Another young man, who was in love with the girl, grew jealous
of the monk, who was allowed to converse so familiarly with her, whilst
he, her lay admirer, could only have stolen glimpses of her as she
passed to church or to public spectacles.
of the monk, who was allowed to converse so familiarly with her, whilst
he, her lay admirer, could only have stolen glimpses of her as she
passed to church or to public spectacles.
Petrarch
This city, which was known even before the foundation of Rome, is
called, in some ancient Roman acts, "Roma Garumnae. " It was famous in the
classical ages for cultivating literature. After the fall of the Roman
empire, the successive incursions of the Visigoths, the Saracens, and
the Normans, for a long time silenced the Muses at Toulouse; but they
returned to their favourite haunt after ages of barbarism had passed
away. De Sade says, that what is termed Provencal poetry was much more
cultivated by the Languedocians than by the Provencals, properly so
called. The city of Toulouse was considered as the principal seat of
this earliest modern poetry, which was carried to perfection in the
twelfth and thirteenth centuries, under the patronage of the Counts of
Toulouse, particularly Raimond V. , and his son, Raimond VI. Petrarch
speaks with high praise of those poets in his Triumphs of Love. It has
been alleged that he owed them this mark of his regard for their having
been so useful to him in his Italian poetry; and Nostradamus even
accuses him of having stolen much from them. But Tassoni, who understood
the Provencal poets better than Nostradamus, defends him successfully
from this absurd accusation.
Although Provencal poetry was a little on its decline since the days of
the Dukes of Aquitaine and the Counts of Toulouse, it was still held in
honour; and, when Petrarch arrived, the Floral games had been
established at Toulouse during six years. [C]
Ere long, however, our travellers found less agreeable objects of
curiosity, that formed a sad contrast with the chivalric manners, the
floral games, and the gay poetry of southern France. Bishop Colonna and
Petrarch had intended to remain for some time at Toulouse; but their
sojourn was abridged by their horror at a tragic event[D] in the
principal monastery of the place. There lived in that monastery a young
monk, named Augustin, who was expert in music, and accompanied the
psalmody of the religious brothers with beautiful touches on the organ.
The superior of the convent, relaxing its discipline, permitted Augustin
frequently to mix with the world, in order to teach music, and to
improve himself in the art. The young monk was in the habit of
familiarly visiting the house of a respectable citizen: he was
frequently in the society of his daughter, and, by the express
encouragement of her father, undertook to exercise her in the practice
of music.
Another young man, who was in love with the girl, grew jealous
of the monk, who was allowed to converse so familiarly with her, whilst
he, her lay admirer, could only have stolen glimpses of her as she
passed to church or to public spectacles. He set about the ruin of his
supposed rival with cunning atrocity; and, finding that the young woman
was infirm in health, suborned a physician, as worthless as himself, to
declare that she was pregnant. Her credulous father, without inquiring
whether the intelligence was true or false, went to the superior of the
convent, and accused Augustin, who, though thunderstruck at the
accusation, denied it firmly, and defended himself intrepidly. But the
superior was deaf to his plea of innocence, and ordered him to be shut
up in his cell, that he might await his punishment. Thither the poor
young man was conducted, and threw himself on his bed in a state of
horror.
The superior and the elders among the friars thought it a meet fate for
the accused that he should be buried alive in a subterranean dungeon,
after receiving the terrific sentence of "_Vade in pace_. " At the end of
several days the victim dashed out his brains against the walls of his
sepulchre. Bishop Colonna, who, it would appear, had no power to oppose
this hideous transaction, when he was informed of it, determined to
leave the place immediately; and Petrarch in his indignation exclaimed--
"Heu! fuge crudeles terras, fuge littus avarum. "--VIRG.
On the 26th of May, 1330, the Bishop of Lombes and Petrarch quitted
Toulouse, and arrived at the mansion of the diocese. Lombes--in Latin,
Lombarium--lies at the foot of the Pyrenees, only eight leagues from
Toulouse. It is small and ill-built, and offers no allurement to the
curiosity of the traveller. Till lately it had been a simple abbey of
the Augustine monks. The whole of the clergy of the little city, singing
psalms, issued out of Lombes to meet their new pastor, who, under a rich
canopy, was conducted to the principal church, and there, in his
episcopal robes, blessed the people, and delivered an eloquent
discourse. Petrarch beheld with admiration the dignified behaviour of
the youthful prelate.
called, in some ancient Roman acts, "Roma Garumnae. " It was famous in the
classical ages for cultivating literature. After the fall of the Roman
empire, the successive incursions of the Visigoths, the Saracens, and
the Normans, for a long time silenced the Muses at Toulouse; but they
returned to their favourite haunt after ages of barbarism had passed
away. De Sade says, that what is termed Provencal poetry was much more
cultivated by the Languedocians than by the Provencals, properly so
called. The city of Toulouse was considered as the principal seat of
this earliest modern poetry, which was carried to perfection in the
twelfth and thirteenth centuries, under the patronage of the Counts of
Toulouse, particularly Raimond V. , and his son, Raimond VI. Petrarch
speaks with high praise of those poets in his Triumphs of Love. It has
been alleged that he owed them this mark of his regard for their having
been so useful to him in his Italian poetry; and Nostradamus even
accuses him of having stolen much from them. But Tassoni, who understood
the Provencal poets better than Nostradamus, defends him successfully
from this absurd accusation.
Although Provencal poetry was a little on its decline since the days of
the Dukes of Aquitaine and the Counts of Toulouse, it was still held in
honour; and, when Petrarch arrived, the Floral games had been
established at Toulouse during six years. [C]
Ere long, however, our travellers found less agreeable objects of
curiosity, that formed a sad contrast with the chivalric manners, the
floral games, and the gay poetry of southern France. Bishop Colonna and
Petrarch had intended to remain for some time at Toulouse; but their
sojourn was abridged by their horror at a tragic event[D] in the
principal monastery of the place. There lived in that monastery a young
monk, named Augustin, who was expert in music, and accompanied the
psalmody of the religious brothers with beautiful touches on the organ.
The superior of the convent, relaxing its discipline, permitted Augustin
frequently to mix with the world, in order to teach music, and to
improve himself in the art. The young monk was in the habit of
familiarly visiting the house of a respectable citizen: he was
frequently in the society of his daughter, and, by the express
encouragement of her father, undertook to exercise her in the practice
of music.
Another young man, who was in love with the girl, grew jealous
of the monk, who was allowed to converse so familiarly with her, whilst
he, her lay admirer, could only have stolen glimpses of her as she
passed to church or to public spectacles. He set about the ruin of his
supposed rival with cunning atrocity; and, finding that the young woman
was infirm in health, suborned a physician, as worthless as himself, to
declare that she was pregnant. Her credulous father, without inquiring
whether the intelligence was true or false, went to the superior of the
convent, and accused Augustin, who, though thunderstruck at the
accusation, denied it firmly, and defended himself intrepidly. But the
superior was deaf to his plea of innocence, and ordered him to be shut
up in his cell, that he might await his punishment. Thither the poor
young man was conducted, and threw himself on his bed in a state of
horror.
The superior and the elders among the friars thought it a meet fate for
the accused that he should be buried alive in a subterranean dungeon,
after receiving the terrific sentence of "_Vade in pace_. " At the end of
several days the victim dashed out his brains against the walls of his
sepulchre. Bishop Colonna, who, it would appear, had no power to oppose
this hideous transaction, when he was informed of it, determined to
leave the place immediately; and Petrarch in his indignation exclaimed--
"Heu! fuge crudeles terras, fuge littus avarum. "--VIRG.
On the 26th of May, 1330, the Bishop of Lombes and Petrarch quitted
Toulouse, and arrived at the mansion of the diocese. Lombes--in Latin,
Lombarium--lies at the foot of the Pyrenees, only eight leagues from
Toulouse. It is small and ill-built, and offers no allurement to the
curiosity of the traveller. Till lately it had been a simple abbey of
the Augustine monks. The whole of the clergy of the little city, singing
psalms, issued out of Lombes to meet their new pastor, who, under a rich
canopy, was conducted to the principal church, and there, in his
episcopal robes, blessed the people, and delivered an eloquent
discourse. Petrarch beheld with admiration the dignified behaviour of
the youthful prelate.
