This city, which was known even before the
foundation
of Rome, is
called, in some ancient Roman acts, "Roma Garumnae.
called, in some ancient Roman acts, "Roma Garumnae.
Petrarch
As tradition gives him no very good character for temper, the
latter supposition is the more probable. Every morning that he went out
he might hear from some kind friend the praises of a new sonnet which
Petrarch had written on his wife; and, when he came back to dinner, of
course his good humour was not improved by the intelligence. He was in
the habit of scolding her till she wept; he married seven months after
her death, and, from all that is known of him, appears to have been a
bad husband. I suspect that Laura paid dearly for her poet's idolatry.
No incidents of Petrarch's life have been transmitted to us for the
first year or two after his attachment to Laura commenced. He seems to
have continued at Avignon, prosecuting his studies and feeding his
passion.
James Colonna, his friend and patron, was promoted in 1328 to the
bishopric of Lombes in Gascony; and in the year 1330 he went from
Avignon to take possession of his diocese, and invited Petrarch to
accompany him to his residence. No invitation could be more acceptable
to our poet: they set out at the end of March, 1330. In order to reach
Lombes, it was necessary to cross the whole of Languedoc, and to pass
through Montpelier, Narbonne, and Toulouse. Petrarch already knew
Montpelier, where he had, or ought to have, studied the law for four
years.
Full of enthusiasm for Rome, Petrarch was rejoiced to find at Narbonne
the city which had been the first Roman colony planted among the Gauls.
This colony had been formed entirely of Roman citizens, and, in order to
reconcile them to their exile, the city was built like a little image of
Rome. It had its capital, its baths, arches, and fountains; all which
works were worthy of the Roman name. In passing through Narbonne,
Petrarch discovered a number of ancient monuments and inscriptions.
Our travellers thence proceeded to Toulouse, where they passed several
days.
This city, which was known even before the foundation of Rome, is
called, in some ancient Roman acts, "Roma Garumnae. " It was famous in the
classical ages for cultivating literature. After the fall of the Roman
empire, the successive incursions of the Visigoths, the Saracens, and
the Normans, for a long time silenced the Muses at Toulouse; but they
returned to their favourite haunt after ages of barbarism had passed
away. De Sade says, that what is termed Provencal poetry was much more
cultivated by the Languedocians than by the Provencals, properly so
called. The city of Toulouse was considered as the principal seat of
this earliest modern poetry, which was carried to perfection in the
twelfth and thirteenth centuries, under the patronage of the Counts of
Toulouse, particularly Raimond V. , and his son, Raimond VI. Petrarch
speaks with high praise of those poets in his Triumphs of Love. It has
been alleged that he owed them this mark of his regard for their having
been so useful to him in his Italian poetry; and Nostradamus even
accuses him of having stolen much from them. But Tassoni, who understood
the Provencal poets better than Nostradamus, defends him successfully
from this absurd accusation.
Although Provencal poetry was a little on its decline since the days of
the Dukes of Aquitaine and the Counts of Toulouse, it was still held in
honour; and, when Petrarch arrived, the Floral games had been
established at Toulouse during six years. [C]
Ere long, however, our travellers found less agreeable objects of
curiosity, that formed a sad contrast with the chivalric manners, the
floral games, and the gay poetry of southern France. Bishop Colonna and
Petrarch had intended to remain for some time at Toulouse; but their
sojourn was abridged by their horror at a tragic event[D] in the
principal monastery of the place. There lived in that monastery a young
monk, named Augustin, who was expert in music, and accompanied the
psalmody of the religious brothers with beautiful touches on the organ.
The superior of the convent, relaxing its discipline, permitted Augustin
frequently to mix with the world, in order to teach music, and to
improve himself in the art. The young monk was in the habit of
familiarly visiting the house of a respectable citizen: he was
frequently in the society of his daughter, and, by the express
encouragement of her father, undertook to exercise her in the practice
of music. Another young man, who was in love with the girl, grew jealous
of the monk, who was allowed to converse so familiarly with her, whilst
he, her lay admirer, could only have stolen glimpses of her as she
passed to church or to public spectacles.
latter supposition is the more probable. Every morning that he went out
he might hear from some kind friend the praises of a new sonnet which
Petrarch had written on his wife; and, when he came back to dinner, of
course his good humour was not improved by the intelligence. He was in
the habit of scolding her till she wept; he married seven months after
her death, and, from all that is known of him, appears to have been a
bad husband. I suspect that Laura paid dearly for her poet's idolatry.
No incidents of Petrarch's life have been transmitted to us for the
first year or two after his attachment to Laura commenced. He seems to
have continued at Avignon, prosecuting his studies and feeding his
passion.
James Colonna, his friend and patron, was promoted in 1328 to the
bishopric of Lombes in Gascony; and in the year 1330 he went from
Avignon to take possession of his diocese, and invited Petrarch to
accompany him to his residence. No invitation could be more acceptable
to our poet: they set out at the end of March, 1330. In order to reach
Lombes, it was necessary to cross the whole of Languedoc, and to pass
through Montpelier, Narbonne, and Toulouse. Petrarch already knew
Montpelier, where he had, or ought to have, studied the law for four
years.
Full of enthusiasm for Rome, Petrarch was rejoiced to find at Narbonne
the city which had been the first Roman colony planted among the Gauls.
This colony had been formed entirely of Roman citizens, and, in order to
reconcile them to their exile, the city was built like a little image of
Rome. It had its capital, its baths, arches, and fountains; all which
works were worthy of the Roman name. In passing through Narbonne,
Petrarch discovered a number of ancient monuments and inscriptions.
Our travellers thence proceeded to Toulouse, where they passed several
days.
This city, which was known even before the foundation of Rome, is
called, in some ancient Roman acts, "Roma Garumnae. " It was famous in the
classical ages for cultivating literature. After the fall of the Roman
empire, the successive incursions of the Visigoths, the Saracens, and
the Normans, for a long time silenced the Muses at Toulouse; but they
returned to their favourite haunt after ages of barbarism had passed
away. De Sade says, that what is termed Provencal poetry was much more
cultivated by the Languedocians than by the Provencals, properly so
called. The city of Toulouse was considered as the principal seat of
this earliest modern poetry, which was carried to perfection in the
twelfth and thirteenth centuries, under the patronage of the Counts of
Toulouse, particularly Raimond V. , and his son, Raimond VI. Petrarch
speaks with high praise of those poets in his Triumphs of Love. It has
been alleged that he owed them this mark of his regard for their having
been so useful to him in his Italian poetry; and Nostradamus even
accuses him of having stolen much from them. But Tassoni, who understood
the Provencal poets better than Nostradamus, defends him successfully
from this absurd accusation.
Although Provencal poetry was a little on its decline since the days of
the Dukes of Aquitaine and the Counts of Toulouse, it was still held in
honour; and, when Petrarch arrived, the Floral games had been
established at Toulouse during six years. [C]
Ere long, however, our travellers found less agreeable objects of
curiosity, that formed a sad contrast with the chivalric manners, the
floral games, and the gay poetry of southern France. Bishop Colonna and
Petrarch had intended to remain for some time at Toulouse; but their
sojourn was abridged by their horror at a tragic event[D] in the
principal monastery of the place. There lived in that monastery a young
monk, named Augustin, who was expert in music, and accompanied the
psalmody of the religious brothers with beautiful touches on the organ.
The superior of the convent, relaxing its discipline, permitted Augustin
frequently to mix with the world, in order to teach music, and to
improve himself in the art. The young monk was in the habit of
familiarly visiting the house of a respectable citizen: he was
frequently in the society of his daughter, and, by the express
encouragement of her father, undertook to exercise her in the practice
of music. Another young man, who was in love with the girl, grew jealous
of the monk, who was allowed to converse so familiarly with her, whilst
he, her lay admirer, could only have stolen glimpses of her as she
passed to church or to public spectacles.
