The last edition of Donne's poems which bears evidence of recourse
to manuscript sources, and which enlarged the canon of the poems, was
that of 1669.
to manuscript sources, and which enlarged the canon of the poems, was
that of 1669.
John Donne
1654.
James Flesher was the son of Miles Flesher, or Fletcher, who is
probably the M. F. of the earlier editions. John Sweeting was an
active bookseller and publisher, first at the Crown in Cornhill, and
subsequently at the Angel as above (1639-1661). He was the publisher
of many plays and poems, and in 1657 the publication of Donne's
_Letters to Severall Persons of Honour_ was transferred to him from
Richard Marriot, who issued them in 1651.
POEMS, &c.
BY
JOHN DONNE,
_late Dean of St. _ Pauls.
WITH
ELEGIES
ON THE
AUTHORS DEATH.
To which is added
_Divers Copies under his own hand_,
+Never before Printed. +
_In the SAVOY_,
Printed by _T. N. _ for _Henry Herringman_, at the sign of
the _Anchor_, in the lower-walk of the
_New-Exchange. _ 1669.
The last edition of Donne's poems which bears evidence of recourse
to manuscript sources, and which enlarged the canon of the poems, was
that of 1669. The younger Donne died in 1662, and this edition was
purely a printer's venture. Its title-page runs as opposite.
This edition added two elegies which a sense of propriety had hitherto
excluded from Donne's printed works, though they are in almost all
the manuscript collections, and a satire which most of the manuscripts
assign not to Donne but to Sir John Roe. The introductory material
remains as in _1650-54_ and unpaged; but the _Elegies to the Author_
are now paged, and the poems with the prose letters inserted in _1633_
and added to in _1635_ (see above, p. lxiii, note 8), the _Elegies to
the Author_, and the additional sheets inserted in _1650_, occupy pp.
1-414. The love _Elegies_ were numbered as in earlier editions, but
the titles which some had borne were all dropped. _Elegie XIIII_ (XII
in this edition) was enlarged. Two new Elegies were added, one (_Loves
Progress_) as _Elegie XVIII_, the second (_Going to Bed_) unnumbered
and simply headed _To his Mistress going to bed_. The text of the
poems underwent considerable alteration, some of the changes showing
a reversion to the text of _1633_, others a reference to manuscript
sources, many editorial conjecture.
The edition of 1669 is the last edition of Donne's poems which can
be regarded as in any degree an authority for the text of the poems,
because it is the last which affords evidence of access to independent
manuscript sources. All subsequent editions, till we come to those of
Grosart and Chambers, were based on these. If the editor preferred one
reading to another it was on purely internal evidence, a result of
his own decision as to which was the more correct or the preferable
reading. In 1719, for example, a new edition was brought out by the
well-known publisher Jacob Tonson. The title-page runs as over.
James Flesher was the son of Miles Flesher, or Fletcher, who is
probably the M. F. of the earlier editions. John Sweeting was an
active bookseller and publisher, first at the Crown in Cornhill, and
subsequently at the Angel as above (1639-1661). He was the publisher
of many plays and poems, and in 1657 the publication of Donne's
_Letters to Severall Persons of Honour_ was transferred to him from
Richard Marriot, who issued them in 1651.
POEMS, &c.
BY
JOHN DONNE,
_late Dean of St. _ Pauls.
WITH
ELEGIES
ON THE
AUTHORS DEATH.
To which is added
_Divers Copies under his own hand_,
+Never before Printed. +
_In the SAVOY_,
Printed by _T. N. _ for _Henry Herringman_, at the sign of
the _Anchor_, in the lower-walk of the
_New-Exchange. _ 1669.
The last edition of Donne's poems which bears evidence of recourse
to manuscript sources, and which enlarged the canon of the poems, was
that of 1669. The younger Donne died in 1662, and this edition was
purely a printer's venture. Its title-page runs as opposite.
This edition added two elegies which a sense of propriety had hitherto
excluded from Donne's printed works, though they are in almost all
the manuscript collections, and a satire which most of the manuscripts
assign not to Donne but to Sir John Roe. The introductory material
remains as in _1650-54_ and unpaged; but the _Elegies to the Author_
are now paged, and the poems with the prose letters inserted in _1633_
and added to in _1635_ (see above, p. lxiii, note 8), the _Elegies to
the Author_, and the additional sheets inserted in _1650_, occupy pp.
1-414. The love _Elegies_ were numbered as in earlier editions, but
the titles which some had borne were all dropped. _Elegie XIIII_ (XII
in this edition) was enlarged. Two new Elegies were added, one (_Loves
Progress_) as _Elegie XVIII_, the second (_Going to Bed_) unnumbered
and simply headed _To his Mistress going to bed_. The text of the
poems underwent considerable alteration, some of the changes showing
a reversion to the text of _1633_, others a reference to manuscript
sources, many editorial conjecture.
The edition of 1669 is the last edition of Donne's poems which can
be regarded as in any degree an authority for the text of the poems,
because it is the last which affords evidence of access to independent
manuscript sources. All subsequent editions, till we come to those of
Grosart and Chambers, were based on these. If the editor preferred one
reading to another it was on purely internal evidence, a result of
his own decision as to which was the more correct or the preferable
reading. In 1719, for example, a new edition was brought out by the
well-known publisher Jacob Tonson. The title-page runs as over.
