And, so
conscious
was he
of his real integrity and innocence, that in one of his sonnets he
wishes no other revenge on Barreto than that the cruelty of his exile
should ever be remembered.
of his real integrity and innocence, that in one of his sonnets he
wishes no other revenge on Barreto than that the cruelty of his exile
should ever be remembered.
Camoes - Lusiades
But his
modesty, perhaps, is his greatest praise. In a sonnet he mentions this
expedition: "We went to punish the King of Pimenta," says he, "_e
succedeones bem_" (and we succeeded well). When it is considered that
the poet bore no inconsiderable share in the victory, no ode can
conclude more elegantly, more happily than this.
In the year following, he attended Manuel de Vasconcello in an
expedition to the Red Sea. Here, says Faria, as Camoens had no use for
his sword, he employed his pen. Nor was his activity confined to the
fleet or camp. He visited Mount Felix, and the adjacent inhospitable
regions of Africa, which he so strongly pictures in the Lusiad, and in
one of his little pieces, where he laments the absence of his mistress.
When he returned to Goa, he enjoyed a tranquility which enabled him to
bestow his attention on his epic poem. But this serenity was
interrupted, perhaps by his own imprudence. He wrote some satires which
gave offence, and by order of the viceroy, Francisco Barreto, he was
banished to China.
Men of poor abilities are more conscious of their embarrassment and
errors than is commonly believed. When men of this kind are in power,
they affect great solemnity; and every expression of the most distant
tendency to lessen their dignity is held as the greatest of crimes.
Conscious, also, how severely the man of genius can hurt their interest,
they bear an instinctive antipathy against him, are uneasy even in his
company, and, on the slightest pretence, are happy to drive him from
them. Camoens was thus situated at Goa; and never was there a fairer
field for satire than the rulers of India at that time afforded. Yet,
whatever esteem the prudence of Camoens may lose in our idea, the
nobleness of his disposition will doubly gain.
And, so conscious was he
of his real integrity and innocence, that in one of his sonnets he
wishes no other revenge on Barreto than that the cruelty of his exile
should ever be remembered. [8]
The accomplishments and manners of Camoens soon found him friends,
though under the disgrace of banishment. He was appointed Commissary of
the estates of deceased persons, in the island of Macao, a Portuguese
settlement on the coast of China. Here he continued his Lusiad; and
here, also, after five years residence, he acquired a fortune, though
small, yet equal to his wishes. Don Constantine de Braganza was now
Viceroy of India; and Camoens, desirous to return to Goa, resigned his
charge. In a ship, freighted by himself, he set sail, but was
shipwrecked in the gulf near the mouth of the river Meekhaun, in Cochin
China. All he had acquired was lost in the waves: his poems, which he
held in one hand, while he swam with the other, were all he found
himself possessed of when he stood friendless on the unknown shore. But
the natives gave him a most humane reception; this he has immortalized
in the prophetic song in the tenth Lusiad;[9] and in the seventh he
tells us that here he lost the wealth which satisfied his wishes.
_Agora da esperanca ja adquirida, etc. _
"Now blest with all the wealth fond hope could crave,
Soon I beheld that wealth beneath the wave
For ever lost;----
My life like Judah's Heaven-doom'd king of yore
By miracle prolong'd. "
On the banks of the Meekhaun, he wrote his beautiful paraphrase of the
137th Psalm, where the Jews, in the finest strain of poetry, are
represented as hanging their harps on the willows by the rivers of
Babylon, and weeping their exile from their native country. Here Camoens
continued some time, till an opportunity offered to carry him to Goa.
When he arrived at that city, Don Constantine de Braganza, the viceroy,
whose characteristic was politeness, admitted him into intimate
friendship, and Camoens was happy till Count Redondo assumed the
government. Those who had formerly procured the banishment of the
satirist were silent while Constantine was in power. But now they
exerted all their arts against him. Redondo, when he entered on office,
pretended to be the friend of Camoens; yet, with the most unfeeling
indifference, he suffered the innocent man to be thrown into the common
prison.
modesty, perhaps, is his greatest praise. In a sonnet he mentions this
expedition: "We went to punish the King of Pimenta," says he, "_e
succedeones bem_" (and we succeeded well). When it is considered that
the poet bore no inconsiderable share in the victory, no ode can
conclude more elegantly, more happily than this.
In the year following, he attended Manuel de Vasconcello in an
expedition to the Red Sea. Here, says Faria, as Camoens had no use for
his sword, he employed his pen. Nor was his activity confined to the
fleet or camp. He visited Mount Felix, and the adjacent inhospitable
regions of Africa, which he so strongly pictures in the Lusiad, and in
one of his little pieces, where he laments the absence of his mistress.
When he returned to Goa, he enjoyed a tranquility which enabled him to
bestow his attention on his epic poem. But this serenity was
interrupted, perhaps by his own imprudence. He wrote some satires which
gave offence, and by order of the viceroy, Francisco Barreto, he was
banished to China.
Men of poor abilities are more conscious of their embarrassment and
errors than is commonly believed. When men of this kind are in power,
they affect great solemnity; and every expression of the most distant
tendency to lessen their dignity is held as the greatest of crimes.
Conscious, also, how severely the man of genius can hurt their interest,
they bear an instinctive antipathy against him, are uneasy even in his
company, and, on the slightest pretence, are happy to drive him from
them. Camoens was thus situated at Goa; and never was there a fairer
field for satire than the rulers of India at that time afforded. Yet,
whatever esteem the prudence of Camoens may lose in our idea, the
nobleness of his disposition will doubly gain.
And, so conscious was he
of his real integrity and innocence, that in one of his sonnets he
wishes no other revenge on Barreto than that the cruelty of his exile
should ever be remembered. [8]
The accomplishments and manners of Camoens soon found him friends,
though under the disgrace of banishment. He was appointed Commissary of
the estates of deceased persons, in the island of Macao, a Portuguese
settlement on the coast of China. Here he continued his Lusiad; and
here, also, after five years residence, he acquired a fortune, though
small, yet equal to his wishes. Don Constantine de Braganza was now
Viceroy of India; and Camoens, desirous to return to Goa, resigned his
charge. In a ship, freighted by himself, he set sail, but was
shipwrecked in the gulf near the mouth of the river Meekhaun, in Cochin
China. All he had acquired was lost in the waves: his poems, which he
held in one hand, while he swam with the other, were all he found
himself possessed of when he stood friendless on the unknown shore. But
the natives gave him a most humane reception; this he has immortalized
in the prophetic song in the tenth Lusiad;[9] and in the seventh he
tells us that here he lost the wealth which satisfied his wishes.
_Agora da esperanca ja adquirida, etc. _
"Now blest with all the wealth fond hope could crave,
Soon I beheld that wealth beneath the wave
For ever lost;----
My life like Judah's Heaven-doom'd king of yore
By miracle prolong'd. "
On the banks of the Meekhaun, he wrote his beautiful paraphrase of the
137th Psalm, where the Jews, in the finest strain of poetry, are
represented as hanging their harps on the willows by the rivers of
Babylon, and weeping their exile from their native country. Here Camoens
continued some time, till an opportunity offered to carry him to Goa.
When he arrived at that city, Don Constantine de Braganza, the viceroy,
whose characteristic was politeness, admitted him into intimate
friendship, and Camoens was happy till Count Redondo assumed the
government. Those who had formerly procured the banishment of the
satirist were silent while Constantine was in power. But now they
exerted all their arts against him. Redondo, when he entered on office,
pretended to be the friend of Camoens; yet, with the most unfeeling
indifference, he suffered the innocent man to be thrown into the common
prison.
