Jonson uses this affected form of address
again in _Timber_, ed. Schelling. 22. 27
=4 allowing vs no place. = As Gifford points out, the prologue is a
protest against the habit prevalent at the time of crowding the stage
with stools for the accommodation of the spectators.
Dekker in Chapter 6 of _The Guls Horne-booke_ gives the gallant full
instructions as to the behavior proper to the play-house. The youth
is advised to wait until 'the quaking prologue hath (by rubbing) got
culor into his cheekes', and then 'to creepe from behind the Arras,'
and plant himself 'on the very Rushes where the Commedy is to daunce,
yea, and vnder the state of Cambises himselfe. ' Sir John Davies makes
a similar allusion _(Epigrams_, ed. Grosart, 2. 10).
Jonson makes
frequent reference to the subject. Cf. _Induction_ to _The Staple
of News_, _Every Man out_, _Wks. _ 2. 31; _Prologue_ to _Cynthia's
Revels_, _Wks. _ 2. 210, etc.
=5 a subtill thing. = I. e. , thin, airy, spiritual, and so not
occupying space.
=6 worne in a thumbe-ring. = 'Nothing was more common, as we learn
from Lilly, than to carry about familiar spirits, shut up in rings,
watches, sword-hilts, and other articles of dress. '--G.
I have been unable to verify Gifford's statement from Lilly,
but the following passage from Harsnet's _Declaration_ (p. 13)
confirms it: 'For compassing of this treasure, there was a
consociation betweene 3 or 4 priests, _deuill-coniurers_, and
4 _discouerers_, or _seers_, reputed to carry about with them,
their familiars in rings, and glasses, by whose suggestion they
came to notice of those golden hoards.
