Over his head was a kind of finny cartilage, which, at a
distance, appeared like hair; the body covered with brown scales; the
nose and ears like the human; the mouth of a dreadful width, jagged with
the teeth of a panther; the eyes of a greenish hue; the hands divided
into fingers, the nails of which were crooked, and of a shelly
substance.
distance, appeared like hair; the body covered with brown scales; the
nose and ears like the human; the mouth of a dreadful width, jagged with
the teeth of a panther; the eyes of a greenish hue; the hands divided
into fingers, the nails of which were crooked, and of a shelly
substance.
Camoes - Lusiades
_--As Neptune struck
the earth with his trident, Minerva, says the fable, struck the earth
with her lance. That she waved her hand while the olive boughs spread,
is a fine poetical attitude, and varies the picture from that of
Neptune, which follows.
[406] _Though wide, and various, o'er the sculptur'd stone. _--The
description of palaces is a favourite topic several times touched upon
by the two great masters of epic poetry, in which they have been happily
imitated by their three greatest disciples among the moderns, Camoens,
Tasso, and Milton. The description of the palace of Neptune has great
merit. Nothing can be more in place than the picture of chaos and the
four elements. The war of the gods, and the contest of Neptune and
Minerva are touched with the true boldness of poetical colouring. To
show to the English reader that the Portuguese poet is, in his manner,
truly classical, is the intention of many of these notes.
[407] Bacchus.
[408] The description of Triton, who, as Fanshaw says--
"Was a great nasty clown,"
is in the style of the classics. His parentage is differently related.
Hesiod makes him the son of Neptune and Amphitrite. By Triton, in the
physical sense of the fable, is meant the noise, and by Salace, the
mother by some ascribed to him, the salt of the ocean. The origin of the
fable of Triton, it is probable, was founded on the appearance of a sea
animal, which, according to some ancient naturalists, in the upward
parts resembles the human figure. Pausanias relates a wonderful story of
a monstrously large one, which often came ashore on the meadows of
Boeotia.
Over his head was a kind of finny cartilage, which, at a
distance, appeared like hair; the body covered with brown scales; the
nose and ears like the human; the mouth of a dreadful width, jagged with
the teeth of a panther; the eyes of a greenish hue; the hands divided
into fingers, the nails of which were crooked, and of a shelly
substance. This monster, whose extremities ended in a tail like a
dolphin's, devoured both men and beasts as they chanced in his way. The
citizens of Tanagra, at last, contrived his destruction. They set a
large vessel full of wine on the sea shore. Triton got drunk with it,
and fell into a profound sleep, in which condition the Tanagrians
beheaded him, and afterwards, with great propriety, hung up his body in
the temple of Bacchus; where, says Pausanias, it continued a long time.
[409] _A shell of purple on his head he bore. _--In the Portuguese--
_Na cabeca por gorra tinha posta
Huma mui grande casco de lagosta. _
Thus rendered by Fanshaw--
"He had (for a montera[413]) on his crown
The shell of a red lobster overgrown. "
[410] Neptune.
[411] _And changeful Proteus, whose prophetic mind. _--The fullest and
best account of the fable of Proteus is in the fourth Odyssey.
[412] Thetis.
[413] Montera, the Spanish word for a huntsman's cap.
[414] _She who the rage of Athamas to shun. _--Ino, the daughter of
Cadmus and Hermione, and second spouse of Athamas, king of Thebes. The
fables of her fate are various.
the earth with his trident, Minerva, says the fable, struck the earth
with her lance. That she waved her hand while the olive boughs spread,
is a fine poetical attitude, and varies the picture from that of
Neptune, which follows.
[406] _Though wide, and various, o'er the sculptur'd stone. _--The
description of palaces is a favourite topic several times touched upon
by the two great masters of epic poetry, in which they have been happily
imitated by their three greatest disciples among the moderns, Camoens,
Tasso, and Milton. The description of the palace of Neptune has great
merit. Nothing can be more in place than the picture of chaos and the
four elements. The war of the gods, and the contest of Neptune and
Minerva are touched with the true boldness of poetical colouring. To
show to the English reader that the Portuguese poet is, in his manner,
truly classical, is the intention of many of these notes.
[407] Bacchus.
[408] The description of Triton, who, as Fanshaw says--
"Was a great nasty clown,"
is in the style of the classics. His parentage is differently related.
Hesiod makes him the son of Neptune and Amphitrite. By Triton, in the
physical sense of the fable, is meant the noise, and by Salace, the
mother by some ascribed to him, the salt of the ocean. The origin of the
fable of Triton, it is probable, was founded on the appearance of a sea
animal, which, according to some ancient naturalists, in the upward
parts resembles the human figure. Pausanias relates a wonderful story of
a monstrously large one, which often came ashore on the meadows of
Boeotia.
Over his head was a kind of finny cartilage, which, at a
distance, appeared like hair; the body covered with brown scales; the
nose and ears like the human; the mouth of a dreadful width, jagged with
the teeth of a panther; the eyes of a greenish hue; the hands divided
into fingers, the nails of which were crooked, and of a shelly
substance. This monster, whose extremities ended in a tail like a
dolphin's, devoured both men and beasts as they chanced in his way. The
citizens of Tanagra, at last, contrived his destruction. They set a
large vessel full of wine on the sea shore. Triton got drunk with it,
and fell into a profound sleep, in which condition the Tanagrians
beheaded him, and afterwards, with great propriety, hung up his body in
the temple of Bacchus; where, says Pausanias, it continued a long time.
[409] _A shell of purple on his head he bore. _--In the Portuguese--
_Na cabeca por gorra tinha posta
Huma mui grande casco de lagosta. _
Thus rendered by Fanshaw--
"He had (for a montera[413]) on his crown
The shell of a red lobster overgrown. "
[410] Neptune.
[411] _And changeful Proteus, whose prophetic mind. _--The fullest and
best account of the fable of Proteus is in the fourth Odyssey.
[412] Thetis.
[413] Montera, the Spanish word for a huntsman's cap.
[414] _She who the rage of Athamas to shun. _--Ino, the daughter of
Cadmus and Hermione, and second spouse of Athamas, king of Thebes. The
fables of her fate are various.
