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Wailing her woe, the widow {41a} old,
her hair upbound, for Beowulf's death
sung in her sorrow, and said full oft
she dreaded the doleful days to come,
deaths enow, and doom of battle,
and shame. -- The smoke by the sky was devoured.
The folk of the Weders fashioned there
on the headland a barrow broad and high,
by ocean-farers far descried:
in ten days' time their toil had raised it,
the battle-brave's beacon. Round brands of the pyre
a wall they built, the worthiest ever
that wit could prompt in their wisest men.
They placed in the barrow that precious booty,
the rounds and the rings they had reft erewhile,
hardy heroes, from hoard in cave, --
trusting the ground with treasure of earls,
gold in the earth, where ever it lies
useless to men as of yore it was.
Then about that barrow the battle-keen rode,
atheling-born, a band of twelve,
lament to make, to mourn their king,
chant their dirge, and their chieftain honor.
They praised his earlship, his acts of prowess
worthily witnessed: and well it is
that men their master-friend mightily laud,
heartily love, when hence he goes
from life in the body forlorn away.

Thus made their mourning the men of Geatland,
for their hero's passing his hearth-companions:
quoth that of all the kings of earth,
of men he was mildest and most beloved,
to his kin the kindest, keenest for praise.



Footnotes:

{0a} Not, of course, Beowulf the Great, hero of the epic.

{0b} Kenning for king or chieftain of a comitatus: he breaks off
gold from the spiral rings -- often worn on the arm -- and so
rewards his followers.

{1a} That is, "The Hart," or "Stag," so called from decorations in
the gables that resembled the antlers of a deer. This hall has been
carefully described in a pamphlet by Heyne. The building was
rectangular, with opposite doors -- mainly west and east -- and a
hearth in the middle of th single room. A row of pillars down each
side, at some distance from the walls, made a space which was raised
a little above the main floor, and was furnished with two rows of
seats. On one side, usually south, was the high-seat midway between
the doors.
Opposite this, on the other raised space, was another
seat of honor. At the banquet soon to be described, Hrothgar sat in
the south or chief high-seat, and Beowulf opposite to him. The scene
for a flying (see below, v. 499) was thus very effectively set.
Planks on trestles -- the "board" of later English literature --
formed the tables just in front of the long rows of seats, and were
taken away after banquets, when the retainers were ready to stretch
themselves out for sleep on the benches.

{1b} Fire was the usual end of these halls. See v. 781 below. One
thinks of the splendid scene at the end of the Nibelungen, of the
Nialssaga, of Saxo's story of Amlethus, and many a less famous
instance.

{1c} It is to be supposed that all hearers of this poem knew how
Hrothgar's hall was burnt, -- perhaps in the unsuccessful attack
made on him by his son-in-law Ingeld.

{1d} A skilled minstrel. The Danes are heathens, as one is told
presently; but this lay of beginnings is taken from Genesis.

{1e} A disturber of the border, one who sallies from his haunt in
the fen and roams over the country near by. This probably pagan
nuisance is now furnished with biblical credentials as a fiend or
devil in good standing, so that all Christian Englishmen might read
about him. "Grendel" may mean one who grinds and crushes.

{1f} Cain's.