1-44) _The First
Anniversary_
(in roman), _D3-D7_ (pp.
John Donne
It is exceedingly rare.
The copy preserved in Lord
Ellesmere's library at Bridgewater House is a small octavo volume
of 26 pages (_Praise of the Dead, &c. _ 3 pp. , _Anatomy_ 19 pp. , and
_Funerall Elegie_ 4 pp. , all unnumbered), with title-page as given on
the page opposite.
In 1612 the poem was reissued along with the _Second Anniversary_. A
copy of this rare volume was sold at the Huth sale on the thirteenth
of June this year. With the kind permission of Mr. Edward Huth and
Messrs. Sotheby, Mr. Godfrey Keynes made a careful collation for
me, the results of which are embodied in my notes. The separate
title-pages of the two poems which the volume contains are here
reproduced.
Mr. Keynes supplies the following description of the volume: _A_ first
title, _A-A4 To the praise of the Dead_ (in italics), _A5-D2_ (pp.
1-44) _The First Anniversary_ (in roman), _D3-D7_ (pp. 45-54) _A
funerall Elegie_ (in italics), _D8_ blank except for rules in margins;
_E1_ second title, _E2-E4_ recto _The Harbinger_ (in italics), _E4_
verso blank, _E5-H5_ recto (pp. 1-49) _The Second Anniversarie_ (in
roman), _H5_ verso--_H6_ blank except for rules in margins. A fresh
title-page introduces the second poem.
In 1611 the introductory verses entitled _To the praise of the Dead,
and the Anatomy_, and the _Anatomy_ itself, are printed in italic, _A
Funerall Elegie_ following in roman type. This latter arrangement
was reversed in 1612. In the second part, only the poem entitled _The
Harbinger to the Progresse_ is printed throughout in italic. Donne's
own poem is in roman type.
The reason of the variety of arrangement is, I suppose, this: The
_Funerall Elegie_ was probably, as Chambers suggests, the first part
of the poem, composed probably in 1610. When it was published in
1611 with the _Anatomie_, the latter was regarded as introductory and
subordinate to the _Elegie_, and accordingly was printed in italic.
Later, when the idea of the Anniversary poems emerged, and _Of The
Progresse of the Soule_ was written as a complement to _An Anatomy
of the World_, these became the prominent parts of the whole work in
honour of Elizabeth Drury, and the _Funerall Elegie_ fell into the
subordinate position.
The edition of 1612 does not strike one as a very careful piece of
printing. It was probably printed while Donne was on the Continent. It
supplies only two certain emendations of the later text.
The reprints of this volume made in 1621 and 1625 show increasing
carelessness. They were issued after Donne took orders and probably
without his sanction.
Ellesmere's library at Bridgewater House is a small octavo volume
of 26 pages (_Praise of the Dead, &c. _ 3 pp. , _Anatomy_ 19 pp. , and
_Funerall Elegie_ 4 pp. , all unnumbered), with title-page as given on
the page opposite.
In 1612 the poem was reissued along with the _Second Anniversary_. A
copy of this rare volume was sold at the Huth sale on the thirteenth
of June this year. With the kind permission of Mr. Edward Huth and
Messrs. Sotheby, Mr. Godfrey Keynes made a careful collation for
me, the results of which are embodied in my notes. The separate
title-pages of the two poems which the volume contains are here
reproduced.
Mr. Keynes supplies the following description of the volume: _A_ first
title, _A-A4 To the praise of the Dead_ (in italics), _A5-D2_ (pp.
1-44) _The First Anniversary_ (in roman), _D3-D7_ (pp. 45-54) _A
funerall Elegie_ (in italics), _D8_ blank except for rules in margins;
_E1_ second title, _E2-E4_ recto _The Harbinger_ (in italics), _E4_
verso blank, _E5-H5_ recto (pp. 1-49) _The Second Anniversarie_ (in
roman), _H5_ verso--_H6_ blank except for rules in margins. A fresh
title-page introduces the second poem.
In 1611 the introductory verses entitled _To the praise of the Dead,
and the Anatomy_, and the _Anatomy_ itself, are printed in italic, _A
Funerall Elegie_ following in roman type. This latter arrangement
was reversed in 1612. In the second part, only the poem entitled _The
Harbinger to the Progresse_ is printed throughout in italic. Donne's
own poem is in roman type.
The reason of the variety of arrangement is, I suppose, this: The
_Funerall Elegie_ was probably, as Chambers suggests, the first part
of the poem, composed probably in 1610. When it was published in
1611 with the _Anatomie_, the latter was regarded as introductory and
subordinate to the _Elegie_, and accordingly was printed in italic.
Later, when the idea of the Anniversary poems emerged, and _Of The
Progresse of the Soule_ was written as a complement to _An Anatomy
of the World_, these became the prominent parts of the whole work in
honour of Elizabeth Drury, and the _Funerall Elegie_ fell into the
subordinate position.
The edition of 1612 does not strike one as a very careful piece of
printing. It was probably printed while Donne was on the Continent. It
supplies only two certain emendations of the later text.
The reprints of this volume made in 1621 and 1625 show increasing
carelessness. They were issued after Donne took orders and probably
without his sanction.
