No More Learning

79. THY WEARY SOLES TO LEAD, to guide thy weary feet (to rescue them).

xiii. The description of Fidelia is full of biblical allusions, _viz. _; her
white robe (_Revelation_, vii, 9); the sacramental cup filled with wine and
water according to the custom of the early Christians (_John_, xix, 34);
the serpent symbolical of healing power (_Numbers_, xxi, and _Mark_, xiv,
24); the book sealed with the blood of the Lamb (_Revelation_, v, 1, and
_II Corinthians_, v, 7).

144. ENCREASE is in the optative subj. with _God_ as subject.

172. AND WHEN SHE LIST, etc. , and when it pleased her to manifest her
higher spiritual power. These miracles of Faith are based on the following
passages: _Joshua_, x, 12; _II Kings_, xx, 10; _Judges_, vii, 7; _Exodus_,
xiv, 21; _Joshua_, iii, 17; _Matthew_, xxi, 21.

176. This line is given in the folio edition of 1609, but is wanting in the
edition of 1590 and 1596.

209.
HARDLY HIM INTREAT, scarcely prevail on him.

213. The absolutions granted by the clergy.

215. THE PASSION OF HIS PLIGHT, his suffering condition.

xxx. Percival points out the resemblance between Spenser's Charity and
Andrea del Sarto's famous painting _La Charite_ in the Louvre.

277. WHOSE PASSING PRICE, etc. , whose surpassing value it was difficult to
calculate.

292. WELL TO DONNE, well doing, right doing.

318. SEVEN BEAD-MEN, seven men of prayer, corresponding to the Seven Deadly
Sins of the House of Pride. They represent good works: (1) entertainment of
strangers; (2) food to the needy; (3) clothing to the naked; (4) relief to
prisoners; (5) comfort to the sick; (6) burial of the dead, and (7) care of
widows and orphans.

354.