'166 the small pillow':
a richly decorated pillow which fashionable ladies used to prop them up
in bed when they received morning visits from gentlemen.
a richly decorated pillow which fashionable ladies used to prop them up
in bed when they received morning visits from gentlemen.
Alexander Pope
The story is told in full in
Ovid's 'Metamorphoses', Bk. VIII.
'127 Clarissa':
it does not appear that Pope had any individual lady in mind. We do not
know, at least, that any lady instigated or aided Lord Petre to cut off
the lock.
'144 An earthly Lover':
we know nothing of any love affair of Miss Fermor's. Pope mentions the
"earthly lover" here to account for Ariel's desertion of Belinda, for he
could only protect her so long as she "rejected mankind"; compare Canto
I, ll. 67-68.
'147 Forfex':
a Latin word meaning scissors.
'152'
Pope borrowed this idea from Milton, who represents the wound inflicted
on Satan, by the Archangel Michael as healing immediately--
Th' ethereal substance closed
Not long divisible.
--'Paradise Lost', VI, 330-331.
'165 Atalantis': 'The New Atalantis',
a four-volume "cornucopia of scandal" involving almost every public
character of the day, was published by a Mrs. Manley in 1709. It was
very widely read. The Spectator found it, along with a key which
revealed the identities of its characters, in the lady's library already
mentioned ('Spectator', No. 37).
'166 the small pillow':
a richly decorated pillow which fashionable ladies used to prop them up
in bed when they received morning visits from gentlemen. Addison gives
an account of such a visit in the 'Spectator', No. 45.
'167 solemn days':
days of marriage or mourning, on which at this time formal calls were
paid.
'173 the labour of the gods':
the walls of Troy built by Apollo and Neptune for King Laomedon.
'178 unresisted':
irresistible.
CANTO IV
'8 Cynthia':
a fanciful name for any fashionable lady. No individual is meant.
'manteau':
a loose upper garment for women.
'16 Spleen':
the word is used here as a personification of melancholy, or low
spirits. It was not an uncommon affectation in England at this time. A
letter to the 'Spectator', No. 53, calls it "the distemper of the great
and the polite. "
'17 the Gnome':
Umbriel, who in accordance with his nature now proceeds to stir up
trouble. Compare Canto I, ll. 63-64.
Ovid's 'Metamorphoses', Bk. VIII.
'127 Clarissa':
it does not appear that Pope had any individual lady in mind. We do not
know, at least, that any lady instigated or aided Lord Petre to cut off
the lock.
'144 An earthly Lover':
we know nothing of any love affair of Miss Fermor's. Pope mentions the
"earthly lover" here to account for Ariel's desertion of Belinda, for he
could only protect her so long as she "rejected mankind"; compare Canto
I, ll. 67-68.
'147 Forfex':
a Latin word meaning scissors.
'152'
Pope borrowed this idea from Milton, who represents the wound inflicted
on Satan, by the Archangel Michael as healing immediately--
Th' ethereal substance closed
Not long divisible.
--'Paradise Lost', VI, 330-331.
'165 Atalantis': 'The New Atalantis',
a four-volume "cornucopia of scandal" involving almost every public
character of the day, was published by a Mrs. Manley in 1709. It was
very widely read. The Spectator found it, along with a key which
revealed the identities of its characters, in the lady's library already
mentioned ('Spectator', No. 37).
'166 the small pillow':
a richly decorated pillow which fashionable ladies used to prop them up
in bed when they received morning visits from gentlemen. Addison gives
an account of such a visit in the 'Spectator', No. 45.
'167 solemn days':
days of marriage or mourning, on which at this time formal calls were
paid.
'173 the labour of the gods':
the walls of Troy built by Apollo and Neptune for King Laomedon.
'178 unresisted':
irresistible.
CANTO IV
'8 Cynthia':
a fanciful name for any fashionable lady. No individual is meant.
'manteau':
a loose upper garment for women.
'16 Spleen':
the word is used here as a personification of melancholy, or low
spirits. It was not an uncommon affectation in England at this time. A
letter to the 'Spectator', No. 53, calls it "the distemper of the great
and the polite. "
'17 the Gnome':
Umbriel, who in accordance with his nature now proceeds to stir up
trouble. Compare Canto I, ll. 63-64.
