No More Learning

The circling harbour-lights flash green and red;
And, out beyond, a steady travelling boat,
Breaking the swell with slow industrious oars,
At each stroke pours
Pale lighted water from the lifted blade.
Now in the painted houses all around
Slow-darkening windows call
The empty unwatched middle of the night.
The tide's few inches rise without a sound.
On the black promontory's windless head,
The last awake, the fireflies rise and fall
And tangle up their dithering skeins of light.

O memory, take and keep
All that my eyes, your servants, bring you home!
Thick through the changing year
The unexpected, rich-charged moments come,
That you twixt wake and sleep
In the lids of the closed eyes shall make appear.

This is life's certain good,
Though in the end it be not good at all
When the dark end arises,
And the stripped, startled spirit must let fall
The amulets that could
Prevail with life's but not death's sad devices.

Then, like a child from whom an older child
Forces its gathered treasures,
Its beads and shells and strings of withered flowers,
Tokens of recent pleasures,
The soul must lose in eyes weeping and wild
Those prints of vanished hours.



WOMAN'S SONG

No more upon my bosom rest thee,
Too often have my hands caressed thee,
My lips thou knowest well, too well;
Lean to my heart no more thine ear
My spirit's living truth to hear
--It has no more to tell.

In what dark night, in what strange night,
Burnt to the butt the candle's light
That lit our room so long?
I do not know, I thought I knew
How love could be both sweet and true:
I also thought it strong.

Where has the flame departed? Where,
Amid the empty waste of air,
Is that which dwelt with us?
Was it a fancy? Did we make
Only a show for dead love's sake,
It being so piteous?
No more against my bosom press thee,
Seek no more that my hands caress thee,
Leave the sad lips thou hast known so well;
If to my heart thou lean thine ear,
There grieving thou shalt only hear
Vain murmuring of an empty shell.



THE WIND

Blow harder, wind, and drive
My blood from hands and face back to the heart.
Cry over ridges and down tapering coombs,
Carry the flying dapple of the clouds
Over the grass, over the soft-grained plough,
Stroke with ungentle hand the hill's rough hair
Against its usual set.
Snatch at the reins in my dead hands and push me
Out of my saddle, blow my labouring pony
Across the track. You only drive my blood
Nearer the heart from face and hands, and plant there,
Slowly burning, unseen, but alive and wonderful,
A numb, confusèd joy!
This little world's in tumult. Far away
The dim waves rise and wrestle with each other
And fall down headlong on the beach. And here
Quick gusts fly up the funnels of the valleys
And meet their raging fellows on the hill-tops,
And we are in the midst.
This beating heart, enriched with the hands' blood,
Stands in the midst and feels the warm joy burn
In solitude and silence, while all about
The gusts clamour like living, angry birds,
And the gorse seems hardly tethered to the ground.
Blow louder, wind, about
My square-set house, rattle the windows, lift
The trap-door to the loft above my head
And let it fall, clapping. Yell in the trees,
And throw a rotted elm-branch to the ground,
Flog the dry trailers of my climbing rose--
Make deep, O wind, my rest!



A LONELY PLACE

The leafless trees, the untidy stack
Last rainy summer raised in haste,
Watch the sky turn from fair to black
And watch the river fill and waste;

But never a footstep comes to trouble
The sea-gulls in the new-sown corn,
Or pigeons rising from late stubble
And flashing lighter as they turn.

Or if a footstep comes, 'tis mine
Sharp on the road or soft on grass:
Silence divides along my line
And shuts behind me as I pass.

No other comes, no labourer
To cut his shaggy truss of hay,
Along the road no traveller,
Day after day, day after day.

And even I, when I come here,
Move softly on, subdued and still,
Lonely as death, though I can hear
Men shouting on the other hill.

Day after day, though no one sees,
The lonely place no different seems;
The trees, the stack, still images
Constant in who can say whose dreams?