But
according
to
N.
N.
Camoes - Lusiades
24, in _Italics_, and in the first 300 lines of Bk.
ix.
by calling
the attention of the reader to the interpolation by means of a
foot-note. The notes are, in general, left as written by the translator,
except in some cases where it seemed advisable to curtail them. Original
notes are indicated by the abbreviation "_Ed. _"
THE EDITOR.
LONDON, 1877.
THE LIFE OF CAMOENS,
BY WILLIAM JULIUS MICKLE.
When the glory of the arms of Portugal had reached its meridian
splendour, Nature, as if in pity of the literary rudeness of that
nation, produced a great poet to record the numberless actions of high
spirit performed by his countrymen. Except Osorius, the historians of
Portugal are little better than dry journalists. But it is not their
inelegance which rendered the poet necessary. It is the peculiar nature
of poetry to give a colouring to heroic actions, and to express
indignation against breaches of honour, in a spirit which at once seizes
the heart of the man of feeling, and carries with it instantaneous
conviction. The brilliant actions of the Portuguese form the great hinge
which opened the door to the most important alterations in the civil
history of mankind. And to place these actions in the light and
enthusiasm of poetry--that enthusiasm which particularly assimilates the
youthful breast to its own fires--was Luis de Camoens the poet of
Portugal, born.
Different cities have claimed the honour of his birth.
But according to
N. Antonio, and Manuel Correa, his intimate friend, this event happened
at Lisbon in 1517. [6] His family was of considerable note, and
originally Spanish. In 1370 Vasco Perez de Caamans, disgusted at the
court of Castile, fled to that of Lisbon, where King Ferdinand
immediately admitted him into his council, and gave him the lordships of
Sardoal, Punnete, Marano, Amendo, and other considerable lands; a
certain proof of the eminence of his rank and abilities. In the war for
the succession, which broke out on the death of Ferdinand, Caamans
sided with the King of Castile, and was killed in the battle of
Aljabarota. But though John I. , the victor, seized a great part of his
estate, his widow, the daughter of Gonsalo Tereyro, grand master of the
Order of Christ, and general of the Portuguese army, was not reduced
beneath her rank. She had three sons, who took the name of Camoens. The
family of the eldest intermarried with the first nobility of Portugal,
and even, according to Castera, with the blood royal. But the family of
the second brother, whose fortune was slender, had the superior honour
to produce the author of the Lusiad.
Early in life the misfortunes of the poet began. In his infancy, Simon
Vaz de Camoens, his father, commander of a vessel, was shipwrecked at
Goa, where, with his life, the greatest part of his fortune was lost.
His mother, however, Anne de Macedo of Santarem, provided for the
education of her son Luis, at the University of Coimbra. What he
acquired there his works discover; an intimacy with the classics, equal
to that of a Scaliger, but directed by the taste of a Milton or a Pope.
When he left the university he appeared at court. He was a polished
scholar and very handsome,[7] possessing a most engaging mien and
address, with the finest complexion, which, added to the natural ardour
and gay vivacity of his deposition, rendered him an accomplished
gentleman.
the attention of the reader to the interpolation by means of a
foot-note. The notes are, in general, left as written by the translator,
except in some cases where it seemed advisable to curtail them. Original
notes are indicated by the abbreviation "_Ed. _"
THE EDITOR.
LONDON, 1877.
THE LIFE OF CAMOENS,
BY WILLIAM JULIUS MICKLE.
When the glory of the arms of Portugal had reached its meridian
splendour, Nature, as if in pity of the literary rudeness of that
nation, produced a great poet to record the numberless actions of high
spirit performed by his countrymen. Except Osorius, the historians of
Portugal are little better than dry journalists. But it is not their
inelegance which rendered the poet necessary. It is the peculiar nature
of poetry to give a colouring to heroic actions, and to express
indignation against breaches of honour, in a spirit which at once seizes
the heart of the man of feeling, and carries with it instantaneous
conviction. The brilliant actions of the Portuguese form the great hinge
which opened the door to the most important alterations in the civil
history of mankind. And to place these actions in the light and
enthusiasm of poetry--that enthusiasm which particularly assimilates the
youthful breast to its own fires--was Luis de Camoens the poet of
Portugal, born.
Different cities have claimed the honour of his birth.
But according to
N. Antonio, and Manuel Correa, his intimate friend, this event happened
at Lisbon in 1517. [6] His family was of considerable note, and
originally Spanish. In 1370 Vasco Perez de Caamans, disgusted at the
court of Castile, fled to that of Lisbon, where King Ferdinand
immediately admitted him into his council, and gave him the lordships of
Sardoal, Punnete, Marano, Amendo, and other considerable lands; a
certain proof of the eminence of his rank and abilities. In the war for
the succession, which broke out on the death of Ferdinand, Caamans
sided with the King of Castile, and was killed in the battle of
Aljabarota. But though John I. , the victor, seized a great part of his
estate, his widow, the daughter of Gonsalo Tereyro, grand master of the
Order of Christ, and general of the Portuguese army, was not reduced
beneath her rank. She had three sons, who took the name of Camoens. The
family of the eldest intermarried with the first nobility of Portugal,
and even, according to Castera, with the blood royal. But the family of
the second brother, whose fortune was slender, had the superior honour
to produce the author of the Lusiad.
Early in life the misfortunes of the poet began. In his infancy, Simon
Vaz de Camoens, his father, commander of a vessel, was shipwrecked at
Goa, where, with his life, the greatest part of his fortune was lost.
His mother, however, Anne de Macedo of Santarem, provided for the
education of her son Luis, at the University of Coimbra. What he
acquired there his works discover; an intimacy with the classics, equal
to that of a Scaliger, but directed by the taste of a Milton or a Pope.
When he left the university he appeared at court. He was a polished
scholar and very handsome,[7] possessing a most engaging mien and
address, with the finest complexion, which, added to the natural ardour
and gay vivacity of his deposition, rendered him an accomplished
gentleman.
