[214] Sparta had been menaced with an
earthquake
in 427 B.
Aristophanes
The play is now lost.
[204] A tragic poet; we know next to nothing of him or his works.
[205] Son of Aeolus, renowned in fable for his robberies, and for the
tortures to which he was put by Pluto. He was cunning enough to break
loose out of hell, but Hermes brought him back again.
[206] This whole scene is directed at Euripides; Aristophanes ridicules
the subtleties of his poetry and the trickeries of his staging, which,
according to him, he only used to attract the less refined among his
audience.
[207] "Wheeled out"--that is, by means of the [Greek: ekkukl_ema], a
mechanical contrivance of the Greek stage, by which an interior was
shown, the set scene with performers, etc. , all complete, being in some
way, which cannot be clearly made out from the descriptions, swung out or
wheeled out on to the main stage.
[208] Having been lamed, it is of course implied, by tumbling from the
lofty apparatus on which the Author sat perched to write his tragedies.
[209] Euripides delighted, or was supposed by his critic Aristophanes to
delight, in the representation of misery and wretchedness on the stage.
'Aeneus,' 'Phoenix,' 'Philoctetes,' 'Bellerophon,' 'Telephus,' 'Ino' are
titles of six tragedies of his in this _genre_ of which fragments are
extant.
[210] Line borrowed from Euripides. A great number of verses are
similarly parodied in this scene.
[211] Report said that Euripides' mother had sold vegetables on the
market.
[212] Aristophanes means, of course, to imply that the whole talent of
Euripides lay in these petty details of stage property.
[213] 'The Babylonians' had been produced at a time of year when Athens
was crowded with strangers; 'The Acharnians,' on the contrary, was played
in December.
[214] Sparta had been menaced with an earthquake in 427 B. C. Posidon was
'The Earthshaker,' god of earthquakes, as well as of the sea.
[215] A song by Timocreon the Rhodian, the words of which were
practically identical with Pericles' decree.
[216] A small and insignificant island, one of the Cyclades, allied with
the Athenians, like most of these islands previous to and during the
first part of the Peloponnesian War.
[217] A figure of Medusa's head, forming the centre of Lamachus' shield.
[218] Indicates the character of his election, which was arranged, so
Aristophanes implies, by his partisans.
[219] Towns in Sicily. There is a pun on the name Gela--[Greek: Gela] and
[Greek: Katagela] (ridiculous)--which it is impossible to keep in
English. Apparently the Athenians had sent embassies to all parts of the
Greek world to arrange treaties of alliance in view of the struggle with
the Lacedaemonians; but only young debauchees of aristocratic connections
had been chosen as envoys.
[220] A contemporary orator apparently, otherwise unknown.
[221] The _parabasis_ in the Old Comedy was a sort of address or topical
harangue addressed directly by the poet, speaking by the Chorus, to the
audience. It was nearly always political in bearing, and the subject of
the particular piece was for the time being set aside altogether.
[222] It will be remembered that Aristophanes owned land in Aegina.
[223] Everything was made the object of a law-suit at Athens. The old
soldiers, inexpert at speaking, often lost the day.
[204] A tragic poet; we know next to nothing of him or his works.
[205] Son of Aeolus, renowned in fable for his robberies, and for the
tortures to which he was put by Pluto. He was cunning enough to break
loose out of hell, but Hermes brought him back again.
[206] This whole scene is directed at Euripides; Aristophanes ridicules
the subtleties of his poetry and the trickeries of his staging, which,
according to him, he only used to attract the less refined among his
audience.
[207] "Wheeled out"--that is, by means of the [Greek: ekkukl_ema], a
mechanical contrivance of the Greek stage, by which an interior was
shown, the set scene with performers, etc. , all complete, being in some
way, which cannot be clearly made out from the descriptions, swung out or
wheeled out on to the main stage.
[208] Having been lamed, it is of course implied, by tumbling from the
lofty apparatus on which the Author sat perched to write his tragedies.
[209] Euripides delighted, or was supposed by his critic Aristophanes to
delight, in the representation of misery and wretchedness on the stage.
'Aeneus,' 'Phoenix,' 'Philoctetes,' 'Bellerophon,' 'Telephus,' 'Ino' are
titles of six tragedies of his in this _genre_ of which fragments are
extant.
[210] Line borrowed from Euripides. A great number of verses are
similarly parodied in this scene.
[211] Report said that Euripides' mother had sold vegetables on the
market.
[212] Aristophanes means, of course, to imply that the whole talent of
Euripides lay in these petty details of stage property.
[213] 'The Babylonians' had been produced at a time of year when Athens
was crowded with strangers; 'The Acharnians,' on the contrary, was played
in December.
[214] Sparta had been menaced with an earthquake in 427 B. C. Posidon was
'The Earthshaker,' god of earthquakes, as well as of the sea.
[215] A song by Timocreon the Rhodian, the words of which were
practically identical with Pericles' decree.
[216] A small and insignificant island, one of the Cyclades, allied with
the Athenians, like most of these islands previous to and during the
first part of the Peloponnesian War.
[217] A figure of Medusa's head, forming the centre of Lamachus' shield.
[218] Indicates the character of his election, which was arranged, so
Aristophanes implies, by his partisans.
[219] Towns in Sicily. There is a pun on the name Gela--[Greek: Gela] and
[Greek: Katagela] (ridiculous)--which it is impossible to keep in
English. Apparently the Athenians had sent embassies to all parts of the
Greek world to arrange treaties of alliance in view of the struggle with
the Lacedaemonians; but only young debauchees of aristocratic connections
had been chosen as envoys.
[220] A contemporary orator apparently, otherwise unknown.
[221] The _parabasis_ in the Old Comedy was a sort of address or topical
harangue addressed directly by the poet, speaking by the Chorus, to the
audience. It was nearly always political in bearing, and the subject of
the particular piece was for the time being set aside altogether.
[222] It will be remembered that Aristophanes owned land in Aegina.
[223] Everything was made the object of a law-suit at Athens. The old
soldiers, inexpert at speaking, often lost the day.
