After an absence of sixteen years, Camoens, in 1569,
returned
to Lisbon,
unhappy even in his arrival, for the pestilence then raged in that city,
and prevented his publishing for three years.
unhappy even in his arrival, for the pestilence then raged in that city,
and prevented his publishing for three years.
Camoes - Lusiades
Here Camoens
continued some time, till an opportunity offered to carry him to Goa.
When he arrived at that city, Don Constantine de Braganza, the viceroy,
whose characteristic was politeness, admitted him into intimate
friendship, and Camoens was happy till Count Redondo assumed the
government. Those who had formerly procured the banishment of the
satirist were silent while Constantine was in power. But now they
exerted all their arts against him. Redondo, when he entered on office,
pretended to be the friend of Camoens; yet, with the most unfeeling
indifference, he suffered the innocent man to be thrown into the common
prison. After all the delay of bringing witnesses, Camoens, in a public
trial, fully refuted every accusation against his conduct while
commissary at Macao, and his enemies were loaded with ignominy and
reproach. But Camoens had some creditors; and these detained him in
prison a considerable time, till the gentlemen of Goa began to be
ashamed that a man of his singular merit should experience such
treatment among them. He was set at liberty; and again he assumed the
profession of arms, and received the allowance of a
gentleman-volunteer, a character at that time common in Portuguese
India. Soon after, Pedro Barreto (appointed governor of the fort of
Sofala), by high promises, allured the poet to attend him thither. The
governor of a distant fort, in a barbarous country, shares in some
measure the fate of an exile. Yet, though the only motive of Barreto
was, in this unpleasant situation, to retain the conversation of Camoens
at his table, it was his least care to render the life of his guest
agreeable. Chagrined with his treatment, and a considerable time having
elapsed in vain dependence upon Barreto, Camoens resolved to return to
his native country. A ship, on the homeward voyage, at this time touched
at Sofala, and several gentlemen[10] who were on board were desirous
that Camoens should accompany them. But this the governor ungenerously
endeavoured to prevent, and charged him with a debt for board. Anthony
de Cabral, however, and Hector de Sylveyra, paid the demand, and
Camoens, says Faria, and the honour of Barreto were sold together.
After an absence of sixteen years, Camoens, in 1569, returned to Lisbon,
unhappy even in his arrival, for the pestilence then raged in that city,
and prevented his publishing for three years. At last, in 1572, he
printed his Lusiad, which, in the opening of the first book, in a most
elegant turn of compliment, he addressed to his prince, King Sebastian,
then in his eighteenth year. The king, says the French translator, was
so pleased with his merit, that he gave the author a pension of 4000
reals, on condition that he should reside at court. But this salary,
says the same writer, was withdrawn by Cardinal Henry, who succeeded to
the crown of Portugal, lost by Sebastian at the battle of Alcazar.
But this story of the pension is very doubtful. Correa and other
contemporary authors do not mention it, though some late writers have
given credit to it. If Camoens, however, had a pension, it is highly
probable that Henry deprived him of it. While Sebastian was devoted to
the chase, his grand-uncle, the cardinal, presided at the council board,
and Camoens, in his address to the king, which closes the Lusiad,
advises him to exclude the clergy from State affairs. It was easy to see
that the cardinal was here intended. And Henry, besides, was one of
those statesmen who can perceive no benefit resulting to the public
from elegant literature. But it ought also to be added in completion of
his character, that under the narrow views and weak hands of this Henry,
the kingdom of Portugal fell into utter ruin; and on his death, which
closed a short inglorious reign, the crown of Lisbon, after a faint
struggle, was annexed to that of Spain. Such was the degeneracy of the
Portuguese, a degeneracy lamented in vain by Camoens, whose observation
of it was imputed to him as a crime.
Though the great[11] patron of theological literature--a species the
reverse of that of Camoens--certain it is, that the author of the Lusiad
was utterly neglected by Henry, under whose inglorious reign he died in
all the misery of poverty. By some, it is said, he died in an
almshouse. It appears, however, that he had not even the certainty of
subsistence which these houses provide. He had a black servant, who had
grown old with him, and who had long experienced his master's humanity.
continued some time, till an opportunity offered to carry him to Goa.
When he arrived at that city, Don Constantine de Braganza, the viceroy,
whose characteristic was politeness, admitted him into intimate
friendship, and Camoens was happy till Count Redondo assumed the
government. Those who had formerly procured the banishment of the
satirist were silent while Constantine was in power. But now they
exerted all their arts against him. Redondo, when he entered on office,
pretended to be the friend of Camoens; yet, with the most unfeeling
indifference, he suffered the innocent man to be thrown into the common
prison. After all the delay of bringing witnesses, Camoens, in a public
trial, fully refuted every accusation against his conduct while
commissary at Macao, and his enemies were loaded with ignominy and
reproach. But Camoens had some creditors; and these detained him in
prison a considerable time, till the gentlemen of Goa began to be
ashamed that a man of his singular merit should experience such
treatment among them. He was set at liberty; and again he assumed the
profession of arms, and received the allowance of a
gentleman-volunteer, a character at that time common in Portuguese
India. Soon after, Pedro Barreto (appointed governor of the fort of
Sofala), by high promises, allured the poet to attend him thither. The
governor of a distant fort, in a barbarous country, shares in some
measure the fate of an exile. Yet, though the only motive of Barreto
was, in this unpleasant situation, to retain the conversation of Camoens
at his table, it was his least care to render the life of his guest
agreeable. Chagrined with his treatment, and a considerable time having
elapsed in vain dependence upon Barreto, Camoens resolved to return to
his native country. A ship, on the homeward voyage, at this time touched
at Sofala, and several gentlemen[10] who were on board were desirous
that Camoens should accompany them. But this the governor ungenerously
endeavoured to prevent, and charged him with a debt for board. Anthony
de Cabral, however, and Hector de Sylveyra, paid the demand, and
Camoens, says Faria, and the honour of Barreto were sold together.
After an absence of sixteen years, Camoens, in 1569, returned to Lisbon,
unhappy even in his arrival, for the pestilence then raged in that city,
and prevented his publishing for three years. At last, in 1572, he
printed his Lusiad, which, in the opening of the first book, in a most
elegant turn of compliment, he addressed to his prince, King Sebastian,
then in his eighteenth year. The king, says the French translator, was
so pleased with his merit, that he gave the author a pension of 4000
reals, on condition that he should reside at court. But this salary,
says the same writer, was withdrawn by Cardinal Henry, who succeeded to
the crown of Portugal, lost by Sebastian at the battle of Alcazar.
But this story of the pension is very doubtful. Correa and other
contemporary authors do not mention it, though some late writers have
given credit to it. If Camoens, however, had a pension, it is highly
probable that Henry deprived him of it. While Sebastian was devoted to
the chase, his grand-uncle, the cardinal, presided at the council board,
and Camoens, in his address to the king, which closes the Lusiad,
advises him to exclude the clergy from State affairs. It was easy to see
that the cardinal was here intended. And Henry, besides, was one of
those statesmen who can perceive no benefit resulting to the public
from elegant literature. But it ought also to be added in completion of
his character, that under the narrow views and weak hands of this Henry,
the kingdom of Portugal fell into utter ruin; and on his death, which
closed a short inglorious reign, the crown of Lisbon, after a faint
struggle, was annexed to that of Spain. Such was the degeneracy of the
Portuguese, a degeneracy lamented in vain by Camoens, whose observation
of it was imputed to him as a crime.
Though the great[11] patron of theological literature--a species the
reverse of that of Camoens--certain it is, that the author of the Lusiad
was utterly neglected by Henry, under whose inglorious reign he died in
all the misery of poverty. By some, it is said, he died in an
almshouse. It appears, however, that he had not even the certainty of
subsistence which these houses provide. He had a black servant, who had
grown old with him, and who had long experienced his master's humanity.
