No More Learning

N. B. In the Museum they have drawled out the tune to twelve lines of
poetry, which is ---- nonsense. Four lines of song, and four of chorus,
is the way. [236]

FOOTNOTES:

[Footnote 235: Song CCV. ]

[Footnote 236: See Song LXVII. ]

* * * * *




CCLXIX.


TO MISS CRAIK.

[Miss Helen Craik of Arbigland, had merit both as a poetess and
novelist: her ballads may be compared with those of Hector M'Neil: her
novels had a seasoning of satire in them. ]

_Dumfries, August_, 1793.

MADAM,

Some rather unlooked-for accidents have prevented my doing myself the
honour of a second visit to Arbigland, as I was so hospitably invited,
and so positively meant to have done. --However, I still hope to have
that pleasure before the busy months of harvest begin.

I enclose you two of my late pieces, as some kind of return for the
pleasure I have received in perusing a certain MS. volume of poems in
the possession of Captain Riddel. To repay one with an _old song_, is
a proverb, whose force, you, Madam, I know, will not allow.
What is
said of illustrious descent is, I believe, equally true of a talent
for poetry, none ever despised it who had pretensions to it. The fates
and characters of the rhyming tribe often employ my thoughts when I am
disposed to be melancholy. There is not, among all the martyrologies
that ever were penned, so rueful a narrative as the lives of the
poets. --In the comparative view of wretches, the criterion is not what
they are doomed to suffer, but how they are formed to bear. Take a
being of our kind, give him a stronger imagination and a more delicate
sensibility, which between them will ever engender a more ungovernable
set of passions than are the usual lot of man; implant in him an
irresistible impulse to some idle vagary, such as arranging wild
flowers in fantastical nosegays, tracing the grasshopper to his haunt
by his chirping song, watching the frisks of the little minnows in the
sunny pool, or hunting after the intrigues of butterflies--in short,
send him adrift after some pursuit which shall eternally mislead him
from the paths of lucre, and yet curse him with a keener relish than
any man living for the pleasures that lucre can purchase; lastly, fill
up the measure of his woes by bestowing on him a spurning sense of his
own dignity, and you have created a wight nearly as miserable as a
poet. To you, Madam, I need not recount the fairy pleasures the muse
bestows to counterbalance this catalogue of evils. Bewitching poetry
is like bewitching woman; she has in all ages been accused of
misleading mankind from the councils of wisdom and the paths of
prudence, involving them in difficulties, baiting them with poverty,
branding them with infamy, and plunging them in the whirling vortex of
ruin; yet, where is the man but must own that all our happiness on
earth is not worthy the name--that even the holy hermit's solitary
prospect of paradisiacal bliss is but the glitter of a northern sun
rising over a frozen region, compared with the many pleasures, the
nameless raptures that we owe to the lovely queen of the heart of man!

R. B.

* * * * *




CCLXX.


TO LADY GLENCAIRN.

[Burns, as the concluding paragraph of this letter proves, continued
to the last years of his life to think of the composition of a
Scottish drama, which Sir Walter Scott laments he did not write,
instead of pouring out multitudes of lyrics for Johnson and Thomson. ]

MY LADY,

The honour you have done your poor poet, in writing him so very
obliging a letter, and the pleasure the enclosed beautiful verses have
given him, came very seasonably to his aid, amid the cheerless gloom
and sinking despondency of diseased nerves and December weather. As to
forgetting the family of Glencairn, Heaven is my witness with what
sincerity I could use those old verses which please me more in their
rude simplicity than the most elegant lines I ever saw.

"If thee, Jerusalem, I forget,
Skill part from my right hand.

My tongue to my mouth's roof let cleave,
If I do thee forget,
Jerusalem, and thee above
My chief joy do not set.