Not public
gravings
on a marble base,
Whence comes a second life to men of might
E'en in the tomb: not Hannibal's swift flight,
Nor those fierce threats flung back into his face,
Not impious Carthage in its last red blaze,
In clearer light sets forth his spotless fame,
Who from crush'd Afric took away--a name,
Than rude Calabria's tributary lays.
Whence comes a second life to men of might
E'en in the tomb: not Hannibal's swift flight,
Nor those fierce threats flung back into his face,
Not impious Carthage in its last red blaze,
In clearer light sets forth his spotless fame,
Who from crush'd Afric took away--a name,
Than rude Calabria's tributary lays.
Horace - Odes, Carmen
The snow is fled: the trees their leaves put on,
The fields their green:
Earth owns the change, and rivers lessening run.
Their banks between.
Naked the Nymphs and Graces in the meads
The dance essay:
"No 'scaping death" proclaims the year, that speeds
This sweet spring day.
Frosts yield to zephyrs; Summer drives out Spring,
To vanish, when
Rich Autumn sheds his fruits; round wheels the ring,--
Winter again!
Yet the swift moons repair Heaven's detriment:
We, soon as thrust
Where good Aeneas, Tullus, Ancus went,
What are we? dust.
Can Hope assure you one more day to live
From powers above?
You rescue from your heir whate'er you give
The self you love.
When life is o'er, and Minos has rehearsed
The grand last doom,
Not birth, nor eloquence, nor worth, shall burst
Torquatus' tomb.
Not Dian's self can chaste Hippolytus
To life recall,
Nor Theseus free his loved Pirithous
From Lethe's thrall.
VIII.
DONAREM PATERAS.
Ah Censorinus! to my comrades true
Rich cups, rare bronzes, gladly would I send:
Choice tripods from Olympia on each friend
Would I confer, choicer on none than you,
Had but my fate such gems of art bestow'd
As cunning Scopas or Parrhasius wrought,
This with the brush, that with the chisel taught
To image now a mortal, now a god.
But these are not my riches: your desire
Such luxury craves not, and your means disdain:
A poet's strain you love; a poet's strain
Accept, and learn the value of the lyre.
Not public gravings on a marble base,
Whence comes a second life to men of might
E'en in the tomb: not Hannibal's swift flight,
Nor those fierce threats flung back into his face,
Not impious Carthage in its last red blaze,
In clearer light sets forth his spotless fame,
Who from crush'd Afric took away--a name,
Than rude Calabria's tributary lays.
Let silence hide the good your hand has wrought.
Farewell, reward! Had blank oblivion's power
Dimm'd the bright deeds of Romulus, at this hour,
Despite his sire and mother, he were nought.
Thus Aeacus has 'scaped the Stygian wave,
By grace of poets and their silver tongue,
Henceforth to live the happy isles among.
No, trust the Muse: she opes the good man's grave,
And lifts him to the gods. So Hercules,
His labours o'er, sits at the board of Jove:
So Tyndareus' offspring shine as stars above,
Saving lorn vessels from the yawning seas:
So Bacchus, with the vine-wreath round his hair,
Gives prosperous issue to his votary's prayer.
IX.
NE FORTE CREDAS.
Think not those strains can e'er expire,
Which, cradled 'mid the echoing roar
Of Aufidus, to Latium's lyre
I sing with arts unknown before.
Though Homer fill the foremost throne,
Yet grave Stesichorus still can please,
And fierce Alcaeus holds his own,
With Pindar and Simonides.
The songs of Teos are not mute,
And Sappho's love is breathing still:
She told her secret to the lute,
And yet its chords with passion thrill.
Not Sparta's queen alone was fired
By broider'd robe and braided tress,
And all the splendours that attired
Her lover's guilty loveliness:
Not only Teucer to the field
His arrows brought, nor Ilion
Beneath a single conqueror reel'd:
Not Crete's majestic lord alone,
Or Sthenelus, earn'd the Muses' crown:
Not Hector first for child and wife,
Or brave Deiphobus, laid down
The burden of a manly life.
Before Atrides men were brave:
But ah! oblivion, dark and long,
Has lock'd them in a tearless grave,
For lack of consecrating song.
'Twixt worth and baseness, lapp'd in death,
What difference?