I know not to what character in the range of
her personations he alludes: she was a favourite on the Dumfries
boards.
her personations he alludes: she was a favourite on the Dumfries
boards.
Robert Forst
[This address was spoken by Miss Fontenelle, at the Dumfries theatre,
on the 4th of December, 1795. ]
Still anxious to secure your partial favour,
And not less anxious, sure, this night than ever,
A Prologue, Epilogue, or some such matter,
'Twould vamp my bill, said I, if nothing better;
So sought a Poet, roosted near the skies,
Told him I came to feast my curious eyes;
Said nothing like his works was ever printed;
And last, my Prologue-business slyly hinted!
"Ma'am, let me tell you," quoth my man of rhymes,
"I know your bent--these are no laughing times:
Can you--but, Miss, I own I have my fears,
Dissolve in pause--and sentimental tears;
With laden sighs, and solemn-rounded sentence,
Rouse from his sluggish slumbers, fell Repentance;
Paint Vengeance as he takes his horrid stand,
Waving on high the desolating brand,
Calling the storms to bear him o'er a guilty land? "
I could no more--askance the creature eyeing,
D'ye think, said I, this face was made for crying?
I'll laugh, that's poz--nay more, the world shall know it;
And so your servant: gloomy Master Poet!
Firm as my creed, Sirs, 'tis my fix'd belief,
That Misery's another word for Grief;
I also think--so may I be a bride!
That so much laughter, so much life enjoy'd.
Thou man of crazy care and ceaseless sigh,
Still under bleak Misfortune's blasting eye;
Doom'd to that sorest task of man alive--
To make three guineas do the work of five:
Laugh in Misfortune's face--the beldam witch!
Say, you'll be merry, tho' you can't be rich.
Thou other man of care, the wretch in love,
Who long with jiltish arts and airs hast strove;
Who, us the boughs all temptingly project,
Measur'st in desperate thought--a rope--thy neck--
Or, where the beetling cliff o'erhangs the deep,
Peerest to meditate the healing leap:
Would'st thou be cur'd, thou silly, moping elf?
Laugh at their follies--laugh e'en at thyself:
Learn to despise those frowns now so terrific,
And love a kinder--that's your grand specific.
To sum up all, be merry, I advise;
And as we're merry, may we still be wise.
* * * * *
CXLV.
ON
SEEING MISS FONTENELLE
IN A FAVOURITE CHARACTER.
[The good looks and the natural acting of Miss Fontenelle pleased
others as well as Burns.
I know not to what character in the range of
her personations he alludes: she was a favourite on the Dumfries
boards. ]
Sweet naivete of feature,
Simple, wild, enchanting elf,
Not to thee, but thanks to nature,
Thou art acting but thyself.
Wert thou awkward, stiff, affected,
Spurning nature, torturing art;
Loves and graces all rejected,
Then indeed thou'dst act a part.
R. B.
* * * * *
CXLVI.
TO CHLORIS.
[Chloris was a Nithsdale beauty. Love and sorrow were strongly mingled
in her early history: that she did not look so lovely in other eyes as
she did in those of Burns is well known: but he had much of the taste
of an artist, and admired the elegance of her form, and the harmony of
her motion, as much as he did her blooming face and sweet voice. ]
'Tis Friendship's pledge, my young, fair friend,
Nor thou the gift refuse,
Nor with unwilling ear attend
The moralizing muse.
Since thou in all thy youth and charms,
Must bid the world adieu,
(A world 'gainst peace in constant arms)
To join the friendly few.
Since, thy gay morn of life o'ercast,
Chill came the tempest's lower;
(And ne'er misfortune's eastern blast
Did nip a fairer flower. )
Since life's gay scenes must charm no more,
Still much is left behind;
Still nobler wealth hast thou in store--
The comforts of the mind!
Thine is the self-approving glow,
On conscious honour's part;
And, dearest gift of heaven below,
Thine friendship's truest heart.
The joys refin'd of sense and taste,
With every muse to rove:
And doubly were the poet blest,
These joys could he improve.
* * * * *
CXLVII.