No More Learning

26. )

The admission made in the letter of May 1st, 1805, is note-worthy:

"This defect" (of redundancy) "whenever I have suspected it or found
it to exist in any writings of mine, _I have always found incurable.
The fault lies too deep, and is in the first conception_. "

The actual result--in the Poem he had at length committed to
writing--was so far inferior to the ideal he had tried to realise, that
he could never be induced to publish it. He spoke of the MS. as forming
a sort of _portico_ to his larger work--the poem on Man, Nature, and
Society--which he meant to call 'The Recluse', and of which one portion
only, _viz. _ 'The Excursion', was finished. It is clear that throughout
the composition of 'The Prelude', he felt that he was experimenting with
his powers. He wished to find out whether he could construct "a literary
work that might live," on a larger scale than his Lyrics; and it was on
the writing of a "philosophical poem," dealing with Man and Nature, in
their deepest aspects, that his thoughts had been fixed for many years.
From the letter to Sir George Beaumont, December 25, 1804, it is evident
that he regarded the autobiographical poem as a mere prologue to this
larger work, to which he hoped to turn "with all his might" after 'The
Prelude' was finished, and of which he had already written about a fifth
or a sixth (see 'Memoirs', vol. i. p. 304). This was the part known in
the Grasmere household as "The Pedlar," a title given to it from the
character of the Wanderer, but afterwards happily set aside. He did not
devote himself, however, to the completion of his wider purpose,
immediately after 'The Prelude' was finished.
He wrote one book of 'The
Recluse' which he called "Home at Grasmere"; and, though detached from
'The Prelude', it is a continuation of the narrative of his own life at
the point where it is left off in the latter poem. It consists of 733
lines. Two extracts from it were published in the 'Memoirs of
Wordsworth' in 1851 (vol. i. pp. 151 and 155), beginning,

'On Nature's invitation do I come,'

and

'Bleak season was it, turbulent and bleak. '

These will be found in vol. ii. of this edition, pp. 118 and 121
respectively.

The autobiographical poem remained, as already stated, during
Wordsworth's lifetime without a title. The name finally adopted--'The
Prelude'--was suggested by Mrs. Wordsworth, both to indicate its
relation to the larger work, and the fact of its having been written
comparatively early.

As the poem was addressed to Coleridge, it may be desirable to add in
this place his critical verdict upon it; along with the poem which he
wrote, on hearing Wordsworth read a portion of it to him, in the winter
of 1806, at Coleorton.

In his 'Table Talk' (London, 1835, vol. ii.