"
It was long popularly supposed that the scene of the poem was a farm
near Somersby known as Baumber's farm, but Tennyson denied this and said
it was a purely "imaginary house in the fen," and that he "never so much
as dreamed of Baumbers farm".
It was long popularly supposed that the scene of the poem was a farm
near Somersby known as Baumber's farm, but Tennyson denied this and said
it was a purely "imaginary house in the fen," and that he "never so much
as dreamed of Baumbers farm".
Tennyson
]
[Footnote 2: Lowlihead a favourite word with Chaucer and Spenser. ]
[Footnote 3: 1830. Wifehood. ]
[Footnote 4: 1830. Blenched. ]
[Footnote 5: 1830 and all before 1853. Through. ]
[Footnote 6: 1830. Through. ]
MARIANA
"Mariana in the moated grange. "--'Measure for Measure'.
First printed in 1830.
This poem as we know from the motto prefixed to it was suggested by
Shakespeare ('Measure for Measure', iii. , 1, "at the moated grange
resides this dejected Mariana,") but the poet may have had in his mind
the exquisite fragment of Sappho:--
[Greek: deduke men ha selanna kai Plaeiades, mesai de nuktes, para d'
erchet h'ora ego de mona kateud'o. ]
"The moon has set and the Pleiades, and it is midnight: the hour too
is going by, but I sleep alone.
"
It was long popularly supposed that the scene of the poem was a farm
near Somersby known as Baumber's farm, but Tennyson denied this and said
it was a purely "imaginary house in the fen," and that he "never so much
as dreamed of Baumbers farm". See 'Life', i. , 28.
With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the peach [1] to the garden-wall. [2]
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead! "
Her tears fell with the dews at even;
Her tears fell ere the dews were dried; [3]
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead! "
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed [4] morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead! "
About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark [5]
The level waste, the rounding gray. [6]
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead! "
And ever when the moon was low,
And the shrill winds were up and away,[7]
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
[Footnote 2: Lowlihead a favourite word with Chaucer and Spenser. ]
[Footnote 3: 1830. Wifehood. ]
[Footnote 4: 1830. Blenched. ]
[Footnote 5: 1830 and all before 1853. Through. ]
[Footnote 6: 1830. Through. ]
MARIANA
"Mariana in the moated grange. "--'Measure for Measure'.
First printed in 1830.
This poem as we know from the motto prefixed to it was suggested by
Shakespeare ('Measure for Measure', iii. , 1, "at the moated grange
resides this dejected Mariana,") but the poet may have had in his mind
the exquisite fragment of Sappho:--
[Greek: deduke men ha selanna kai Plaeiades, mesai de nuktes, para d'
erchet h'ora ego de mona kateud'o. ]
"The moon has set and the Pleiades, and it is midnight: the hour too
is going by, but I sleep alone.
"
It was long popularly supposed that the scene of the poem was a farm
near Somersby known as Baumber's farm, but Tennyson denied this and said
it was a purely "imaginary house in the fen," and that he "never so much
as dreamed of Baumbers farm". See 'Life', i. , 28.
With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the peach [1] to the garden-wall. [2]
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead! "
Her tears fell with the dews at even;
Her tears fell ere the dews were dried; [3]
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead! "
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed [4] morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead! "
About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark [5]
The level waste, the rounding gray. [6]
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead! "
And ever when the moon was low,
And the shrill winds were up and away,[7]
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
