Many
eminent English poets have been laid under contribution by him,
often without going through the form of acknowledging the
source of inspiration.
eminent English poets have been laid under contribution by him,
often without going through the form of acknowledging the
source of inspiration.
Pushkin - Eugene Oneigin
"--"No!
How dark the night is getting though!
Hallo, Andriushka, onward race!
The drive becomes monotonous--
Well! Larina appears to us
An ancient lady full of grace. --
That bilberry wine, I'm sore afraid,
The deuce with my inside has played. "
IV
"Say, of the two which was Tattiana? "
"She who with melancholy face
And silent as the maid Svetlana(30)
Hard by the window took her place. "--
"The younger, you're in love with her! "
"Well! "--"I the elder should prefer,
Were I like you a bard by trade--
In Olga's face no life's displayed.
'Tis a Madonna of Vandyk,
An oval countenance and pink,
Yon silly moon upon the brink
Of the horizon she is like! "--
Vladimir something curtly said
Nor further comment that night made.
[Note 30: "Svetlana," a short poem by Joukovski, upon which his
fame mainly rests. Joukovski was an unblushing plagiarist.
Many
eminent English poets have been laid under contribution by him,
often without going through the form of acknowledging the
source of inspiration. Even the poem in question cannot be
pronounced entirely original, though its intrinsic beauty is
unquestionable. It undoubtedly owes its origin to Burger's poem
"Leonora," which has found so many English translators. Not
content with a single development of Burger's ghastly production
the Russian poet has directly paraphrased "Leonora" under its
own title, and also written a poem "Liudmila" in imitation of it.
The principal outlines of these three poems are as follows: A
maiden loses her lover in the wars; she murmurs at Providence
and is vainly reproved for such blasphemy by her mother.
Providence at length loses patience and sends her lover's spirit,
to all appearances as if in the flesh, who induces the unfortunate
maiden to elope. Instead of riding to a church or bridal chamber
the unpleasant bridegroom resorts to the graveyard and repairs to
his own grave, from which he has recently issued to execute his
errand. It is a repulsive subject. "Svetlana," however, is more
agreeable than its prototype "Leonora," inasmuch as the whole
catastrophe turns out a dream brought on by "sorcery," during the
"sviatki" or Holy Nights (see Canto V. st. x), and the dreamer
awakes to hear the tinkling of her lover's sledge approaching.
"Svetlana" has been translated by Sir John Bowring. ]
V
Meantime Oneguine's apparition
At Larina's abode produced
Quite a sensation; the position
To all good neighbours' sport conduced.
Endless conjectures all propound
And secretly their views expound.
What jokes and guesses now abound,
A beau is for Tattiana found!
In fact, some people were assured
The wedding-day had been arranged,
But the date subsequently changed
Till proper rings could be procured.
How dark the night is getting though!
Hallo, Andriushka, onward race!
The drive becomes monotonous--
Well! Larina appears to us
An ancient lady full of grace. --
That bilberry wine, I'm sore afraid,
The deuce with my inside has played. "
IV
"Say, of the two which was Tattiana? "
"She who with melancholy face
And silent as the maid Svetlana(30)
Hard by the window took her place. "--
"The younger, you're in love with her! "
"Well! "--"I the elder should prefer,
Were I like you a bard by trade--
In Olga's face no life's displayed.
'Tis a Madonna of Vandyk,
An oval countenance and pink,
Yon silly moon upon the brink
Of the horizon she is like! "--
Vladimir something curtly said
Nor further comment that night made.
[Note 30: "Svetlana," a short poem by Joukovski, upon which his
fame mainly rests. Joukovski was an unblushing plagiarist.
Many
eminent English poets have been laid under contribution by him,
often without going through the form of acknowledging the
source of inspiration. Even the poem in question cannot be
pronounced entirely original, though its intrinsic beauty is
unquestionable. It undoubtedly owes its origin to Burger's poem
"Leonora," which has found so many English translators. Not
content with a single development of Burger's ghastly production
the Russian poet has directly paraphrased "Leonora" under its
own title, and also written a poem "Liudmila" in imitation of it.
The principal outlines of these three poems are as follows: A
maiden loses her lover in the wars; she murmurs at Providence
and is vainly reproved for such blasphemy by her mother.
Providence at length loses patience and sends her lover's spirit,
to all appearances as if in the flesh, who induces the unfortunate
maiden to elope. Instead of riding to a church or bridal chamber
the unpleasant bridegroom resorts to the graveyard and repairs to
his own grave, from which he has recently issued to execute his
errand. It is a repulsive subject. "Svetlana," however, is more
agreeable than its prototype "Leonora," inasmuch as the whole
catastrophe turns out a dream brought on by "sorcery," during the
"sviatki" or Holy Nights (see Canto V. st. x), and the dreamer
awakes to hear the tinkling of her lover's sledge approaching.
"Svetlana" has been translated by Sir John Bowring. ]
V
Meantime Oneguine's apparition
At Larina's abode produced
Quite a sensation; the position
To all good neighbours' sport conduced.
Endless conjectures all propound
And secretly their views expound.
What jokes and guesses now abound,
A beau is for Tattiana found!
In fact, some people were assured
The wedding-day had been arranged,
But the date subsequently changed
Till proper rings could be procured.
