He
accepted
the
imperial authority of the Roman Empire and paid tribute.
imperial authority of the Roman Empire and paid tribute.
Oscar Wilde - Poetry
But their
soul was not in the subject Raphael was a great artist when he painted
his portrait of the Pope. When he painted his Madonnas and infant
Christs, he is not a great artist at all. Christ had no message for the
Renaissance, which was wonderful because it brought an ideal at variance
with his, and to find the presentation of the real Christ we must go to
mediaeval art. There he is one maimed and marred; one who is not comely
to look on, because Beauty is a joy; one who is not in fair raiment,
because that may be a joy also: he is a beggar who has a marvellous
soul; he is a leper whose soul is divine; he needs neither property nor
health; he is a God realising his perfection through pain.
The evolution of man is slow. The injustice of men is great. It was
necessary that pain should be put forward as a mode of self-realisation.
Even now, in some places in the world, the message of Christ is
necessary. No one who lived in modern Russia could possibly realise his
perfection except by pain. A few Russian artists have realised
themselves in Art; in a fiction that is mediaeval in character, hecauae
its dominant note is the realisation of men through suffering. But for
those who are not artists, and to whom there is no mode of life but the
actual life of fact, pain is the only door to perfection. A Russian who
lives happily under the present system of government in Russia must
either believe that man has no soul, or that, if he has, it is not worth
developing. A Nihilist who rejects all authority, because he knows
authority to be evil, and welcomes all pain, because through that he
realises his personality, is a real Christian. To him the Christian
ideal is a true thing.
And yet, Christ did not revolt against authority.
He accepted the
imperial authority of the Roman Empire and paid tribute. He endured the
ecclesiastical authority of the Jewish Church, and would not repel its
violence by any violence of his own. He had, as I said before, no scheme
for the reconstruction of society. But the modern world has schemes. It
proposes to do away with poverty and the suffering that it entails. It
desires to get rid of pain, and the suffering that pain entails. It
trusts to Socialism and to Science as its methods. What it aims at is an
Individualism expressing itself through joy. This Individualism will be
larger, fuller, lovelier than any Individualism has ever been. Pain is
not the ultimate mode of perfection. It is merely provisional and a
protest. It has reference to wrong, unhealthy, unjust surroundings. When
the wrong, and the disease, and the injustice are removed, it will have
no further place. It will have done its work. It was a great work, but
it is almost over. Its sphere lessens every day.
soul was not in the subject Raphael was a great artist when he painted
his portrait of the Pope. When he painted his Madonnas and infant
Christs, he is not a great artist at all. Christ had no message for the
Renaissance, which was wonderful because it brought an ideal at variance
with his, and to find the presentation of the real Christ we must go to
mediaeval art. There he is one maimed and marred; one who is not comely
to look on, because Beauty is a joy; one who is not in fair raiment,
because that may be a joy also: he is a beggar who has a marvellous
soul; he is a leper whose soul is divine; he needs neither property nor
health; he is a God realising his perfection through pain.
The evolution of man is slow. The injustice of men is great. It was
necessary that pain should be put forward as a mode of self-realisation.
Even now, in some places in the world, the message of Christ is
necessary. No one who lived in modern Russia could possibly realise his
perfection except by pain. A few Russian artists have realised
themselves in Art; in a fiction that is mediaeval in character, hecauae
its dominant note is the realisation of men through suffering. But for
those who are not artists, and to whom there is no mode of life but the
actual life of fact, pain is the only door to perfection. A Russian who
lives happily under the present system of government in Russia must
either believe that man has no soul, or that, if he has, it is not worth
developing. A Nihilist who rejects all authority, because he knows
authority to be evil, and welcomes all pain, because through that he
realises his personality, is a real Christian. To him the Christian
ideal is a true thing.
And yet, Christ did not revolt against authority.
He accepted the
imperial authority of the Roman Empire and paid tribute. He endured the
ecclesiastical authority of the Jewish Church, and would not repel its
violence by any violence of his own. He had, as I said before, no scheme
for the reconstruction of society. But the modern world has schemes. It
proposes to do away with poverty and the suffering that it entails. It
desires to get rid of pain, and the suffering that pain entails. It
trusts to Socialism and to Science as its methods. What it aims at is an
Individualism expressing itself through joy. This Individualism will be
larger, fuller, lovelier than any Individualism has ever been. Pain is
not the ultimate mode of perfection. It is merely provisional and a
protest. It has reference to wrong, unhealthy, unjust surroundings. When
the wrong, and the disease, and the injustice are removed, it will have
no further place. It will have done its work. It was a great work, but
it is almost over. Its sphere lessens every day.
