) shows the
influence
of Martial.
Ben Jonson - The Devil's Association
131, and 2.
4.
27 f.
The half dozen
lines in which the former passage occurs (1. 6. 126-132) are written in
evident imitation of the Horatian style. Two passages are also borrowed
from Plautus, 2. 1. 168 f. , already mentioned, and 3. 6. 38-9. A single
passage (2. 6. 104 f.
) shows the influence of Martial. These passages
are all quoted in the notes.
The source of Wittipol's description of the 'Cioppino', and the mishap
attendant upon its use, was probably taken from a contemporary book
of travels. A passage in Coryat's _Crudities_ furnishes the necessary
information and a similar anecdote, and was doubtless used by Jonson
(see note 4. 4. 69). Coryat was patronized by the poet. Similarly,
another passage in the _Crudities_ seems to have suggested the project
of the forks (see note 5. 4. 17).
A curious resemblance is further to be noted between several passages
in _The Devil is an Ass_ and _Underwoods 62_. The first draft of this
poem may have been written not long before the present play (see Fleay,
_Chron. _ 1. 329-30) and so have been still fresh in the poet's mind.
The passage _DA. _ 3.
lines in which the former passage occurs (1. 6. 126-132) are written in
evident imitation of the Horatian style. Two passages are also borrowed
from Plautus, 2. 1. 168 f. , already mentioned, and 3. 6. 38-9. A single
passage (2. 6. 104 f.
) shows the influence of Martial. These passages
are all quoted in the notes.
The source of Wittipol's description of the 'Cioppino', and the mishap
attendant upon its use, was probably taken from a contemporary book
of travels. A passage in Coryat's _Crudities_ furnishes the necessary
information and a similar anecdote, and was doubtless used by Jonson
(see note 4. 4. 69). Coryat was patronized by the poet. Similarly,
another passage in the _Crudities_ seems to have suggested the project
of the forks (see note 5. 4. 17).
A curious resemblance is further to be noted between several passages
in _The Devil is an Ass_ and _Underwoods 62_. The first draft of this
poem may have been written not long before the present play (see Fleay,
_Chron. _ 1. 329-30) and so have been still fresh in the poet's mind.
The passage _DA. _ 3.
