Love and sorrow were
strongly
mingled
in her early history: that she did not look so lovely in other eyes as
she did in those of Burns is well known: but he had much of the taste
of an artist, and admired the elegance of her form, and the harmony of
her motion, as much as he did her blooming face and sweet voice.
in her early history: that she did not look so lovely in other eyes as
she did in those of Burns is well known: but he had much of the taste
of an artist, and admired the elegance of her form, and the harmony of
her motion, as much as he did her blooming face and sweet voice.
Robert Burns
Say, you'll be merry, tho' you can't be rich.
Thou other man of care, the wretch in love,
Who long with jiltish arts and airs hast strove;
Who, us the boughs all temptingly project,
Measur'st in desperate thought--a rope--thy neck--
Or, where the beetling cliff o'erhangs the deep,
Peerest to meditate the healing leap:
Would'st thou be cur'd, thou silly, moping elf?
Laugh at their follies--laugh e'en at thyself:
Learn to despise those frowns now so terrific,
And love a kinder--that's your grand specific.
To sum up all, be merry, I advise;
And as we're merry, may we still be wise.
* * * * *
CXLV.
ON
SEEING MISS FONTENELLE
IN A FAVOURITE CHARACTER.
[The good looks and the natural acting of Miss Fontenelle pleased
others as well as Burns. I know not to what character in the range of
her personations he alludes: she was a favourite on the Dumfries
boards. ]
Sweet naivete of feature,
Simple, wild, enchanting elf,
Not to thee, but thanks to nature,
Thou art acting but thyself.
Wert thou awkward, stiff, affected,
Spurning nature, torturing art;
Loves and graces all rejected,
Then indeed thou'dst act a part.
R. B.
* * * * *
CXLVI.
TO CHLORIS.
[Chloris was a Nithsdale beauty.
Love and sorrow were strongly mingled
in her early history: that she did not look so lovely in other eyes as
she did in those of Burns is well known: but he had much of the taste
of an artist, and admired the elegance of her form, and the harmony of
her motion, as much as he did her blooming face and sweet voice. ]
'Tis Friendship's pledge, my young, fair friend,
Nor thou the gift refuse,
Nor with unwilling ear attend
The moralizing muse.
Since thou in all thy youth and charms,
Must bid the world adieu,
(A world 'gainst peace in constant arms)
To join the friendly few.
Since, thy gay morn of life o'ercast,
Chill came the tempest's lower;
(And ne'er misfortune's eastern blast
Did nip a fairer flower. )
Since life's gay scenes must charm no more,
Still much is left behind;
Still nobler wealth hast thou in store--
The comforts of the mind!
Thine is the self-approving glow,
On conscious honour's part;
And, dearest gift of heaven below,
Thine friendship's truest heart.
The joys refin'd of sense and taste,
With every muse to rove:
And doubly were the poet blest,
These joys could he improve.
* * * * *
CXLVII.
POETICAL INSCRIPTION
FOR AN ALTAR TO INDEPENDENCE.
[It was the fashion of the feverish times of the French Revolution to
plant trees of Liberty, and raise altars to Independence. Heron of
Kerroughtree, a gentleman widely esteemed in Galloway, was about to
engage in an election contest, and these noble lines served the
purpose of announcing the candidate's sentiments on freedom. ]
Thou of an independent mind,
With soul resolv'd, with soul resign'd;
Prepar'd Power's proudest frown to brave,
Who wilt not be, nor have a slave;
Virtue alone who dost revere,
Thy own reproach alone dost fear,
Approach this shrine, and worship here.
* * * * *
CXLVIII.
THE HERON BALLADS.
[BALLAD FIRST. ]
[This is the first of several party ballads which Burns wrote to serve
Patrick Heron, of Kerroughtree, in two elections for the Stewartry of
Kirkcudbright, in which he was opposed, first, by Gordon of Balmaghie,
and secondly, by the Hon.