293)
The following extract from a letter of Mr.
The following extract from a letter of Mr.
William Wordsworth
There I stood
for many minutes in silence before the statue of Newton, while the
organ sounded. I never saw a statue that gave me one hundredth part so
much pleasure--but pleasure, that is not the word, it is a sublime
sensation--in harmony with sentiments of devotion to the Divine Being,
and reverence for the holy places where He is worshipped. We walked in
the groves all the morning and visited the Colleges. I sought out a
favourite ash tree which my brother speaks of in his poem on his own
life--a tree covered with ivy. We dined with a fellow of Peter-House
in his rooms, and after dinner I went to King's College Chapel. There,
and everywhere else at Cambridge, I was even much more impressed with
the effect of the buildings than I had been formerly, and I do believe
that this power of receiving an enlarged enjoyment from the sight of
buildings is one of the privileges of our later years. I have this
moment received a letter from William. . . . "
Ed.
* * * * *
NOTE V. --"THE MEETING-POINT OF TWO HIGHWAYS"
(See p. 353, 'The Prelude', book xii. l.
293)
The following extract from a letter of Mr. Rawnsley's casts important
light on a difficult question of localization. Dr. Cradock is inclined
now to select the Outgate Crag, the second of the four places referred
to by Mr. Rawnsley. But the first may have been the place, and the
extract which follows will show how much is yet to be done in this
matter of localizing poetical allusions.
"As to
'the crag,
That, from the meeting-point of two highways
Ascending, overlooked them both, far stretched,'
there seems to be no doubt but that we have four competitors for the
honour of being the place to which the poet:
'impatient for the sight
Of those led palfreys that should bear them home'
repaired with his brothers
'one Christmas-time,
On the glad eve of its dear holidays. '
And unless, as it seems is quite possible, from what one sees in other
of Wordsworth's poems, he really stood on one of the crags, and then
in his description drew the picture of the landscape at his feet from
his memory of what it was as seen from another of the vantage places,
we need a high crag, rising gradually or abruptly from the actual
meeting-place of two highways, with, if possible at this distance of
time, a wall--or traces of it--quite at its summit. (I may mention
that the wallers in this country still give two hundred years as the
length of time that a dry wall will stand. ) We need also traces of an
old thorn tree close by. The wall, too, must be so placed on the
summit of the crag that, as it faces the direction in which the lad is
looking for his palfrey, it shall afford shelter to him against
'the sleety rain,
And all the business of the elements. '
It is evident that the lad would be looking out in a north-easterly
direction, i. e. towards the head of Windermere and Ambleside. So that
'the mist,
That on the line of each of those two roads
Advanced in such indisputable shapes,'
was urged by a wind that found the poet at his look-out station, glad
to have the wall between him and it. Further, there must be in close
proximity wood and the sound of rushing water, or the lapping of a
lake wind-driven against the marge, for the boy remembers that 'the
bleak music from that old stone wall' was mingled with 'the noise of
wood and water.
for many minutes in silence before the statue of Newton, while the
organ sounded. I never saw a statue that gave me one hundredth part so
much pleasure--but pleasure, that is not the word, it is a sublime
sensation--in harmony with sentiments of devotion to the Divine Being,
and reverence for the holy places where He is worshipped. We walked in
the groves all the morning and visited the Colleges. I sought out a
favourite ash tree which my brother speaks of in his poem on his own
life--a tree covered with ivy. We dined with a fellow of Peter-House
in his rooms, and after dinner I went to King's College Chapel. There,
and everywhere else at Cambridge, I was even much more impressed with
the effect of the buildings than I had been formerly, and I do believe
that this power of receiving an enlarged enjoyment from the sight of
buildings is one of the privileges of our later years. I have this
moment received a letter from William. . . . "
Ed.
* * * * *
NOTE V. --"THE MEETING-POINT OF TWO HIGHWAYS"
(See p. 353, 'The Prelude', book xii. l.
293)
The following extract from a letter of Mr. Rawnsley's casts important
light on a difficult question of localization. Dr. Cradock is inclined
now to select the Outgate Crag, the second of the four places referred
to by Mr. Rawnsley. But the first may have been the place, and the
extract which follows will show how much is yet to be done in this
matter of localizing poetical allusions.
"As to
'the crag,
That, from the meeting-point of two highways
Ascending, overlooked them both, far stretched,'
there seems to be no doubt but that we have four competitors for the
honour of being the place to which the poet:
'impatient for the sight
Of those led palfreys that should bear them home'
repaired with his brothers
'one Christmas-time,
On the glad eve of its dear holidays. '
And unless, as it seems is quite possible, from what one sees in other
of Wordsworth's poems, he really stood on one of the crags, and then
in his description drew the picture of the landscape at his feet from
his memory of what it was as seen from another of the vantage places,
we need a high crag, rising gradually or abruptly from the actual
meeting-place of two highways, with, if possible at this distance of
time, a wall--or traces of it--quite at its summit. (I may mention
that the wallers in this country still give two hundred years as the
length of time that a dry wall will stand. ) We need also traces of an
old thorn tree close by. The wall, too, must be so placed on the
summit of the crag that, as it faces the direction in which the lad is
looking for his palfrey, it shall afford shelter to him against
'the sleety rain,
And all the business of the elements. '
It is evident that the lad would be looking out in a north-easterly
direction, i. e. towards the head of Windermere and Ambleside. So that
'the mist,
That on the line of each of those two roads
Advanced in such indisputable shapes,'
was urged by a wind that found the poet at his look-out station, glad
to have the wall between him and it. Further, there must be in close
proximity wood and the sound of rushing water, or the lapping of a
lake wind-driven against the marge, for the boy remembers that 'the
bleak music from that old stone wall' was mingled with 'the noise of
wood and water.
