No More Learning

Do I blunder and blush for the reason why?
Wander aloof do I,
Lean over gates and sigh,
Making friends with the bee and the butterfly?

If thus and thus I do,
Dazed by the thought of you,
Walking my sorrowful way in the early dew,
My heart cut through and through
In this despair of you,
Starved for a word or a look will my hope renew:

Give then a thought for me
Walking so miserably,
Wanting relief in the friendship of flower or tree;
Do but remember, we
Once could in love agree,
Swallow your pride, let us be as we used to be.



SULLEN MOODS

Love, do not count your labour lost
Though I turn sullen, grim, retired
Even at your side; my thought is crossed
With fancies by old longings fired.

And when I answer you, some days
Vaguely and wildly, do not fear
That my love walks forbidden ways,
Breaking the ties that hold it here.

If I speak gruffly, this mood is
Mere indignation at my own
Shortcomings, plagues, uncertainties;
I forget the gentler tone.

'You,' now that you have come to be
My one beginning, prime and end,
I count at last as wholly 'me,'
Lover no longer nor yet friend.

Friendship is flattery, though close hid;
Must I then flatter my own mind?
And must (which laws of shame forbid)
Blind love of you make self-love blind?

. . . Do not repay me my own coin,
The sharp rebuke, the frown, the groan;
No, stir my memory to disjoin
Your emanation from my own.

Help me to see you as before
When overwhelmed and dead, almost,
I stumbled on that secret door
Which saves the live man from the ghost.

Be once again the distant light,
Promise of glory not yet known
In full perfection---wasted quite
When on my imperfection thrown.
THE PIER-GLASS

Lost manor where I walk continually
A ghost, while yet in woman's flesh and blood;
Up your broad stairs mounting with outspread fingers
And gliding steadfast down your corridors
I come by nightly custom to this room,
And even on sultry afternoons I come
Drawn by a thread of time-sunk memory.

Empty, unless for a huge bed of state
Shrouded with rusty curtains drooped awry
(A puppet theatre where malignant fancy
Peoples the wings with fear). At my right hand
A ravelled bell-pull hangs in readiness
To summon me from attic glooms above
Service of elder ghosts; here at my left
A sullen pier-glass cracked from side to side
Scorns to present the face as do new mirrors
With a lying flush, but shows it melancholy
And pale, as faces grow that look in mirrors.

Is here no life, nothing but the thin shadow
And blank foreboding, never a wainscot rat
Rasping a crust? Or at the window pane
No fly, no bluebottle, no starveling spider?
The windows frame a prospect of cold skies
Half-merged with sea, as at the first creation,
Abstract, confusing welter. Face about,
Peer rather in the glass once more, take note
Of self, the grey lips and long hair dishevelled,
Sleep-staring eyes. Ah, mirror, for Christ's love
Give me one token that there still abides
Remote, beyond this island mystery,
So be it only this side Hope, somewhere,
In streams, on sun-warm mountain pasturage,
True life, natural breath; not this phantasma.

A rumour, scarcely yet to be reckoned sound,
But a pulse quicker or slower, then I know
My plea is granted; death prevails not yet.
For bees have swarmed behind in a close place
Pent up between this glass and the outer wall.
The combs are founded, the queen rules her court,
Bee-sergeants posted at the entrance-chink
Are sampling each returning honey-cargo
With scrutinizing mouth and commentary,
Slow approbation, quick dissatisfaction--
Disquieting rhythm, that leads me home at last
From labyrinthine wandering. This new mood
Of judgment orders me my present duty,
To face again a problem strongly solved
In life gone by, but now again proposed
Out of due time for fresh deliberation.
Did not my answer please the Master's ear?
Yet, I'll stay obstinate. How went the question,
A paltry question set on the elements
Of love and the wronged lover's obligation?
_Kill or forgive?