The author of the Decamerone regarded Petrarch as his
literary
master.
Petrarch
I walked, I rode on horseback, according to my usual custom;
but my leg became inflamed, the skin changed colour, and mortification
began to appear. The pain took away my cheerfulness and sleep. I then
perceived that it was foolish courage to trifle with so serious an
accident. Doctors were called in. They feared at first that it would be
necessary to amputate the limb; but, at last, by means of regimen and
fomentation, the afflicted member was put into the way of healing. It is
singular that, ever since my infancy, my misfortunes have always fallen
on this same left leg. In truth, I have always been tempted to believe
in destiny; and why not, if, by the word destiny, we understand
Providence? "
As soon as his leg was recovered, he made a trip to Bergamo. There was
in that city a jeweller named Enrico Capri, a man of great natural
talents, who cherished a passionate admiration for the learned, and
above all for Petrarch, whose likeness was pictured or statued in every
room of his house. He had copies made at a great expense of everything
that came from his pen. He implored Petrarch to come and see him at
Bergamo. "If he honours my household gods," he said, "but for a single
day with his presence, I shall be happy all my life, and famous through
all futurity. " Petrarch consented, and on the 13th of October, 1358, the
poet was received at Bergamo with transports of joy. The governor of the
country and the chief men of the city wished to lodge him in some
palace; but Petrarch adhered to his jeweller, and would not take any
other lodging but with his friend.
A short time after his return to Milan, Petrarch had the pleasure of
welcoming to his house John Boccaccio, who passed some days with him.
The author of the Decamerone regarded Petrarch as his literary master.
He owed him a still higher obligation, according to his own statement;
namely, that of converting his heart, which, he says, had been frivolous
and inclined to gallantry, and even to licentiousness, until he received
our poet's advice. He was about forty-five years old when he went to
Milan. Petrarch made him sensible that it was improper, at his age, to
lose his time in courting women; that he ought to employ it more
seriously, and turn towards heaven, the devotion which he misplaced on
earthly beauties. This conversation is the subject of one of
Boccaccio's eclogues, entitled, "Philostropos. " His eclogues are in the
style of Petrarch, obscure and enigmatical, and the subjects are muffled
up under emblems and Greek names.
After spending some days with Petrarch, that appeared short to them
both, Boccaccio, pressed by business, departed about the beginning of
April, 1359. The great novelist soon afterwards sent to Petrarch from
Florence a beautiful copy of Dante's poem, written in his own hand,
together with some indifferent Latin verses, in which he bestows the
highest praises on the author of the Inferno. At that time, half the
world believed that Petrarch was jealous of Dante's fame; and the rumour
was rendered plausible by the circumstance--for which he has accounted
very rationally--that he had not a copy of Dante in his library.
In the month of May in this year, 1359, a courier from Bohemia brought
Petrarch a letter from the Empress Anne, who had the condescension to
write to him with her own hand to inform him that she had given birth to
a daughter. Great was the joy on this occasion, for the Empress had been
married five years, but, until now, had been childless. Petrarch, in his
answer, dated the 23rd of the same month, after expressing his sense of
the honour which her Imperial Majesty had done him, adds some
common-places, and seasons them with his accustomed pedantry. He
pronounces a grand eulogy on the numbers of the fair sex who had
distinguished themselves by their virtues and their courage. Among these
he instances Isis, Carmenta, the mother of Evander, Sappho, the Sybils,
the Amazons, Semiramis, Tomiris, Cleopatra, Zenobia, the Countess
Matilda, Lucretia, Cornelia, the mother of the Gracchi, Martia, Portia,
and Livia. The Empress Anne was no doubt highly edified by this
muster-roll of illustrious women; though some of the heroines, such as
Lucretia, might have bridled up at their chaste names being classed with
that of Cleopatra.
Petrarch repaired to Linterno, on the 1st of October, 1359; but his stay
there was very short.
but my leg became inflamed, the skin changed colour, and mortification
began to appear. The pain took away my cheerfulness and sleep. I then
perceived that it was foolish courage to trifle with so serious an
accident. Doctors were called in. They feared at first that it would be
necessary to amputate the limb; but, at last, by means of regimen and
fomentation, the afflicted member was put into the way of healing. It is
singular that, ever since my infancy, my misfortunes have always fallen
on this same left leg. In truth, I have always been tempted to believe
in destiny; and why not, if, by the word destiny, we understand
Providence? "
As soon as his leg was recovered, he made a trip to Bergamo. There was
in that city a jeweller named Enrico Capri, a man of great natural
talents, who cherished a passionate admiration for the learned, and
above all for Petrarch, whose likeness was pictured or statued in every
room of his house. He had copies made at a great expense of everything
that came from his pen. He implored Petrarch to come and see him at
Bergamo. "If he honours my household gods," he said, "but for a single
day with his presence, I shall be happy all my life, and famous through
all futurity. " Petrarch consented, and on the 13th of October, 1358, the
poet was received at Bergamo with transports of joy. The governor of the
country and the chief men of the city wished to lodge him in some
palace; but Petrarch adhered to his jeweller, and would not take any
other lodging but with his friend.
A short time after his return to Milan, Petrarch had the pleasure of
welcoming to his house John Boccaccio, who passed some days with him.
The author of the Decamerone regarded Petrarch as his literary master.
He owed him a still higher obligation, according to his own statement;
namely, that of converting his heart, which, he says, had been frivolous
and inclined to gallantry, and even to licentiousness, until he received
our poet's advice. He was about forty-five years old when he went to
Milan. Petrarch made him sensible that it was improper, at his age, to
lose his time in courting women; that he ought to employ it more
seriously, and turn towards heaven, the devotion which he misplaced on
earthly beauties. This conversation is the subject of one of
Boccaccio's eclogues, entitled, "Philostropos. " His eclogues are in the
style of Petrarch, obscure and enigmatical, and the subjects are muffled
up under emblems and Greek names.
After spending some days with Petrarch, that appeared short to them
both, Boccaccio, pressed by business, departed about the beginning of
April, 1359. The great novelist soon afterwards sent to Petrarch from
Florence a beautiful copy of Dante's poem, written in his own hand,
together with some indifferent Latin verses, in which he bestows the
highest praises on the author of the Inferno. At that time, half the
world believed that Petrarch was jealous of Dante's fame; and the rumour
was rendered plausible by the circumstance--for which he has accounted
very rationally--that he had not a copy of Dante in his library.
In the month of May in this year, 1359, a courier from Bohemia brought
Petrarch a letter from the Empress Anne, who had the condescension to
write to him with her own hand to inform him that she had given birth to
a daughter. Great was the joy on this occasion, for the Empress had been
married five years, but, until now, had been childless. Petrarch, in his
answer, dated the 23rd of the same month, after expressing his sense of
the honour which her Imperial Majesty had done him, adds some
common-places, and seasons them with his accustomed pedantry. He
pronounces a grand eulogy on the numbers of the fair sex who had
distinguished themselves by their virtues and their courage. Among these
he instances Isis, Carmenta, the mother of Evander, Sappho, the Sybils,
the Amazons, Semiramis, Tomiris, Cleopatra, Zenobia, the Countess
Matilda, Lucretia, Cornelia, the mother of the Gracchi, Martia, Portia,
and Livia. The Empress Anne was no doubt highly edified by this
muster-roll of illustrious women; though some of the heroines, such as
Lucretia, might have bridled up at their chaste names being classed with
that of Cleopatra.
Petrarch repaired to Linterno, on the 1st of October, 1359; but his stay
there was very short.
