No More Learning

XX

"To-morrow's dawn will glimmer gray,
Bright day will then begin to burn,
But the dark sepulchre I may
Have entered never to return.
The memory of the bard, a dream,
Will be absorbed by Lethe's stream;
Men will forget me, but my urn
To visit, lovely maid, return,
O'er my remains to drop a tear,
And think: here lies who loved me well,
For consecrate to me he fell
In the dawn of existence drear.
Maid whom my heart desires alone,
Approach, approach; I am thine own. "

XXI

Thus in a style _obscure_ and _stale_,(64)
He wrote ('tis the romantic style,
Though of romance therein I fail
To see aught--never mind meanwhile)
And about dawn upon his breast
His weary head declined at rest,
For o'er a word to fashion known,
"Ideal," he had drowsy grown.
But scarce had sleep's soft witchery
Subdued him, when his neighbour stept
Into the chamber where he slept
And wakened him with the loud cry:
"'Tis time to get up! Seven doth strike.
Oneguine waits on us, 'tis like. "

[Note 64: The fact of the above words being italicised suggests
the idea that the poet is here firing a Parthian shot at some
unfriendly critic. ]

XXII

He was in error; for Eugene
Was sleeping then a sleep like death;
The pall of night was growing thin,
To Lucifer the cock must breathe
His song, when still he slumbered deep,
The sun had mounted high his steep,
A passing snowstorm wreathed away
With pallid light, but Eugene lay
Upon his couch insensibly;
Slumber still o'er him lingering flies.
But finally he oped his eyes
And turned aside the drapery;
He gazed upon the clock which showed
He long should have been on the road.

XXIII

He rings in haste; in haste arrives
His Frenchman, good Monsieur Guillot,
Who dressing-gown and slippers gives
And linen on him doth bestow.
Dressing as quickly as he can,
Eugene directs the trusty man
To accompany him and to escort
A box of terrible import.
Harnessed the rapid sledge arrived:
He enters: to the mill he drives:
Descends, the order Guillot gives,
The fatal tubes Lepage contrived(65)
To bring behind: the triple steeds
To two young oaks the coachman leads.

[Note 65: Lepage--a celebrated gunmaker of former days. ]

XXIV

Lenski the foeman's apparition
Leaning against the dam expects,
Zaretski, village mechanician,
In the meantime the mill inspects.
Oneguine his excuses says;
"But," cried Zaretski in amaze,
"Your second you have left behind! "
A duellist of classic mind,
Method was dear unto his heart
He would not that a man ye slay
In a lax or informal way,
But followed the strict rules of art,
And ancient usages observed
(For which our praise he hath deserved).

XXV

"My second! " cried in turn Eugene,
"Behold my friend Monsieur Guillot;
To this arrangement can be seen,
No obstacle of which I know.
Although unknown to fame mayhap,
He's a straightforward little chap. "
Zaretski bit his lip in wrath,
But to Vladimir Eugene saith:
"Shall we commence? "--"Let it be so,"
Lenski replied, and soon they be
Behind the mill. Meantime ye see
Zaretski and Monsieur Guillot
In consultation stand aside--
The foes with downcast eyes abide.

XXVI

Foes! Is it long since friendship rent
Asunder was and hate prepared?
Since leisure was together spent,
Meals, secrets, occupations shared?
Now, like hereditary foes,
Malignant fury they disclose,
As in some frenzied dream of fear
These friends cold-bloodedly draw near
Mutual destruction to contrive.
Cannot they amicably smile
Ere crimson stains their hands defile,
Depart in peace and friendly live?
But fashionable hatred's flame
Trembles at artificial shame.

XXVII

The shining pistols are uncased,
The mallet loud the ramrod strikes,
Bullets are down the barrels pressed,
For the first time the hammer clicks.
Lo!