No More Learning

We hear also of Michael Clayfield, a distiller, one of the very few
men in Bristol whom Chatterton admired and respected; of Baker, the
poet's bedfellow at Colston's, for whom Chatterton wrote love poems,
as Cyrano de Bergerac did for Christian de Neuvillette, to the address
of a certain Miss Hoyland--thin, conventional silly stuff, but Roxane
was probably not very critical; of Catcott's brother, the Rev. A.
Catcott, who had a fine library and was the author of a treatise on
the Deluge; of Smith, a schoolfellow; of Palmer an engraver, and a
number of others--mere names for the most part. Baker, Thistlethwaite
and a few more were contemporaries of the poet, but the rest of the
circle consisted mainly of men who had reached middle age--dullards,
perhaps, who condescended to clever adolescence, whom Chatterton
certainly mocked bitterly enough in satires which he wrote apparently
for his own private satisfaction, but whom he nevertheless took
considerable pains to conciliate as being men of substance who could
lend books and now and then reward the Muse with five shillings.
For Burgum the poet invented, and pretended to derive from numerous
authorities (some of which are wholly imaginary), a magnificent
pedigree showing him descended from a Simon de Seyncte Lyse _alias_
Senliz Earl of Northampton who had come over with the Conqueror. To
this he appended a portion of a poem not included in this edition,
entitled the 'Romaunte of the Cnyghte', composed by John de Bergham
about A. D. 1320. It was some years before Mr. Burgum applied to the
College of Heralds to have his pedigree ratified, but when he did so
he was informed that there had never been a de Bergham entitled to
bear arms.

With a second instalment of the genealogical table were copies of
the poems called _The Tournament_ and _The Gouler's_ (i. e. Usurer's)
_Requiem_, which are printed in this volume. Mr. Burgum was completely
taken in, and, exulting in his new-found dignity, acknowledged the
announcement of his splendid birth with a present of five shillings.
It is worthy of notice that the pedigree made mention of a certain
Radcliffe Chatterton de Chatterton, but Burgum's suspicions were not
aroused by the circumstance.

In July 1765, that is to say when the boy was aged about 13, the
authorities of Colston's Hospital apprenticed him to John Lambert, a
Bristol attorney. He had chosen the calling himself, but it was not
long before the life became intolerable to him. It was arranged
that he should board with Lambert, and the attorney made him share a
bedroom with the foot-boy and eat his meals in the kitchen. Further,
though his sister has recorded that the work was light, the
practice being inconsiderable, Lambert always tore up any writing of
Chatterton's that he could find if it did not relate to his business.
'_Your stuff_! ' he would say. Nevertheless he admitted that his
apprentice was always to be found at his desk, for he often sent the
footman in to see. And no doubt on some of these occasions Chatterton
was copying the legal precedents of which 370 folio pages, neatly
written in a well-formed handwriting, remain to this day as evidence
of legitimate industry. At other times he was certainly composing
poems by Rowley.

Perhaps at this point it would be well to give some account of
Chatterton's method in the production of ancient writings. First it
seems he wrote the matter in the ordinary English of his day. Then he
would with the help of an English-Rowley and Rowley-English Dictionary
(which he had laboriously compiled for himself out of the vocabulary
to Speght's _Chaucer_, Bailey's _Universal Etymological Dictionary_,
and Kersey's _Dictionarium Anglo-Britannicum_) translate the work
into what he probably thought was a very fair imitation of fifteenth
century language. His spelling Professor Skeat characterizes as
'that debased kind which prevails in Chevy Chase and the Battle of
Otterbourn in Percy's _Reliques_, only a little more disguised. '
Percy's _Reliques_ were not published till 1765, but it is natural to
suppose that Chatterton when he was 'wildly squandering all he got
On books and learning and the Lord knows what,' and thereby involving
himself in some little debt, would have bought the volume very soon
after its publication. Finally as to the production of 'an original'.