It
seems to me that the readings of l.
seems to me that the readings of l.
John Donne
PAGE =369=. A HYMNE TO GOD THE FATHER.
The text of the 1633 edition, which is, with one trifling exception,
that of the other printed editions, is followed by Walton in the first
short life of Donne prefixed to the _LXXX Sermons_ (1640). Walton
probably took it from one of the 1633, 1635, or 1639 editions; but he
may have had a copy of the poem. The MSS. which contain the hymn have
some important differences, and instead of noting these as variants
or making a patchwork text I have thought it best to print the poem
as given in _A18_, _N_, _O'F_, _S96_, _TCC_, _TCD_. The six MSS.
represent three or perhaps two different sources if _O'F_ and _S96_
are derived from a common original--(1) _A18_, _N_, _TC_, (2) _S96_,
(3) _O'F_. It is not likely, therefore, that their variants are simply
editorial emendations. In some respects their text seems to me to
improve on that of the printed editions.
_S96_ and _O'F_ differ from the third group in reading, at l. 5, 'I
have not done. ' On the other hand, _A18_ and _TC_ at l. 4 read 'do
them', and at l. 15 'this sunne' (probably a misreading of 'thie').
It
seems to me that the readings of l. 2 ('is'), l. 3 ('those sinnes'),
l. 7 ('by which I won'), and l. 15 ('Sweare by thyself') are
undoubtedly improvements, and in a text constructed on the principle
adopted by Mr. Bullen in his anthologies I should adopt them. Some of
the other readings, e. g. l. 18 ('I have no more'), probably belong
to a first version of the poem and were altered by the poet himself.
_O'F_, which was prepared in 1632, strikes out 'have' and writes
'fear' above. But in a seventeenth-century poem, circulating in MS.
and transcribed in commonplace-books, who can say which emendations
are due to the author, which to transcribers? Moreover, the line 'I
have no more', i. e. no more to ask, emphasizes the play upon his own
name which runs through the poem.