Halifax offered to
pay the expenses of his funeral and contribute five hundred pounds for a
monument, and Pope not unreasonably suggests that some of this bounty
might have been bestowed on Dryden in his lifetime.
pay the expenses of his funeral and contribute five hundred pounds for a
monument, and Pope not unreasonably suggests that some of this bounty
might have been bestowed on Dryden in his lifetime.
Alexander Pope
His indifference to literature
was notorious.
'228 Bufo:'
the picture of a proud but grudging patron of letters which follows was
first meant for Bubb Doddington, a courtier and patron of letters at the
time the poem was written. In order to connect it more closely with the
time of which he was writing, Pope added ll. 243-246, which pointed to
Charles Montague, Earl of Halifax. Halifax was himself a poet and
affected to be a great patron of poetry, but his enemies accused him of
only giving his clients "good words and good dinners. " Pope tells an
amusing story of Montague's comments on his translation of the 'Iliad'
(Spence, 'Anecdotes', p. 134). But Halifax subscribed for ten copies of
the translation, so that Pope, at least, could not complain of his lack
of generosity.
'Castalian state:'
the kingdom of poets.
'232'
His name was coupled with that of Horace as a poet and critic.
'234 Pindar without a head:'
some headless statue which Bufo insisted was a genuine classic figure of
Pindar, the famous Greek lyric poet.
'237 his seat:'
his country seat.
'242 paid in kind:'
What does this phrase mean?
'243'
Dryden died in 1700. He had been poor and obliged to work hard for a
living in his last years, but hardly had to starve.
Halifax offered to
pay the expenses of his funeral and contribute five hundred pounds for a
monument, and Pope not unreasonably suggests that some of this bounty
might have been bestowed on Dryden in his lifetime.
'249'
When a politician wants a writer to put in a day's work in defending
him. Walpole, for example, who cared nothing for poetry, spent large
sums in retaining writers to defend him in the journals and pamphlets of
the day.
'254'
John Gay, the author of some very entertaining verses, was an intimate
friend of Pope. On account of some supposed satirical allusions his
opera 'Polly' was refused a license, and when his friends, the Duke and
Duchess of Queensberry (see l. 260) solicited subscriptions for it in
the palace, they were driven from the court. Gay died in 1732, and Pope
wrote an epitaph for his tomb in Westminster Abbey. It is to this that
he alludes in l. 258.
'274'
Balbus is said to mean the Earl of Kinnoul, at one time an acquaintance
of Pope and Swift.
'278'
Sir William Yonge, a Whig politician whom Pope disliked. He seems to
have written occasional verses. Bubo is Bubo Doddington (see note on l
230).
'297-298'
In the Fourth Moral Essay, published in 1731 as an 'Epistle to the Earl
of Burlington', Pope had given a satirical description of a nobleman's
house and grounds, adorned and laid out at vast expense, but in bad
taste. Certain features of this description were taken from Canons, the
splendid country place of the Duke of Chandos, and the duke was at once
identified by a scandal-loving public with the Timon of the poem. In the
description Pope speaks of the silver bell which calls worshipers to
Timon's chapel, and of the soft Dean preaching there "who never mentions
Hell to ears polite.
was notorious.
'228 Bufo:'
the picture of a proud but grudging patron of letters which follows was
first meant for Bubb Doddington, a courtier and patron of letters at the
time the poem was written. In order to connect it more closely with the
time of which he was writing, Pope added ll. 243-246, which pointed to
Charles Montague, Earl of Halifax. Halifax was himself a poet and
affected to be a great patron of poetry, but his enemies accused him of
only giving his clients "good words and good dinners. " Pope tells an
amusing story of Montague's comments on his translation of the 'Iliad'
(Spence, 'Anecdotes', p. 134). But Halifax subscribed for ten copies of
the translation, so that Pope, at least, could not complain of his lack
of generosity.
'Castalian state:'
the kingdom of poets.
'232'
His name was coupled with that of Horace as a poet and critic.
'234 Pindar without a head:'
some headless statue which Bufo insisted was a genuine classic figure of
Pindar, the famous Greek lyric poet.
'237 his seat:'
his country seat.
'242 paid in kind:'
What does this phrase mean?
'243'
Dryden died in 1700. He had been poor and obliged to work hard for a
living in his last years, but hardly had to starve.
Halifax offered to
pay the expenses of his funeral and contribute five hundred pounds for a
monument, and Pope not unreasonably suggests that some of this bounty
might have been bestowed on Dryden in his lifetime.
'249'
When a politician wants a writer to put in a day's work in defending
him. Walpole, for example, who cared nothing for poetry, spent large
sums in retaining writers to defend him in the journals and pamphlets of
the day.
'254'
John Gay, the author of some very entertaining verses, was an intimate
friend of Pope. On account of some supposed satirical allusions his
opera 'Polly' was refused a license, and when his friends, the Duke and
Duchess of Queensberry (see l. 260) solicited subscriptions for it in
the palace, they were driven from the court. Gay died in 1732, and Pope
wrote an epitaph for his tomb in Westminster Abbey. It is to this that
he alludes in l. 258.
'274'
Balbus is said to mean the Earl of Kinnoul, at one time an acquaintance
of Pope and Swift.
'278'
Sir William Yonge, a Whig politician whom Pope disliked. He seems to
have written occasional verses. Bubo is Bubo Doddington (see note on l
230).
'297-298'
In the Fourth Moral Essay, published in 1731 as an 'Epistle to the Earl
of Burlington', Pope had given a satirical description of a nobleman's
house and grounds, adorned and laid out at vast expense, but in bad
taste. Certain features of this description were taken from Canons, the
splendid country place of the Duke of Chandos, and the duke was at once
identified by a scandal-loving public with the Timon of the poem. In the
description Pope speaks of the silver bell which calls worshipers to
Timon's chapel, and of the soft Dean preaching there "who never mentions
Hell to ears polite.
