No More Learning

_ A large manuscript in the Library of Trinity College, Dublin,
containing two apparently quite independent collections of poems--the
first a collection of Donne's poems with one or two additional poems
by Sir John Roe, Francis Beaumont, Sir Thomas Overbury, and Corbet;
the second a quite miscellaneous collection, put together some time in
the thirties of the seventeenth century, and including some of Donne's
poems. It is only the first of these which belongs to the group in
question.

These four manuscripts are closely connected with one another, but a
still more intimate relation exists between _A18_ and _TCC_ on the
one hand, _N_ and _TCD_ on the other. _N_ and _TCD_ are the larger
collections; _A18_ and _TCC_ contain each a smaller selection from the
same body of poems. Indeed it would seem that _N_ is a copy of _TCD,
A18_ of _TCC_.


_TCD_, to start with it, is a beautifully written collection
of Donne's poems beginning with the _Satyres_, passing on to an
irregularly arranged series of elegies, letters, lyrics and epicedes,
and closing with the _Metempsychosis_ or _Progresse of the Soule_ and
the _Divine Poems_, which include the hymns written in the last years
of the poet's life. _N_ has the same poems, arranged in the same
order, and its readings are nearly always identical with those of
_TCD_, so far as I can judge from the collation made for me. The
handwriting, unlike that of _TCD_, is in what is known as secretary
hand and is somewhat difficult to read. What points to the one
manuscript being a copy of the other is that in 'Sweetest Love, I do
not go' the scribe has accidentally dropped stanza 4, by giving its
last line to stanza 3, and passing at once to the fifth stanza. Both
manuscripts make this mistake, whereas _A18_ and _TCC_ contain the
complete poem. In other places _N_ and _TCD_ agree in their readings
where _A18_ and _TCC_ diverge. If the one is a copy of the other,
_TCD_ is probably the more authoritative, as it contains some marginal
indications of authorship which _N_ omits.


_TCC_ is a smaller manuscript than _TCD_, but seems to be written
in the same clear, fine hand. It does not contain the _Satyres_, the
Elegy (XI. in this edition) _The Bracelet_, and the epistles _The
Storme_ and _The Calme_, with which _N_ and _TCD_ open.
It looks,
however, as though the sheets containing these poems had been torn
out. Besides these, however, _TCC_ omits, without any indication
of their being lost, an _Elegie to the Lady Bedford_ ('You that are
she'), the Palatine Epithalamion, a long series of letters[21]
which in _N_, _TCD_ follow that _To M. M. H. _ and precede _Sapho to
Philaenis_, the elegies on Prince Henry and on Lord Harington, and
_The Lamentations of Jeremy_. There are occasional differences in
the grouping of the poems; and _TCC_ does not contain some poems by
Beaumont, Corbet, Sir John Roe, and Sir Thomas Overbury which are
found in _N_ and _TCD_. In _TCD_ these, with the exception of that
by Beaumont, are carefully initialled, and therefore not ascribed to
Donne. In _N_ these initials are in some cases omitted; and some of
the poems have found their way into editions of Donne's poems.

Presumably _TCC_ is the earlier collection, and when _TCD_ was made,
the copyist was able to add fresh poems. It is clear, however, that
in the case of even those poems which the two have in common, the
one manuscript is not simply a copy of the others. There are several
divergences, and the mistake referred to above, in 'Sweetest Love, I
do not go', is not made in _TCC_. Strangely enough, a similar mistake
is made by _TCC_ in transcribing _Loves Deitie_ and is reproduced in
_A18_.


_A18_, indeed, would seem to be a copy of _TCC_. It is not in the same
handwriting, but in secretary hand. It omits the opening _Satyres_,
&c. , as does _TCC_, but there is no sign of excision.