No More Learning

2. _Perspicuitas_. --The next property of epistolary style is perspicuity,
and is oftentimes by affectation of some wit ill angled for, or
ostentation of some hidden terms of art. Few words they darken speech,
and so do too many; as well too much light hurteth the eyes, as too
little; and a long bill of chancery confounds the understanding as much
as the shortest note; therefore, let not your letters be penned like
English statutes, and this is obtained. These vices are eschewed by
pondering your business well and distinctly concerning yourself, which is
much furthered by uttering your thoughts, and letting them as well come
forth to the light and judgment of your own outward senses as to the
censure of other men's ears; for that is the reason why many good
scholars speak but fumblingly; like a rich man, that for want of
particular note and difference can bring you no certain ware readily out
of his shop. Hence it is that talkative shallow men do often content the
hearers more than the wise. But this may find a speedier redress in
writing, where all comes under the last examination of the eyes. First,
mind it well, then pen it, then examine it, then amend it, and you may be
in the better hope of doing reasonably well. Under this virtue may come
plainness, which is not to be curious in the order as to answer a letter,
as if you were to answer to interrogatories. As to the first, first; and
to the second, secondly, &c. but both in method to use (as ladies do in
their attire) a diligent kind of negligence, and their sportive freedom;
though with some men you are not to jest, or practise tricks; yet the
delivery of the most important things may be carried with such a grace,
as that it may yield a pleasure to the conceit of the reader. There must
be store, though no excess of terms; as if you are to name store,
sometimes you may call it choice, sometimes plenty, sometimes
copiousness, or variety; but ever so, that the word which comes in lieu
have not such difference of meaning as that it may put the sense of the
first in hazard to be mistaken. You are not to cast a ring for the
perfumed terms of the time, as _accommodation_, _complement_, _spirit_
&c. , but use them properly in their place, as others.

3.
_Vigor_--There followeth life and quickness, which is the strength and
sinews, as it were, of your penning by pretty sayings, similitudes, and
conceits; allusions from known history, or other common-place, such as
are in the _Courtier_, and the second book of Cicero _De Oratore_.

4. _Discretio_. --The last is, respect to discern what fits yourself, him
to whom you write, and that which you handle, which is a quality fit to
conclude the rest, because it doth include all. And that must proceed
from ripeness of judgment, which, as one truly saith, is gotten by four
means, God, nature, diligence, and conversation. Serve the first well,
and the rest will serve you.

_De Poetica_. --We have spoken sufficiently of oratory, let us now make a
diversion to poetry. Poetry, in the primogeniture, had many peccant
humours, and is made to have more now, through the levity and inconstancy
of men's judgments. Whereas, indeed, it is the most prevailing
eloquence, and of the most exalted caract. Now the discredits and
disgraces are many it hath received through men's study of depravation or
calumny; their practice being to give it diminution of credit, by
lessening the professor's estimation, and making the age afraid of their
liberty; and the age is grown so tender of her fame, as she calls all
writings aspersions.

That is the state word, the phrase of court (placentia college), which
some call Parasites place, the Inn of Ignorance.

_D. Hieronymus_. --Whilst I name no persons, but deride follies, why should
any man confess or betray himself why doth not that of S. Hierome come
into their mind, _Ubi generalis est de vitiis disputatio_, _ibi nullius
esse personae injuriam_?