No More Learning

Battle of Hastings, No. 2.
Onn oure Ladies Chyrche
On the same
Epitaph on Robert Canynge
The Storie of William Canynge
On Happienesse, by William Canynge
Onn Johne a Dalbenie, by the same
The Gouler's Requiem, by the same
The Accounte of W. Canynge's Feast
GLOSSARY




PREFACE.


The Poems, which make the principal part of this Collection, have
for some time excited much curiosity, as the supposed productions of
THOMAS ROWLEY, a priest of Bristol, in the reigns of Henry VI. and
Edward IV. They are here faithfully printed from the most authentic
MSS that could be procured; of which a particular description is given
in the _Introductory account of the several pieces contained in this
volume_, subjoined to this Preface. Nothing more therefore seems
necessary at present, than to inform the Reader shortly of the manner
in which these Poems were first brought to light, and of the authority
upon which they are ascribed to the persons whose names they bear.

This cannot be done so satisfactorily as in the words of Mr. George
Catcott of Bristol, to whose very laudable zeal the Publick is
indebted for the most considerable part of the following collection.
His account of the matter is this: "The first discovery of certain MSS
having been deposited in Redclift church, above three centuries ago,
was made in the year 1768, at the time of opening the new bridge at
Bristol, and was owing to a publication in _Farley's Weekly Journal_,
1 October 1768, containing an _Account of the ceremonies observed at
the opening of the old bridge_, taken, as it was said, from a very
antient MS. This excited the curiosity of some persons to enquire
after the original. The printer, Mr. Farley, could give no account of
it, or of the person who brought the copy; but after much enquiry
it was discovered, that the person who brought the copy was a youth,
between 15 and 16 years of age, whose name was Thomas Chatterton, and
whose family had been sextons of Redclift church for near 150 years.
His father, who was now dead, had also been master of the free-school
in Pile-street.
The young man was at first very unwilling to discover
from whence he had the original; but, after many promises made to him,
he was at last prevailed on to acknowledge, that he had received this,
_together with many other MSS_, from his father, who had found them
in a large chest in an upper room over the chapel on the north side of
Redclift church. "

Soon after this Mr. Catcott commenced his acquaintance with young
Chatterton[1], and, partly as presents partly as purchases, procured
from him copies of many of his MSS. in in prose and verse. Other
copies were disposed of, in the same way, to Mr. William Barrett, an
eminent surgeon at Bristol, who has long been engaged in writing
the history of that city. Mr. Barrett also procured from him several
fragments, some of a considerable length, written upon vellum[2],
which he asserted to be part of his original MSS. In short, in the
space of about eighteen months, from October 1768 to April 1770,
besides the Poems now published, he produced as many compositions,
in prose and verse, under the names of Rowley, Canynge, &c. as would
nearly fill such another volume.

In April 1770 Chatterton went to London, and died there in the August
following; so that the whole history of this very extraordinary
transaction cannot now probably be known with any certainty. Whatever
may have been his part in it; whether he was the author, or only
the copier (as he constantly asserted) of all these productions; he
appears to have kept the secret entirely to himself, and not to have
put it in the power of any other person, to bear certain testimony
either to his fraud or to his veracity.

The question therefore concerning the authenticity of these Poems must
now be decided by an examination of the fragments upon vellum, which
Mr. Barrett received from Chatterton as part of his original MSS. ,
and by the internal evidence which the several pieces afford. If the
Fragments shall be judged to be genuine, it will still remain to be
determined, how far their genuineness should serve to authenticate the
rest of the collection, of which no copies, older than those made by
Chatterton, have ever been produced.