He was
arrested
near Avignon; his letters were taken from him and
torn to pieces; and, without being permitted to enter Avignon, he was
sent back to Rome with threats and ignominy.
torn to pieces; and, without being permitted to enter Avignon, he was
sent back to Rome with threats and ignominy.
Petrarch
In the midst of all this political fervour, the poet's devotion to Laura
continued unabated; Petrarch never composed so many sonnets in one year
as during 1347, but, for the most part, still indicative of sadness and
despair. In his 116th sonnet, he says:--
"Soleo onde, e 'n rena fondo, e serivo in vento. "
I plough in water, build on sand, and write on air.
If anything were wanting to convince us that Laura had treated him,
during his twenty years' courtship, with sufficient rigour, this and
other such expressions would suffice to prove it. A lover, at the end of
so long a period, is not apt to speak thus despondingly of a mistress
who has been kind to him.
It seems, however, that there were exceptions to her extreme reserve. On
one occasion, this year, when they met, and when Petrarch's eyes were
fixed on her in silent reverie, she stretched out her hand to him, and
allowed him to detain it in his for some time. This incident is alluded
to in his 218th sonnet.
If public events, however, were not enough to make him forget his
passion for Laura, they were sufficiently stirring to keep his interest
in them alive. The head of Rienzo was not strong enough to stand the
elevation which he had attained. Petrarch had hitherto regarded the
reports of Rienzo's errors as highly exaggerated by his enemies; but the
truth of them, at last, became too palpable; though our poet's
charitable opinion of the Tribune considerably outlasted that of the
public at large.
When the papal court heard of the multiplied extravagances of Rienzo,
they recovered a little from the panic which had seized them. They saw
that they had to deal with a man whose head was turned. His summonses
had enraged them; and they resolved to keep no measures with him.
Towards the end of August, 1347, one of his couriers arrived without
arms, and with only the symbol of his office, the silver rod, in his
hand.
He was arrested near Avignon; his letters were taken from him and
torn to pieces; and, without being permitted to enter Avignon, he was
sent back to Rome with threats and ignominy. This proceeding appeared
atrocious in the eyes of Petrarch, and he wrote a letter to Rienzo on
the subject, expressing his strongest indignation at the act of outrage.
[Illustration: COAST OF GENOA. ]
Petrarch passed almost the whole of the month of September, 1347, at
Avignon. On the 9th of this month he obtained letters of legitimation
for his son John, who might now be about ten years old. John is
entitled, in these letters, "a scholar of Florence. " The Pope empowers
him to possess any kind of benefice without being obliged, in future, to
make mention of his illegitimate birth, or of the obtained dispensation.
It appears from these letters that the mother of John was not married.
He left his son at Verona under the tuition of Rinaldo di Villa Franca.
Before he had left Provence in this year, for the purpose of visiting
Italy, he had announced his intention to the Pope, who wished to retain
him as an honour to his court, and offered him his choice of several
church preferments. But our poet, whose only wish was to obtain some
moderate benefice that would leave him independent and at liberty,
declined his Holiness's _vague_ offers. If we consider that Petrarch
made no secret of his good wishes for Rienzo, it may seem surprisingly
creditable to the Pontiff's liberality that he should have even
_professed_ any interest in the poet's fortune; but in a letter to his
friend Socrates, Petrarch gives us to understand that he thought the
Pope's professions were merely verbal. He says: "To hold out treasures
to a man who demands a small sum is but a polite mode of refusal. " In
fact, the Pope offered him _some_ bishopric, knowing that he wanted
only _some_ benefice that should be a sinecure.
If it be asked what determined him now to leave Avignon, the
counter-question may be put, what detained him so long from Italy? It
appears that he had never parted with his house and garden at Parma; he
hated everything in Avignon excepting Laura; and of the solitude of
Vaucluse he was, in all probability, already weary.