No More Learning

Written by the Reverend

_JOHN DONNE_, D. D.

Late Dean of St. PAUL'S.

WITH

ELEGIES on the Author's Death.

To this Edition is added,

Some ACCOUNT of the LIFE
of the AUTHOR.


_LONDON_:

Printed for J. TONSON, and Sold by
W. TAYLOR at the _Ship_ in
_Pater-noster-Row_. 1719.


This edition opens with the Epistle Dedicatory as in _1650-69_,
which is followed by an abridgement of Walton's _Life_ of Donne. An
examination of the text of the poems shows clearly that this
edition was printed from that of 1669, but is by no means a slavish
reproduction. The editor has consulted earlier editions and corrected
mistakes, but I have found no evidence either that he knew the
editions of 1633 and 1635, or had access to manuscript collections. He
very wisely dropped the Satire 'Sleep next Society', inserted for the
first time by the editor of _1669_, and certainly not by Donne. It was
reinserted by Chalmers in 1810.
[12]

These, then, are the early editions of Donne's poems. But the printed
editions are not the only form in which the poems, or the great
majority of the poems, have come down to us. None of these editions,
we have seen, was issued before the poet's death. None, so far as
we can discover (I shall discuss this point more fully later), was
printed from sources carefully prepared for the press by the author,
as were for example the _LXXX Sermons_ issued in 1640. But Donne's
poems were well known to many readers before 1633. One of the earliest
published references to them occurs in 1614, in a collection of
Epigrams by Thomas Freeman, called _Runne_ | _And a great Cast_ |
_The_ | _Second Book_.


Epigram 84.

To Iohn Dunne.

The _Storme_ describ'd hath set thy name afloate,
Thy _Calme_ a gale of famous winde hath got:
Thy _Satyres_ short, too soone we them o'relooke,
I prethee Persius write a bigger booke.

In 1616 Ben Jonson's _Epigrammes_ were published in the first (folio)
edition of his works, and they contain the Epigram, printed in this
edition, _To Lucy, Countesse of Bedford, with Mr. Donnes Satyres_. In
these and similar cases the 'bookes' referred to are not printed but
manuscript works. Mr. Chambers has pointed out (_Poems of John Donne_,
i, pp. xxxviii-ix) an interesting reference in Drayton's _Epistle to
Reynolds_ to poems circulating thus 'by transcription'; and Anthony
Wood speaks of Hoskins having left a 'book of poems neatly written'.
In Donne's own letters we find references to his poems, his paradoxes
and problems, and even a long treatise like the [Greek: BIATHANATOS],
being sent to his friends with injunctions of secrecy, and in the case
of the last with an express statement that it had not been, and was
not to be, printed.