From this point onward the new tablet takes up a hitherto
unknown portion of the epic, henceforth to be assigned to the second
book.
unknown portion of the epic, henceforth to be assigned to the second
book.
Epic of Gilgamesh
The reign of the former is given at 1,200 years and
that of Tammuz at 100 years. Gilgamish ruled 126 years. We have to
do here with a confusion of myth and history in which the real facts
are disengaged only by conjecture.
The prehistoric Sumerian dynasties were all transformed into the realm
of myth and legend. Nevertheless these rulers, although appearing
in the pretentious nomenclature as gods, appear to have been real
historic personages. [3] The name Gilgamish was originally written
_d_Gi-bil-aga-mis, and means "The fire god (_Gibil_) is a commander,"
abbreviated to _d_Gi-bil-ga-mis, and _d_Gi(s)-bil-ga-mis, a form
which by full labialization of _b_ to _u_ was finally contracted to
_d_Gi-il-ga-mis. [4] Throughout the new text the name is written with
the abbreviation _d_Gi(s), [5] whereas the standard Assyrian text
has consistently the writing _d_GIS-TU [6]-BAR. The latter method of
writing the name is apparently cryptographic for _d_Gis-bar-aga-(mis);
the fire god _Gibil_ has also the title _Gis-bar_.
A fragment of the South Babylonian version of the tenth book was
published in 1902, a text from the period of Hammurapi, which showed
that the Babylonian epic differed very much from the Assyrian in
diction, but not in content. The new tablet, which belongs to the same
period, also differs radically from the diction of the Ninevite text
in the few lines where they duplicate each other. The first line of the
new tablet corresponds to Tablet I, Col. V 25 of the Assyrian text, [7]
where Gilgamish begins to relate his dreams to his mother Ninsun. [8]
The last line of Col. I corresponds to the Assyrian version Book I,
Col. VI 29.
From this point onward the new tablet takes up a hitherto
unknown portion of the epic, henceforth to be assigned to the second
book. [9]
At the end of Book I in the Assyrian text and at the end of Col. I of
Book II in the new text, the situation in the legend is as follows. The
harlot halts outside the city of Erech with the enamoured Enkidu,
while she relates to him the two dreams of the king, Gilgamish. In
these dreams which he has told to his mother he receives premonition
concerning the advent of the satyr Enkidu, destined to join with him
in the conquest of Elam.
Now the harlot urges Enkidu to enter the beautiful city, to clothe
himself like other men and to learn the ways of civilization. When
he enters he sees someone, whose name is broken away, eating bread
and drinking milk, but the beautiful barbarian understands not. The
harlot commands him to eat and drink also:
"It is the conformity of life,
Of the conditions and fate of the Land. "
He rapidly learns the customs of men, becomes a shepherd and a mighty
hunter. At last he comes to the notice of Gilgamish himself, who is
shocked by the newly acquired manner of Enkidu.
"Oh harlot, take away the man," says the lord of Erech. Once again
the faithful woman instructs her heroic lover in the conventions
of society, this time teaching him the importance of the family
in Babylonian life, and obedience to the ruler. Now the people of
Erech assemble about him admiring his godlike appearance. Gilgamish
receives him and they dedicate their arms to heroic endeavor. At this
point the epic brings in a new and powerful _motif_, the renunciation
of woman's love in the presence of a great undertaking. Gilgamish
is enamoured of the beautiful virgin goddess Ishara, and Enkidu,
fearing the effeminate effects of his friend's attachment, prevents
him forcibly from entering a house.
that of Tammuz at 100 years. Gilgamish ruled 126 years. We have to
do here with a confusion of myth and history in which the real facts
are disengaged only by conjecture.
The prehistoric Sumerian dynasties were all transformed into the realm
of myth and legend. Nevertheless these rulers, although appearing
in the pretentious nomenclature as gods, appear to have been real
historic personages. [3] The name Gilgamish was originally written
_d_Gi-bil-aga-mis, and means "The fire god (_Gibil_) is a commander,"
abbreviated to _d_Gi-bil-ga-mis, and _d_Gi(s)-bil-ga-mis, a form
which by full labialization of _b_ to _u_ was finally contracted to
_d_Gi-il-ga-mis. [4] Throughout the new text the name is written with
the abbreviation _d_Gi(s), [5] whereas the standard Assyrian text
has consistently the writing _d_GIS-TU [6]-BAR. The latter method of
writing the name is apparently cryptographic for _d_Gis-bar-aga-(mis);
the fire god _Gibil_ has also the title _Gis-bar_.
A fragment of the South Babylonian version of the tenth book was
published in 1902, a text from the period of Hammurapi, which showed
that the Babylonian epic differed very much from the Assyrian in
diction, but not in content. The new tablet, which belongs to the same
period, also differs radically from the diction of the Ninevite text
in the few lines where they duplicate each other. The first line of the
new tablet corresponds to Tablet I, Col. V 25 of the Assyrian text, [7]
where Gilgamish begins to relate his dreams to his mother Ninsun. [8]
The last line of Col. I corresponds to the Assyrian version Book I,
Col. VI 29.
From this point onward the new tablet takes up a hitherto
unknown portion of the epic, henceforth to be assigned to the second
book. [9]
At the end of Book I in the Assyrian text and at the end of Col. I of
Book II in the new text, the situation in the legend is as follows. The
harlot halts outside the city of Erech with the enamoured Enkidu,
while she relates to him the two dreams of the king, Gilgamish. In
these dreams which he has told to his mother he receives premonition
concerning the advent of the satyr Enkidu, destined to join with him
in the conquest of Elam.
Now the harlot urges Enkidu to enter the beautiful city, to clothe
himself like other men and to learn the ways of civilization. When
he enters he sees someone, whose name is broken away, eating bread
and drinking milk, but the beautiful barbarian understands not. The
harlot commands him to eat and drink also:
"It is the conformity of life,
Of the conditions and fate of the Land. "
He rapidly learns the customs of men, becomes a shepherd and a mighty
hunter. At last he comes to the notice of Gilgamish himself, who is
shocked by the newly acquired manner of Enkidu.
"Oh harlot, take away the man," says the lord of Erech. Once again
the faithful woman instructs her heroic lover in the conventions
of society, this time teaching him the importance of the family
in Babylonian life, and obedience to the ruler. Now the people of
Erech assemble about him admiring his godlike appearance. Gilgamish
receives him and they dedicate their arms to heroic endeavor. At this
point the epic brings in a new and powerful _motif_, the renunciation
of woman's love in the presence of a great undertaking. Gilgamish
is enamoured of the beautiful virgin goddess Ishara, and Enkidu,
fearing the effeminate effects of his friend's attachment, prevents
him forcibly from entering a house.
