This pitiless
indictment
I bring without pity against myself.
Oscar Wilde - Poetry
With us, prison
makes a man a pariah. I, and such as I am, have hardly any right to air
and sun. Our presence taints the pleasures of others. We are unwelcome
when we reappear. To revisit the glimpses of the moon is not for us. Our
very children are taken away. Those lovely links with humanity are
broken. We are doomed to be solitary, while our sons still live. We are
denied the one thing that might heal us and keep us, that might bring
balm to the bruised heart, and peace to the soul in pain. . . .
I must say to myself that I ruined myself, and that nobody great or small
can be ruined except by his own hand. I am quite ready to say so. I am
trying to say so, though they may not think it at the present moment.
This pitiless indictment I bring without pity against myself. Terrible
as was what the world did to me, what I did to myself was far more
terrible still.
I was a man who stood in symbolic relations to the art and culture of my
age. I had realised this for myself at the very dawn of my manhood, and
had forced my age to realise it afterwards. Few men hold such a position
in their own lifetime, and have it so acknowledged. It is usually
discerned, if discerned at all, by the historian, or the critic, long
after both the man and his age have passed away. With me it was
different. I felt it myself, and made others feel it. Byron was a
symbolic figure, but his relations were to the passion of his age and its
weariness of passion. Mine were to something more noble, more permanent,
of more vital issue, of larger scope.
The gods had given me almost everything. But I let myself be lured into
long spells of senseless and sensual ease. I amused myself with being a
_flaneur_, a dandy, a man of fashion. I surrounded myself with the
smaller natures and the meaner minds. I became the spendthrift of my own
genius, and to waste an eternal youth gave me a curious joy. Tired of
being on the heights, I deliberately went to the depths in the search for
new sensation.
makes a man a pariah. I, and such as I am, have hardly any right to air
and sun. Our presence taints the pleasures of others. We are unwelcome
when we reappear. To revisit the glimpses of the moon is not for us. Our
very children are taken away. Those lovely links with humanity are
broken. We are doomed to be solitary, while our sons still live. We are
denied the one thing that might heal us and keep us, that might bring
balm to the bruised heart, and peace to the soul in pain. . . .
I must say to myself that I ruined myself, and that nobody great or small
can be ruined except by his own hand. I am quite ready to say so. I am
trying to say so, though they may not think it at the present moment.
This pitiless indictment I bring without pity against myself. Terrible
as was what the world did to me, what I did to myself was far more
terrible still.
I was a man who stood in symbolic relations to the art and culture of my
age. I had realised this for myself at the very dawn of my manhood, and
had forced my age to realise it afterwards. Few men hold such a position
in their own lifetime, and have it so acknowledged. It is usually
discerned, if discerned at all, by the historian, or the critic, long
after both the man and his age have passed away. With me it was
different. I felt it myself, and made others feel it. Byron was a
symbolic figure, but his relations were to the passion of his age and its
weariness of passion. Mine were to something more noble, more permanent,
of more vital issue, of larger scope.
The gods had given me almost everything. But I let myself be lured into
long spells of senseless and sensual ease. I amused myself with being a
_flaneur_, a dandy, a man of fashion. I surrounded myself with the
smaller natures and the meaner minds. I became the spendthrift of my own
genius, and to waste an eternal youth gave me a curious joy. Tired of
being on the heights, I deliberately went to the depths in the search for
new sensation.
