"
But the mood went, the jest was so far forgotten as to be taken seriously
by himself, and turned into the sober earnest which it remains; a kind of
timidity of the original impression crept in, and we are left to laugh
rather at than with the poet.
But the mood went, the jest was so far forgotten as to be taken seriously
by himself, and turned into the sober earnest which it remains; a kind of
timidity of the original impression crept in, and we are left to laugh
rather at than with the poet.
Coleridge - Poems
192.
_Sonnets Attempted in the Manner of Contemporary Writers_.
Dykes Campbell quotes a letter of Coleridge to Cottle, which he attributes
to the year 1797, in which Coleridge says: "I sent to the _Monthly
Magazine_ three mock sonnets in ridicule of my own Poems, and Charles
Lloyd's, and Charles Lamb's, etc. etc. , exposing that affectation of
unaffectedness, of jumping and misplaced accent, in commonplace epithets,
flat lines forced into poetry by italics (signifying how well and
mouthishly the author would read them), puny pathos, etc. etc. The
instances were all taken from myself and Lloyd and Lamb. I signed them
'Nehemiah Higginbottom. ' I think they may do good to our young Bards. "
Coleridge's humour, which begins as early as 1794, with the lines on
"Parliamentary Oscillators," is one of the outlets of an oppressively
ingenious mind, over-packed with ideas, which he cannot be content to
express in prose. He delights, as in an intellectual exercise, in the
grapple with difficult technique, the victorious wrestle with grotesque
rhymes. All the comic poems are unusually rich and fine in rhythm, which
seems to exult in its mastery over material so foreign to it.
Yet he has not always or wholly command of this humour. The famous "Lines
to a Young Ass" were first written as a joke, and there is some burlesque
strength in such lines as:
"Where Toil shall wed young Health, that charming Lass!
And use his sleek cows for a looking-glass.
"
But the mood went, the jest was so far forgotten as to be taken seriously
by himself, and turned into the sober earnest which it remains; a kind of
timidity of the original impression crept in, and we are left to laugh
rather at than with the poet.
End of Project Gutenberg's Poems of Coleridge, by Coleridge, ed Arthur Symons
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This file should be named 8208-8. txt or 8208-8. zip
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Dykes Campbell quotes a letter of Coleridge to Cottle, which he attributes
to the year 1797, in which Coleridge says: "I sent to the _Monthly
Magazine_ three mock sonnets in ridicule of my own Poems, and Charles
Lloyd's, and Charles Lamb's, etc. etc. , exposing that affectation of
unaffectedness, of jumping and misplaced accent, in commonplace epithets,
flat lines forced into poetry by italics (signifying how well and
mouthishly the author would read them), puny pathos, etc. etc. The
instances were all taken from myself and Lloyd and Lamb. I signed them
'Nehemiah Higginbottom. ' I think they may do good to our young Bards. "
Coleridge's humour, which begins as early as 1794, with the lines on
"Parliamentary Oscillators," is one of the outlets of an oppressively
ingenious mind, over-packed with ideas, which he cannot be content to
express in prose. He delights, as in an intellectual exercise, in the
grapple with difficult technique, the victorious wrestle with grotesque
rhymes. All the comic poems are unusually rich and fine in rhythm, which
seems to exult in its mastery over material so foreign to it.
Yet he has not always or wholly command of this humour. The famous "Lines
to a Young Ass" were first written as a joke, and there is some burlesque
strength in such lines as:
"Where Toil shall wed young Health, that charming Lass!
And use his sleek cows for a looking-glass.
"
But the mood went, the jest was so far forgotten as to be taken seriously
by himself, and turned into the sober earnest which it remains; a kind of
timidity of the original impression crept in, and we are left to laugh
rather at than with the poet.
End of Project Gutenberg's Poems of Coleridge, by Coleridge, ed Arthur Symons
*** END OF THE PROJECT GUTENBERG EBOOK POEMS OF COLERIDGE ***
This file should be named 8208-8. txt or 8208-8. zip
Jonathan Ingram, Jerry Fairbanks
and the Online Distributed Proofreading Team
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included. Thus, we usually do not
keep eBooks in compliance with any particular paper edition.
We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.
Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.
Most people start at our Web sites at:
http://gutenberg. net or
http://promo. net/pg
These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free! ).
Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date. This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.
