No More Learning

I don't remember rightly how that came about; but he
told me of the Gate and I used to go there, and, somehow, I have never
got away from it since. Mind you, though, the Gate was a respectable
place in Fung-Tching's time where you could be comfortable, and not at
all like the chandoo-khanas where the niggers go. No; it was clean and
quiet, and not crowded. Of course, there were others beside us ten
and the man; but we always had a mat apiece with a wadded woollen
head-piece, all covered with black and red dragons and things; just like
a coffin in the corner.

At the end of one's third pipe the dragons used to move about and fight.
I've watched 'em, many and many a night through. I used to regulate
my Smoke that way, and now it takes a dozen pipes to make 'em stir.
Besides, they are all torn and dirty, like the mats, and old Fung-Tching
is dead. He died a couple of years ago, and gave me the pipe I always
use now--a silver one, with queer beasts crawling up and down the
receiver-bottle below the cup. Before that, I think, I used a big bamboo
stem with a copper cup, a very small one, and a green jade mouthpiece.
It was a little thicker than a walking-stick stem, and smoked sweet,
very sweet. The bamboo seemed to suck up the smoke. Silver doesn't, and
I've got to clean it out now and then, that's a great deal of trouble,
but I smoke it for the old man's sake. He must have made a good thing
out of me, but he always gave me clean mats and pillows, and the best
stuff you could get anywhere.

When he died, his nephew Tsin-ling took up the Gate, and he called it
the "Temple of the Three Possessions;" but we old ones speak of it
as the "Hundred Sorrows," all the same.
The nephew does things very
shabbily, and I think the Memsahib must help him. She lives with him;
same as she used to do with the old man. The two let in all sorts of low
people, niggers and all, and the Black Smoke isn't as good as it used
to be. I've found burnt bran in my pipe over and over again. The old man
would have died if that had happened in his time. Besides, the room
is never cleaned, and all the mats are torn and cut at the edges. The
coffin has gone--gone to China again--with the old man and two ounces of
smoke inside it, in case he should want 'em on the way.

The Joss doesn't get so many sticks burnt under his nose as he used to;
that's a sign of ill-luck, as sure as Death. He's all brown, too, and
no one ever attends to him. That's the Memsahib's work, I know; because,
when Tsin-ling tried to burn gilt paper before him, she said it was a
waste of money, and, if he kept a stick burning very slowly, the Joss
wouldn't know the difference. So now we've got the sticks mixed with
a lot of glue, and they take half-an-hour longer to burn, and smell
stinky. Let alone the smell of the room by itself. No business can get
on if they try that sort of thing.

The Joss doesn't like it. I can see that. Late at night, sometimes, he
turns all sorts of queer colors--blue and green and red--just as he used
to do when old Fung-Tching was alive; and he rolls his eyes and stamps
his feet like a devil.