No More Learning

I.

Trillets of humor, -- shrewdest whistle-wit, --
Contralto cadences of grave desire
Such as from off the passionate Indian pyre
Drift down through sandal-odored flames that split
About the slim young widow who doth sit
And sing above, -- midnights of tone entire, --
Tissues of moonlight shot with songs of fire; --
Bright drops of tune, from oceans infinite
Of melody, sipped off the thin-edged wave
And trickling down the beak, -- discourses brave
Of serious matter that no man may guess, --
Good-fellow greetings, cries of light distress --
All these but now within the house we heard:
O Death, wast thou too deaf to hear the bird?


II.

Ah me, though never an ear for song, thou hast
A tireless tooth for songsters: thus of late
Thou camest, Death, thou Cat! and leap'st my gate,
And, long ere Love could follow, thou hadst passed
Within and snatched away, how fast, how fast,
My bird -- wit, songs, and all -- thy richest freight
Since that fell time when in some wink of fate
Thy yellow claws unsheathed and stretched, and cast
Sharp hold on Keats, and dragged him slow away,
And harried him with hope and horrid play --
Ay, him, the world's best wood-bird, wise with song --
Till thou hadst wrought thine own last mortal wrong.
'Twas wrong! 'twas wrong! I care not, WRONG's the word --
To munch our Keats and crunch our mocking-bird.


III.

Nay, Bird; my grief gainsays the Lord's best right.
The Lord was fain, at some late festal time,
That Keats should set all Heaven's woods in rhyme,
And thou in bird-notes. Lo, this tearful night,
Methinks I see thee, fresh from death's despite,
Perched in a palm-grove, wild with pantomime,
O'er blissful companies couched in shady thyme,
-- Methinks I hear thy silver whistlings bright
Mix with the mighty discourse of the wise,
Till broad Beethoven, deaf no more, and Keats,
'Midst of much talk, uplift their smiling eyes,
And mark the music of thy wood-conceits,
And halfway pause on some large, courteous word,
And call thee "Brother", O thou heavenly Bird!

____
Baltimore, 1878.




The Dove.



If haply thou, O Desdemona Morn,
Shouldst call along the curving sphere, "Remain,
Dear Night, sweet Moor; nay, leave me not in scorn!
"
With soft halloos of heavenly love and pain; --

Shouldst thou, O Spring! a-cower in coverts dark,
'Gainst proud supplanting Summer sing thy plea,
And move the mighty woods through mailed bark
Till mortal heart-break throbbed in every tree; --

Or (grievous `if' that may be `yea' o'er-soon! ),
If thou, my Heart, long holden from thy Sweet,
Shouldst knock Death's door with mellow shocks of tune,
Sad inquiry to make -- `When may we meet? '

Nay, if ye three, O Morn! O Spring! O Heart!
Should chant grave unisons of grief and love;
Ye could not mourn with more melodious art
Than daily doth yon dim sequestered dove.

____
Chadd's Ford, Pennsylvania, 1877.




To ----, with a Rose.



I asked my heart to say
Some word whose worth my love's devoir might pay
Upon my Lady's natal day.

Then said my heart to me:
`Learn from the rhyme that now shall come to thee
What fits thy Love most lovingly. '

This gift that learning shows;
For, as a rhyme unto its rhyme-twin goes,
I send a rose unto a Rose.

____
Philadelphia, 1876.




On Huntingdon's "Miranda".



The storm hath blown thee a lover, sweet,
And laid him kneeling at thy feet.
But, -- guerdon rich for favor rare!