[346] An Attic town on the east coast, noted for a
magnificent
temple, in
which stood the statue of Artemis, which Orestes and Iphigenia had
brought from the Tauric Chersonese and also for the Brauronia, festivals
that were celebrated every four years in honour of the goddess.
which stood the statue of Artemis, which Orestes and Iphigenia had
brought from the Tauric Chersonese and also for the Brauronia, festivals
that were celebrated every four years in honour of the goddess.
Aristophanes
') Perhaps relying little on the literary
value of their work, it seems that they sought to please the people by
the magnificence of its staging.
[336] He had written a piece called 'The Mice,' which he succeeded with
great difficulty in getting played, but it met with no success.
[337] This passage really follows on the invocation, "_Oh, Muse! drive
the War_," etc. , from which indeed it is only divided by the interpolated
criticism aimed at Carcinus.
[338] The Scholiast informs us that these verses are borrowed from a poet
of the sixth century B. C.
[339] Sons of Philocles, of the family of Aeschylus, tragic writers,
derided by Aristophanes as bad poets and notorious gluttons.
[340] The Gorgons were represented with great teeth, and therefore the
same name was given to gluttons. The Harpies, to whom the two voracious
poets are also compared, were monsters with the face of a woman, the body
of a vulture and hooked beak and claws.
[341] A tragic and dithyrambic poet, who had written many pieces, which
had met with great success at Athens.
[342] The shooting stars.
[343] That is, men's tools;--we can set her to 'fellate. '
[344] It has already been mentioned that the sons of Carcinus were
dancers.
[345] It was customary at weddings, says Menander, to give the bride a
sesame-cake as an emblem of fruitfulness, because sesame is the most
fruitful of all seeds.
[346] An Attic town on the east coast, noted for a magnificent temple, in
which stood the statue of Artemis, which Orestes and Iphigenia had
brought from the Tauric Chersonese and also for the Brauronia, festivals
that were celebrated every four years in honour of the goddess. This was
one of the festivals which the Attic people kept with the greatest pomp,
and was an occasion for debauchery.
[347] Competitors intending to take part in the great Olympic, Isthmian
and other games took with them a tent, wherein to camp in the open.
Further, there is an obscene allusion which the actor indicates by
gesture, pointing to the girl's privates, signifying there is the lodging
where he would fain find a delightful abode. The 'Isthmus' is the
perineum, the narrow space betwixt _anus_ and _cunnus_.
[348] He was a 'cunnilingue,' as we gather also from what Aristophanes
says of his infamous habits in the 'Knights. '
[349] Doubtless the vessels and other sacrificial objects and implements
with which Theoria was laden in her character of presiding deity at
religious ceremonies.
[350] The whole passage is full of obscene _double entendres_. Theoria
throughout is spoken of in words applicable to either of her twofold
character--as a sacred, religious feast, and as a lady of pleasure.
[351] Where the meats were cooked after sacrifice; Trygaeus points to
Theoria's privates, marking the secondary obscene sense he means to
convey.
[352] "Or otherwise"--that is, with the standing penis. The whole
sentence contains a series of allusions to different 'modes of love. '
[353] One of the offices of the Prytanes was to introduce those who asked
admission to the Senate, but it would seem that none could obtain this
favour without payment. Without this, a thousand excuses would be made;
for instance, it would be a public holiday, and consequently the Senate
could receive no one. As there was some festival nearly every day, he
whose purse would not open might have to wait a very long while.
[354] This was only offered to lesser deities.
value of their work, it seems that they sought to please the people by
the magnificence of its staging.
[336] He had written a piece called 'The Mice,' which he succeeded with
great difficulty in getting played, but it met with no success.
[337] This passage really follows on the invocation, "_Oh, Muse! drive
the War_," etc. , from which indeed it is only divided by the interpolated
criticism aimed at Carcinus.
[338] The Scholiast informs us that these verses are borrowed from a poet
of the sixth century B. C.
[339] Sons of Philocles, of the family of Aeschylus, tragic writers,
derided by Aristophanes as bad poets and notorious gluttons.
[340] The Gorgons were represented with great teeth, and therefore the
same name was given to gluttons. The Harpies, to whom the two voracious
poets are also compared, were monsters with the face of a woman, the body
of a vulture and hooked beak and claws.
[341] A tragic and dithyrambic poet, who had written many pieces, which
had met with great success at Athens.
[342] The shooting stars.
[343] That is, men's tools;--we can set her to 'fellate. '
[344] It has already been mentioned that the sons of Carcinus were
dancers.
[345] It was customary at weddings, says Menander, to give the bride a
sesame-cake as an emblem of fruitfulness, because sesame is the most
fruitful of all seeds.
[346] An Attic town on the east coast, noted for a magnificent temple, in
which stood the statue of Artemis, which Orestes and Iphigenia had
brought from the Tauric Chersonese and also for the Brauronia, festivals
that were celebrated every four years in honour of the goddess. This was
one of the festivals which the Attic people kept with the greatest pomp,
and was an occasion for debauchery.
[347] Competitors intending to take part in the great Olympic, Isthmian
and other games took with them a tent, wherein to camp in the open.
Further, there is an obscene allusion which the actor indicates by
gesture, pointing to the girl's privates, signifying there is the lodging
where he would fain find a delightful abode. The 'Isthmus' is the
perineum, the narrow space betwixt _anus_ and _cunnus_.
[348] He was a 'cunnilingue,' as we gather also from what Aristophanes
says of his infamous habits in the 'Knights. '
[349] Doubtless the vessels and other sacrificial objects and implements
with which Theoria was laden in her character of presiding deity at
religious ceremonies.
[350] The whole passage is full of obscene _double entendres_. Theoria
throughout is spoken of in words applicable to either of her twofold
character--as a sacred, religious feast, and as a lady of pleasure.
[351] Where the meats were cooked after sacrifice; Trygaeus points to
Theoria's privates, marking the secondary obscene sense he means to
convey.
[352] "Or otherwise"--that is, with the standing penis. The whole
sentence contains a series of allusions to different 'modes of love. '
[353] One of the offices of the Prytanes was to introduce those who asked
admission to the Senate, but it would seem that none could obtain this
favour without payment. Without this, a thousand excuses would be made;
for instance, it would be a public holiday, and consequently the Senate
could receive no one. As there was some festival nearly every day, he
whose purse would not open might have to wait a very long while.
[354] This was only offered to lesser deities.
