`Clover' is placed as the initial poem of a volume which was left
in orderly arrangement among the author's papers.
in orderly arrangement among the author's papers.
Sidney Lanier
"
And then he fell upon his couch, and sobbed,
And, late, just when his heart leaned o'er
The very edge of breaking, fain to fall,
God sent him sleep.
There came his room-fellow,
Stout Dick, the painter, saw the written dream,
Read, scratched his curly pate, smiled, winked, fell on
The poem in big-hearted comic rage,
Quick folded, thrust in envelope, addressed
To him, the critic-god, that sitteth grim
And giant-grisly on the stone causeway
That leadeth to his magazine and fame.
Him, by due mail, the little Dream of June
Encountered growling, and at unawares
Stole in upon his poem-battered soul
So that he smiled, -- then shook his head upon 't
-- Then growled, then smiled again, till at the last,
As one that deadly sinned against his will,
He writ upon the margin of the Dream
A wondrous, wondrous word that in a day
Did turn the fleeting song to very bread,
-- Whereat Dick Painter leapt, the poet wept,
And Mary slept with happy drops a-gleam
Upon long lashes of her serene eyes
From twentieth reading of her poet's news
Quick-sent, "O sweet my Sweet, to dream is power,
And I can dream thee bread and dream thee wine,
And I will dream thee robes and gems, dear Love,
To clothe thy holy loveliness withal,
And I will dream thee here to live by me,
Thee and my little man thou hold'st at breast,
-- Come, Name, come, Fame, and kiss my Sweetheart's feet! "
____
Georgia, 1869.
Notes to Poems.
I. Sunrise.
`Sunrise', Mr. Lanier's latest completed poem, was written
while his sun of life seemed fairly at the setting,
and the hand which first pencilled its lines had not strength
to carry nourishment to the lips.
The three `Hymns of the Marshes' which open this collection
are the only written portions of a series of six `Marsh Hymns'
that were designed by the author to form a separate volume.
The `Song' of the Marshes, `At Sunset', does not belong to this group,
but is inserted among the `Hymns' as forming a true accord with them.
IV. The Marshes of Glynn.
The salt marshes of Glynn County, Georgia, immediately around
the sea-coast city of Brunswick.
Clover.
`Clover' is placed as the initial poem of a volume which was left
in orderly arrangement among the author's papers. His own grouping
in that volume has been followed as far as possible in this fuller collection.
The Mocking-Bird.
" . . . yon trim Shakespeare on the tree"
leads back, almost twenty years from its writing,
to the poet's college note-book where we find the boy reflecting:
"A poet is the mocking-bird of the spiritual universe.
In him are collected all the individual songs of all individual natures. "
Corn.
`Corn' will hold a distinct interest for those who study
the gathering forces in the author's growth: for it was the first outcome
of his consciously-developing art-life. This life, the musician's and poet's,
he entered upon -- after years of patient denial and suppression --
in September, 1873, uncertain of his powers but determined to give them wing.
His "fieldward-faring eyes took harvest" "among the stately corn-ranks",
in a portion of middle Georgia sixty miles to the north of Macon.
It is a high tract of country from which one looks across the lower reaches
to the distant Blue Ridge mountains, whose wholesome breath, all unobstructed,
here blends with the woods-odors of the beech, the hickory and the muscadine:
a part of a range recalled elsewhere by Mr. Lanier, as "that ample stretch
of generous soil, where the Appalachian ruggednesses calm themselves
into pleasant hills before dying quite away into the sea-board levels" --
where "a man can find such temperances of heaven and earth --
enough of struggle with nature to draw out manhood, with enough of bounty
to sanction the struggle -- that a more exquisite co-adaptation
of all blessed circumstances for man's life need not be sought. "
My Springs.
Of this newly-written poem Mr.
And then he fell upon his couch, and sobbed,
And, late, just when his heart leaned o'er
The very edge of breaking, fain to fall,
God sent him sleep.
There came his room-fellow,
Stout Dick, the painter, saw the written dream,
Read, scratched his curly pate, smiled, winked, fell on
The poem in big-hearted comic rage,
Quick folded, thrust in envelope, addressed
To him, the critic-god, that sitteth grim
And giant-grisly on the stone causeway
That leadeth to his magazine and fame.
Him, by due mail, the little Dream of June
Encountered growling, and at unawares
Stole in upon his poem-battered soul
So that he smiled, -- then shook his head upon 't
-- Then growled, then smiled again, till at the last,
As one that deadly sinned against his will,
He writ upon the margin of the Dream
A wondrous, wondrous word that in a day
Did turn the fleeting song to very bread,
-- Whereat Dick Painter leapt, the poet wept,
And Mary slept with happy drops a-gleam
Upon long lashes of her serene eyes
From twentieth reading of her poet's news
Quick-sent, "O sweet my Sweet, to dream is power,
And I can dream thee bread and dream thee wine,
And I will dream thee robes and gems, dear Love,
To clothe thy holy loveliness withal,
And I will dream thee here to live by me,
Thee and my little man thou hold'st at breast,
-- Come, Name, come, Fame, and kiss my Sweetheart's feet! "
____
Georgia, 1869.
Notes to Poems.
I. Sunrise.
`Sunrise', Mr. Lanier's latest completed poem, was written
while his sun of life seemed fairly at the setting,
and the hand which first pencilled its lines had not strength
to carry nourishment to the lips.
The three `Hymns of the Marshes' which open this collection
are the only written portions of a series of six `Marsh Hymns'
that were designed by the author to form a separate volume.
The `Song' of the Marshes, `At Sunset', does not belong to this group,
but is inserted among the `Hymns' as forming a true accord with them.
IV. The Marshes of Glynn.
The salt marshes of Glynn County, Georgia, immediately around
the sea-coast city of Brunswick.
Clover.
`Clover' is placed as the initial poem of a volume which was left
in orderly arrangement among the author's papers. His own grouping
in that volume has been followed as far as possible in this fuller collection.
The Mocking-Bird.
" . . . yon trim Shakespeare on the tree"
leads back, almost twenty years from its writing,
to the poet's college note-book where we find the boy reflecting:
"A poet is the mocking-bird of the spiritual universe.
In him are collected all the individual songs of all individual natures. "
Corn.
`Corn' will hold a distinct interest for those who study
the gathering forces in the author's growth: for it was the first outcome
of his consciously-developing art-life. This life, the musician's and poet's,
he entered upon -- after years of patient denial and suppression --
in September, 1873, uncertain of his powers but determined to give them wing.
His "fieldward-faring eyes took harvest" "among the stately corn-ranks",
in a portion of middle Georgia sixty miles to the north of Macon.
It is a high tract of country from which one looks across the lower reaches
to the distant Blue Ridge mountains, whose wholesome breath, all unobstructed,
here blends with the woods-odors of the beech, the hickory and the muscadine:
a part of a range recalled elsewhere by Mr. Lanier, as "that ample stretch
of generous soil, where the Appalachian ruggednesses calm themselves
into pleasant hills before dying quite away into the sea-board levels" --
where "a man can find such temperances of heaven and earth --
enough of struggle with nature to draw out manhood, with enough of bounty
to sanction the struggle -- that a more exquisite co-adaptation
of all blessed circumstances for man's life need not be sought. "
My Springs.
Of this newly-written poem Mr.
