The reason of the variety of arrangement is, I suppose, this: The
_Funerall Elegie_ was probably, as Chambers suggests, the first part
of the poem, composed probably in 1610.
_Funerall Elegie_ was probably, as Chambers suggests, the first part
of the poem, composed probably in 1610.
John Donne
With the kind permission of Mr.
Edward Huth and
Messrs. Sotheby, Mr. Godfrey Keynes made a careful collation for
me, the results of which are embodied in my notes. The separate
title-pages of the two poems which the volume contains are here
reproduced.
Mr. Keynes supplies the following description of the volume: _A_ first
title, _A-A4 To the praise of the Dead_ (in italics), _A5-D2_ (pp.
1-44) _The First Anniversary_ (in roman), _D3-D7_ (pp. 45-54) _A
funerall Elegie_ (in italics), _D8_ blank except for rules in margins;
_E1_ second title, _E2-E4_ recto _The Harbinger_ (in italics), _E4_
verso blank, _E5-H5_ recto (pp. 1-49) _The Second Anniversarie_ (in
roman), _H5_ verso--_H6_ blank except for rules in margins. A fresh
title-page introduces the second poem.
In 1611 the introductory verses entitled _To the praise of the Dead,
and the Anatomy_, and the _Anatomy_ itself, are printed in italic, _A
Funerall Elegie_ following in roman type. This latter arrangement
was reversed in 1612. In the second part, only the poem entitled _The
Harbinger to the Progresse_ is printed throughout in italic. Donne's
own poem is in roman type.
The reason of the variety of arrangement is, I suppose, this: The
_Funerall Elegie_ was probably, as Chambers suggests, the first part
of the poem, composed probably in 1610. When it was published in
1611 with the _Anatomie_, the latter was regarded as introductory and
subordinate to the _Elegie_, and accordingly was printed in italic.
Later, when the idea of the Anniversary poems emerged, and _Of The
Progresse of the Soule_ was written as a complement to _An Anatomy
of the World_, these became the prominent parts of the whole work in
honour of Elizabeth Drury, and the _Funerall Elegie_ fell into the
subordinate position.
The edition of 1612 does not strike one as a very careful piece of
printing. It was probably printed while Donne was on the Continent. It
supplies only two certain emendations of the later text.
The reprints of this volume made in 1621 and 1625 show increasing
carelessness. They were issued after Donne took orders and probably
without his sanction. The title-pages of the editions are here
reproduced.
[Illustration: title encapsulated in Doric frame:]
_AN_
ANATOMY
of the World.
WHEREIN,
BY OCCASION OF
the vntimely death of Mistris
ELIZABETH DRVRY
the frailty and the decay
of this whole world
is represented.
LONDON,
Printed for _Samuel Macham_.
and are to be solde at his shop in
Paules Church-yard, at the
signe of the Bul-head.
AN. DOM.
1611.
Messrs. Sotheby, Mr. Godfrey Keynes made a careful collation for
me, the results of which are embodied in my notes. The separate
title-pages of the two poems which the volume contains are here
reproduced.
Mr. Keynes supplies the following description of the volume: _A_ first
title, _A-A4 To the praise of the Dead_ (in italics), _A5-D2_ (pp.
1-44) _The First Anniversary_ (in roman), _D3-D7_ (pp. 45-54) _A
funerall Elegie_ (in italics), _D8_ blank except for rules in margins;
_E1_ second title, _E2-E4_ recto _The Harbinger_ (in italics), _E4_
verso blank, _E5-H5_ recto (pp. 1-49) _The Second Anniversarie_ (in
roman), _H5_ verso--_H6_ blank except for rules in margins. A fresh
title-page introduces the second poem.
In 1611 the introductory verses entitled _To the praise of the Dead,
and the Anatomy_, and the _Anatomy_ itself, are printed in italic, _A
Funerall Elegie_ following in roman type. This latter arrangement
was reversed in 1612. In the second part, only the poem entitled _The
Harbinger to the Progresse_ is printed throughout in italic. Donne's
own poem is in roman type.
The reason of the variety of arrangement is, I suppose, this: The
_Funerall Elegie_ was probably, as Chambers suggests, the first part
of the poem, composed probably in 1610. When it was published in
1611 with the _Anatomie_, the latter was regarded as introductory and
subordinate to the _Elegie_, and accordingly was printed in italic.
Later, when the idea of the Anniversary poems emerged, and _Of The
Progresse of the Soule_ was written as a complement to _An Anatomy
of the World_, these became the prominent parts of the whole work in
honour of Elizabeth Drury, and the _Funerall Elegie_ fell into the
subordinate position.
The edition of 1612 does not strike one as a very careful piece of
printing. It was probably printed while Donne was on the Continent. It
supplies only two certain emendations of the later text.
The reprints of this volume made in 1621 and 1625 show increasing
carelessness. They were issued after Donne took orders and probably
without his sanction. The title-pages of the editions are here
reproduced.
[Illustration: title encapsulated in Doric frame:]
_AN_
ANATOMY
of the World.
WHEREIN,
BY OCCASION OF
the vntimely death of Mistris
ELIZABETH DRVRY
the frailty and the decay
of this whole world
is represented.
LONDON,
Printed for _Samuel Macham_.
and are to be solde at his shop in
Paules Church-yard, at the
signe of the Bul-head.
AN. DOM.
1611.
